The Philadelphia Inquirer from Philadelphia, Pennsylvania • Page 48

"fr 4-D Tuesday, May 22, 1984 Philadelphia Inquirer -THE ARTS Today's book Critical essays on an art form In Chinese art, melding of language and image 4 -t i it 1 -i 4 il Review '4? i i in By Edward J. Sozanski Inquirer Art Critic The collections that Princeton University has received from alumnus John B. Elliott and the Edward Elliott family have played a major role in trans-' forming the university museum into one of the country's leading repositories of Chinese art. The museum has put 70 pieces of painting and calligraphy from the Elliott collections on view in a major exhibition called "Images of the Mind." It is a beautiful and insightful visual adventure and, in the exhibition catalogue, a major work of scholarship. The catalogue's principal essay, by Princeton Professor Wen C.

Fong, is a book in itself of more than 200 pages, tracing the history of Chinese art from neolithic times to the present. Fong's extended explication illuminates the sublimity of Chinese art, which can elude those accustomed to the declamatory style of European painting and sculpture. Unlike Western art, which is concerned with visual stimuli and re-creating experiences, Chinese art is essentially conceptual. It reflects the Chinese recognition of a unity of speech, writing and drawing that does not attend in the West. By showing painting and calligraphy together, "Images of the Mind" confirms the possibility of such unity.

The material, covering more than eight centuries (from the late 11th to the early 20th century), also serves as a survey in which the continual reinterpretation of Chinese aesthetic principles by successive generations of artists is readily apparent. The paintings deal with traditional subjects like landscapes, flowers and animals. They often include poetic inscriptions, and almost all contain additional embossments in the form of artists' and collectors' seals. Each painting combines image and language in a way that Western artists like Cy Twombley began to do only relatively recently. However, the ideographic characters of the Chinese language, which are abstractions of pictographs are intrinsically more graphic than the alphabetic characters of European languages.

Only someone who reads Chinese can appreciate how completely language and drawing are melded so that each expresses the thoughts of the other. Anyone, however, can perceive in these superb examples of calligraphy the unity of purpose and spirit that guides the artist's hand. The Chinese regard painting and calligraphy as manifestations of the same creative impulse, governed by the same aesthetic discipline. The essence of both is the gesture that is first realized in the mind and transmitted to paper or silk in a practiced motion of the arm and hand that is virtually autonomic. The beauty of calligraphy lies in that discipline.

The calligrapher attempts to strike a balance be- tween beauty and skill, strength and grace, all within very narrow parameters. The variations in calligraphic styles are somewhat analogous to the differences between fonts of type some are rounded, some angular; some are drawn slowly, others quickly. The type of brush, density of ink, position of the brush in the hand and speed of the stroke all determine the character of the mark. A major piece of calligraphy, like the 30-foot-long scroll called "Calligraphy in the Styles of Four Sung Masters," calls to mind the observation of a Chinese scholar: "Speech is the sound of the mind, calligraphy is the picture of the mind." The unity of calligraphy and drawing also expresses itself in the fluid, relaxed Chinese drawing style. The strokes appear effortless, as if the brush had barely touched the paper or silk.

In an extended view like "Landscape in the Style of Huang Kung-Wang," dated 1624, the image flows across the paper as if preordained. The progression of mountains and trees is laid down with utter confidence but without a hint of tension or anxiety. In traditional Chinese paintings, like "An Ancient House Under Tall Pine Trees" or "Landscape In the Style of Ni Tsan," both from the 17th or early 18th century, the image represents a conception rather than a transcription from nature. Space is organized according to a theatrical convention; it is essentially stacked rather than recessional like Western space. Economy of color and line accentuates the feeling of immediacy.

Even a Westerner not imbued with the cultural predisposition to such art can almost imagine tracing the flow of the mark back up through the artist's brush into his hand and arm to its point of inception in his imagination. The examples from the 19th and 20th centuries, like "Plums and Daffodils," are more chromatic and somewhat less graceful the drawing seems coarser, more athletic. Yet it remains faithful to traditional forms that go back thousands of years. Fading and aging are responsible for much of the nuances in the older pieces. A 12th-century fan-shaped landscape drawn in ink on silk has mellowed to a rich bronze hue; the image has lost definition but it has become emotionally richer.

The same is true for an extraordinary 13th-century scroll called "The Mind Landscape of Hsieh Yu-yu," whose green and blue coloring has been attenuated by light. However, the transcendent quality of the piece, the most distinguishing characteristic of Eastern art, persists. The Art Museum, Princeton University. 1-609452-3788. 10 a.m.4 p.m., Sun.

IS p.m. Through July 1. THE ART OF PERFORMANCE: A Critical Anthology. Edited by Gregory Battcock and Robert Nickas. E.P.

Dutton. $15.95. One essay in this useful but badly flawed anthology suggests that the roots of contemporary performance art, a virtually indefinable hybrid form, are to be found in Renaissance Rome. This seems a little excessive. More to the point is that artistic movements of the 20th century seem to compel artists to act out their ideas, as critic RoseLee Goldberg says in one of her essays included here.

Contemporary performance art, however, really looks back to the "happenings" of the the 1960s. These largely unscripted, improvisational events flowered into a full-scale movement in the mid-1970s, and performance art is now enjoying a mild rebirth in the mid-1980s. As Cee S. Brown notes here: "Surprisingly, despite the increasing number of active performance artists and the improved quality of their material, there has not been much growth in critical writing about performance art. Much of the writing done tends to be merely descriptive and tends to use the vernacular of the traditional art forms of painting and sculpture, shying away from the exploratory and the critical." This is all too true, and unfortunately it is a criticism that could be leveled at this anthology.

When the writing is not descriptive, it is murky, leaden and unenlightening. Sometimes it is ludicrous. In discussing Vito Acconci, a New York performance artist whose best-" known creations have placed him in personal danger, French critic Francois Pluchart writes: "The action ends at the ultimate stage of exhaustion, at the approach of death, which, if it actually came, would be for the artist a kind of setback." Indeed. Aside from opaque prose, problematic critical remarks and bad copy editing, The Art of Performance displays a serious ideological bias. It virtually ignores the role of politics and feminism in both building the performance-art movement and in providing the subject matter for some of its most memorable creations.

For this, the interested reader will have to turn to Moira Roth's The Amazing Decade: Women and Performance Art in America, 1970-1980 (Astro Artz, 1983). The omission of informed political and feminist inquiry is a serious flaw, but there is still interesting material here focusing on individual artists: Jochen Gertz, Vito Acconci, Charlotte Moorman, Nam June Paik, Laurie Anderson and Terry Fox. And there is some wonderful photodocu-mentation, including a picture of a bedraggled Jochen Gerz standing next to his own photograph on a sidewalk in very bourgeois Basel, Switzerland. Reviewed by Stephan Salisbury, en Inquirer cultural reporter. Cha Shi-piao's 'Landscape in the Style of Ni of 1600s Three fast-rising stars in 'Final Terror' cast Review THE FINAL TERROR Produced by Joe Roth, directed by Andrew Davis, written by John George, Neil Hicks, music by Ronald Shusett, and distributed by Comworid Pictures; running time, 1 hour, 37 mins.

It Wendy Daryl Hannah Margaret Rachel Ward Marco Adrian Zmed Mike John Friedrich Parents' guide: (violence, profanity, nudity) By Rick Lyman Inquirer Movie Critic Tired of slasher movies starring a bunch of people you've never heard of? Good news, gore-hounds. The Final Terror a previously unreleased two-year-old splatter flick is rising from the grave at a theater near you because some enterprising genius in the marketing department noticed that among the slashees are such recent stars as Daryl (Splash) Hannah, Rachel (Against All Odds) Ward and Adrian Zmed. bits. But at least you recognize their faces. Their presence is the only distinguishing thing about this low-budget Friday the 13th rip-off.

Once again we meet alroupe of young, oversexed campers who go on a rafting trip only to raise the ire of an evil hermit with a big knife. Ack! Whack! Arrrgh! The plot includes dead bodies falling out of trees, decapitated heads showing up in remote outhouses, glass jars filled with human parts and the implication that our evil slasher is also something of a were wolf. The characters spend half of their time arguing and the other half doing really, really stupid things like going to the aforementioned outhouse in the middle of the night all alone. Without the ferocity of something like The Evil Dead or the weird humor of something like The Howling, The Final Terror is just another weekend in the country. Anybody who's ever been to one of these repulsive movies will see the shocks coming a mile away.

And lov ers of gore will find The Final Terror decidedly tame alongside such recent, state-of-the-art slash flicks as Friday the 13th the Final Chapter. But maybe the producers have inadvertently hit on something good. Perhaps from now on, all slasher movies will be kept on some back shelf for a couple of years until the kids who star in them have a chance to either rise to stardom or sink quietly into oblivio. 1 Anything that keeps slasher movies on the shelf, however long, would be heartily welcomed in this corner. They do little but walk nervously through the woods waiting for the guy with the scythe to hack them to MOTION PICTURE RATINGS IG) Oatnerl AucVwnca (PG) Parayital Outdance SuggMtpd IB) Rarrnotact, Uftcktr 17 not MOV partnt or aesurt pjarrjaan (XI on) uradar II BcMtisd (XXI ar (XXX) No en undajr 21 irrWttd.

676- Cm UflDTUf KT i Roowve.1 Blvd. rDirTwiytTBinfion 783-4442FwsPiIa nruriyFkid-LevIck minrn row mid nmii F' ALL SEATS 99 Welsh Rd. 1600 THEATRE OF THE LIYINC ARTS 333-4400 VI tun BUDCO EATON DRIYE-IN Opens 730-Radlo Sound-Under 12 FREE! FINALTERROR (R) The Warrior A The Sorceress 1030 AGAINST ALL OODS (R) 7D5-920 334 South SI. 972-1014 Mon. -Sat.

All Shows Before 6 PM Sun Holidays 1st Matinee Only $2,005 ERIC TWIN LAWRENCE PARX 42 SOEvesTIl 7-00 Mon-Thurs BREAKIN' (PG) 7 30-9 20 Or SIXTEEN CANDLES (PG) 7 MATINEE TOMORROW AT 1 PM. LAWRENCE OF ARABIA 7 30-7 30 rnir tuiiii innunnr Lancasier Ave uwvuv vntn mnnn imn LA 5-7662 Lancaster Pike of Brvn Mawr Ave. 1. ROMANCING THE STONE (PG) 730-930 1. Hitchcock's The TraubM with Harry (PG) 7 30-9-30 Lnivinintiinniiunst HorsePk.NJ 42 50 Eves T71 7D0 Mon-Thurs THE NATURAL (PO) Or: MAKING THE GRADE (tt) 735-925 MATINEE TOMORROW AT 1 PM.

Alb ininMUmUlllA-dmore 442-2000 rnuiur nuiu Levlttown Shoo. Ctr Rl. 13 lunnt mm wi6-iooopt Fr tooocan 2 50 Eves Til 7-00 Mon-Thurs THE NATURAL (PG) 7 20-9 45 Or MAKING THE GRADE (R) 7 MATINEE TOMORROW AT 1 M. I. SIXTEEN CANDLES (PG) 1 15-3 2 FIRESTARTER (R) 1 3.

MOSCOW ON THE HUDSON (R) I 15-3 20-5 35 4 ROMANCING THE STONE (PG) 1 niinrn citv i iuc mm city una IUK02Q2BIIVE-M Opens 7 30-Radlo Sound-Under 12 FREEI Finders Keepers (R) Dusk -12 Mldnite NEVER SAY NEVER AGAIN (PG) 1035 1 42 50 Til 7:30 PM. Both Sides 1. SPLASH (PGI 15 2 ROMANCING THE STONE (PG) 7 20-9 15 vvuvv um i um i mri OR 3-2045 1 POLICE ACADEMY (R) 9:15 Plus RISKY BUSINESS (R) 7:30 2 FINAL TERROR (R) tDir TwiM oirntDunnn 447-3440, 34. 3 KMC BUCKS COLONIAL 2 Tin Markf lpnc-Si Rd at Buslielon Pk MM MailneeTwl-Lite Show Lid SiToov'jTinw ROMANCING THE STONE (PC) 00)-e 15 FMESTARTER(R) 0aoo)-oo ERfC 4 MuOADE MALL ffl 42 50Eves Til 7 00 Mon-Thurs SIXTEEN CANDLES IPG) 7 Or: HARDBODIES (R) 7-25-935 Or: SPLASH IPG) 30 Or: BREAKIN1 (PG) 7 MATINEE TOMORROW AT I P.M. Sis Wed INDIANA JONES (PO) MI6- BIIOCO 303 TWIN DRIYNN Tyfflu 7043 Castor (R) 42.50 Adults 42.50 ERIC TWIN WESTIWNT cufSvA 42 50 Eves Til 7l Mon-Thurl BREAKIN' (PG) 7-34-930 Or: TERMS OF ENDEARMENT (PG) MATINEE TOMORROW AT 1 P.M.

Sts Wed INDIANA JONES (PG) 1099 I nun PIS-4112 End of 309 no. al A3. MonhMmarvvllka B00C0 COLLEGE tSXSh iniu inin BnLULnnuwu Shopcente Rie. 611 to Fairway Rd East, Jenklntov J7 SO Eves Til 7:00 Mon-Thurs THE NATURAL (PG) 30-9-40 Now On 2 Screens-Your Choice of Times MATINFE TOMORROW AT I PM. wiiams Mpscow Oi Tlit Hmhw finders keepers iri 7 30-920 RI.3634, 1st Av.

Klngof Prussia f) iv) Saturday Shows Before 6 PM U.W Sun. Holiday First Mat. Only 1 THE FINAL TERROR (Rl 30 2 SIXTEEN CANDLES rnm unuTnAiirnwuii i ate- Du tnt lUIUTBIV OraMIHIII nunnn rvTflu twiu hiurui 363-9060 AMC LEO MALI 2 "7'" Heaters-Children Under 12 FREE) I. FINAL TERROR (R) Dusk II il The Warrtar The Sarcarast (R) 2030 Finders Keepers Dusk-12 Midnltt NEVER SAY NEVER AGAIN (PG) 1030 Onty txib i nuAiuunuuiUL nhWiii ntillnll 259-4117 Free Parking DUUbU IAIUH. I RIM Bust itlon-Somt ton 1 1949 BusHeton ftivAmSI 1 pence Academy (R) 7 Romancing The Stone (PG) 7 30-9 30 ERIC TWIN WD.LINSB0R9 42.50 Eves Til 700 Mon-Thurt FIRESTARTER (R) 730-934) Or: BREAKIN' (PG) MATINEE TOMORROW AT 1 P.M.

(PG) Exclusive Arm vrmny 54i church Ulujiw Jenkiniown ERIC TWIN BARCLAY SQUARES $2 50 Eves Til 7-00 Mon-Thurs FIRESTARTER (R) Or: Greys take, The Legend at Terxen (PG) MATINEE TOMORROW AT 1 PM. 12 so ves Til DOMon-Tnurs FOOTLOOSE (PG) 25 Or SIXTEEN CANDLES (PG) MB-MO Or SPLASH (PG) STS TOMORROW AT 1PM. IndUna JenesBrhe Tempte el Deem (PG) Fairkns HIHt 844-02)9 Showlnol mnni rSif TWiM iwirvs. BlinrnPITrUlV1M' 07 PakFre ILHUUIS MA 3-7060 SI Against All Odds IN 946-0109 i nin H.e. i Critics Rave 5 STARS LIQUID SKY iR) 715 9:15 TUJ1U umilklPOnnn Wil'boroShoo.

uuuuv wuinm i Rt 202s oiEipwy. ROMANCING THE STONE (PG) 7 30-9 30 J. FIRESTARTER (R) 30 3 FINDERS KEEPERS IR) 7 30-9-70 fUA IFlin RILUnUOUriUplaia 477-1000 SPRING MOVE SPECIAL fINAl WUHS ICEMAN (PG) HARD TO HOLD (PG) $1.00 ALL SEATS All TO I INtflnWHT LANS. BALT PK box ortica opens Und. 12 Fret WARRIOR THE SORCERESS IR) CHILDREN OF THE CORN (R) ANGEL (R) Or: FINAL TERROR (R) BLOOD BEACH (R) LOCKER ROOM TEASERS (R) 42 00 Adults Both Shows S2.50 Til 7 I.

FINDERS KEEPERS (R) 730-9-30 I. SPLASH (PG) ERIC TWIN BROOXHAYEN S2 50 Eves Til 7-00 Mon-Thurs FINAL TERROR (R) Or FIRESTARTER (R) 7 MATINEE TOMORROW AT 1 P.M. OS 5-0511 Park Free ERIC 3 PENN JERSEY Rl- ttd' 42.50 Eves Til 1H0 Mon-Thurs MAKING THE GRADE (R) Or: HARDBODIES (R) Or: BREAKIN' (PO) 7 30-9 30 MATINEE TOMORROW AT 1 PM. BUDCO HATBORO I lyrm PI I7I nVII Lincoln Plaia Mall tPf fuTTJOV Bf If I ROUTE 3t 662-0070 unvvtn i uiui I nin Rt Langhorne $2.50 Xtml 50 Mokow en TXe Hudsan (R) 715-9 25 gUbbnLAIM niU Cherry Hill Mall. NJ Nvt In nvlnrri UHu Mall 7S2-2900 lun nroTrnnn a On Clements Br Rd.

Mon-Sat All Shows Before PM t9 UFuM Til 7 0n rOIP TW1B rilt'TUIIT UM I 242-1122 12.50 ndli ULritUnU 0444-2400 DeptrordMad 25-3456 Sun Holidays Bargain Mattnat Lnm in in uiiittinui niLL inMki. So. I. FIRESTARTER (R) AMC PREMIERE 2 Tr. Nnriamlny Mull at Sun f)M MallnnTwi-uleSrtow tuH Lid SatTodav'sTlm SPLASH (PG) 5 30 ttH FINDERS KEEPER) (R) 001-HS FINDERS KEEPERS (R) Or: FIRESTARTER (R) MATINEE TOMORROW AT 1 PM.

UNCOLNORrTE-INX X-RatedAduflHIIsl i yyy Under la-Not Admlltedl AAA EXCLUSIVE DRIVE-IN SHOWING) fl-Champagne Jamie Gilllt MIDNIGHT HEAT (X) DR.IOVE0!) 3-Llsa Be a Ron Jeremy 1l-3 I CANDLES (PG) tniv i inn I inu KIS 207, 33 Epwy 42 SOEves Til 7l Mon-Thurs BREAKIN' (PG) Or HARDBODIES (R) 7 STS TOMORROW AT 1P M. Indiana JenesBtne Temple Deem (PG) wwtm in r-WMon-rnurs SIXTEEN CANDLES (PG) Or FOOTLOOSE IPG) 7JO-9JO Sts. Tomorrow At 1 M. Indiana JonesBtho Temple ef Deem (PG) BUDCO OLOE CITY CINEMA 112 Sansom St Walkway bet. Front 2nd Reduced Rate 600 Car Parking at Theatre All Seats 2 50 'Til 2:30 PM or Capacity 1.

MOSCOW ON THE HUDSON IR) 2 THE BOUNTY (PG) Dally MARCHWOOOCIN.1 MarchwoodShpClr PUBLIC AFFAIRS (X) M(V1 MotlneeTwl-Llle Show Uw Lid. SeatsToday's Timet Spinal Tap (R) I2 30-5J042)-7J-9J0 THE BOUNTY (PG) 14 Canrles (PG) 4J1-7-45-W5 Footloose (PGI ROMANCING THE STONE (PG) 12) THE FINALTERROR IR) a2)-7 SPLASH (PG) Frtday The IJfh-The Final Chapter (R) AMC WOODKAVEN MALL 4 lu' rtUUSt Or LOVI: (X) l-W il Woodhtven Road-Roult 13 ERIC-PILGRIM GARDENS 42 50 Eves Til 7l Mon-Thurs Moscow On The Hudsan I STS. TOMORROW AT I M. Indiana JenesBHie Temple Deem (PG) ERIC TWIN CLIFTON HEIGHTS flilv)l Baltimore Pike al Baiaar 42 50 Eves Til 7-00 Mon-Thurs THE NATURAL (PGI 11Q-1 45 Or MAKING THE GRADE (R 1 7 30-W0 MATINEE TOMORROW AT 1 M. UIVtllD Frankford and MA 4-3222 LATE SHOW: MatlnMTwI-LlteSriow I Lkl.SealsToda'iTlm MOSCOW ON THE HUDSON (R) mn 1 1 wn cottman Aves.

42.00 Footloose (PG) 7 15-915-S2 00 Positlvety Last 3 Devs Sts Friday Terms Of Endearment BDfKrVn Ooooilta) Wl 3-4131 IUUgllU.1 OnValMaiiRI. lL'ghorna FBIf TFIMIUII MtnBMkl. 352-2100 GCC DEPTFORD MALI! Deptlord Ctr Road (Oop. Sears Auto.) nm Mon-Sat All Shows Before 4 PM 3 Sun Holidays Isl Matinee Only I. POLICE ACADEMY (R) 2HAROBOOIES(R) 3.

MOSCOW ON THE HUDSON (R) t6wttr The Legend ITeruiPG) S. FIRESTARTER (R) i. FINDERS KEEPERS (Rl sn.a-w ft Final Ttrrw (:00 J2 00) -1-00 COO ACARLOADfJO 1. FOOTLOOSE (Pr.l BUDCO ORLEANS 8 "TrAB-fsTs1100 Matinee Wed Sat. 1 PM-All Seats 12 50 051 SPLASH IPG) 30 2.

FRIDAY THE IJth PART IV (R) 7 30-MS 3 FINDERS KEEPERS (R) 4. THE BOUNTY (PG) 5 POLICE ACADEMY (R) 7 JO-MS i FINAL TERROR (R) 7 HARDBODIES IR) lREYSTOKE (PG) 30 Matinee Wed I PM, AH Seats S2.S0 MEDIA Adm42 00 GREYSTOKE(PG) 4:00 PM 2 FLASHDANCE (R) uiii iinirami it 3 ATURE5 42 00 Til 12:1542 50 'Til 70 PM Mon-St. Friday the 13tti-Tne Final Chapter 330-430 MOTHER'S OAY CREEPSHOW 130-630 1 Eddie Murphy TRADfNG PLACES (ft) Meuanlne Screening Room ERIC4C0NC0RDYILLE 42 50 Eves TH 7-00 Mon-Thurs TERMS OF ENDEARMENT (PG) 7 20-9 35 Or SPLASH (PG) Or FIRESTARTER (R) Or SIXTEEN CANDLES (PG) 7 MATINEE TOMORROW AT I PM. SIS Wed INDIANA JONES (PG) s3oo THE BOUNTY 1-00 PM KARSEXTHo7' FOOTLOOSE ADMISSION 42.50 tr truri fly mil i vwtiees nj. BUDCO PLYMOUTH FINAL TERROR (R) 7 AMCMAKLTON! Greenlrae So.

594-4244 en rt Matinee TwMlte Shows V-W Lld.SealsToday's Times SIXTEEN CANDLES (PG) FINDERS KEEPERS (R) bS2O0)-7JO-WS FfRESTARTER (R) 00)-730-9-45 ROMANCING THE STONE (PG) MOSCOW ON THE HUDSON (R) 82 Grevstoke (PG) a S21-7-00-930 Splash (PG) HanM0tet(R) UWSJ LUIILLUn mtui 772-1779 ERIC 3 ON THE CAMPOS "Stfgp 42 50 Eves Til 7-00 Mon-Thurs Racing With The Mm (PG) Or: POLICE ACADEMY (R) 7 30-930 Or: Grevsteee, The Legend at Tartan (PG) MATINEE TOMORROW AT 1 M. ART HOLIDAY 4200 Prankford Ave. Ample Parklrn-Church SI. Slop of ED (XXX) -RATED FILMS (XXX MATINEE TODAY 1 PM-LAST 3 DAYS She navar ourgrtw her mad for daddv'i VIRGINIA Plus: FOREPLAY POSITIVELY ADULTS 0MY Somerdale Rd. N.

of White Horse Pk. ucurrnwi w-38s (h 7-00-g is 767-7090 Moa-Sat. All Shows Before 6PM Moscow On The Hudson nsniurtn ATC0TW1NDRIYE-IN WhHPklHtTl Sun. Holidays lslMaiinet Only B0OC0 SPRINGFIELD TWIN t'Jtll ROMANCING THE STONE (PG) 7 2 Pence Academy (R) 7 30-9-70 ERIC 3 AIRLESS BILLS M3 ,40 Levlttown Pkwy Olds Blvd. 42 50 Eves Til 7 00 Mon-Thurs POLICE ACADEMY (R) Or: THE NATURAL (PG) 7 Now On 2 Screens-Your Choice of Times Sts.

Wed. INDIANA JONES (PG) eon vk. opens r.x fm. BLUE: MAKINGTHB GRADE (R) HOT DOG (R) RECKLESS (R) RED: FINALTERROR (R) HELL NIGHT (R) BLOOD BEACH () I. FIRESTARTER (R) 1- 00- 45-1040 I.

POLICE ACADEMY (R) 2- 3. ROMANCING THE STONE (PG) a. 14 CANDLES (PG) i3O3J0-S34MJ-9-30 PHILM0NTCIIIEMA.56!l?c,r' Rennard SI. 1 ml of 11600 Buslielon Av. (XXX) RATED FILMS (XXX) POSITIVELY ADULTS ONLY 3 DAYS ONLY Shauna Grant stars In a slltling and trollc ERIC TWIN WEST GOSHEN tolo k-' 42.50 Eves Til 7 Mon-Thurs Moscow On The Hudson IR Or: MAKING THE GRADE IR) 7 25-935 MATINEE TOMORROW AT 1 P.M.

Conl. Fr. 12 Noon IVTUIir Gln.Av, Ab. Lehigh BA9-2VO0 nnnvi 4s.Aona oiiirrfl ortiMf lii.ry or-ih 1 BUDCO 309 CINEMA 4 PK End of 1. ROMANCING THE STONE (PG) 2.

MOSCOW ON THE HUDSON (R) 3 FIRESTARTER (R) 4 POLICE ACADEMY (R) 7 15-9 15 tui.e.i.j.aiii INITIATION PitOOtCAL BOXER vvuuv snntMunkis 3 in 1 BUDC0MIUSI0E3 4 Miles North of Pennseuken 42.50 Mon. Thru Thurs. Til 7:15 PM 1. FINALTERROR (R) 7 30-9 20 2. THIS IS SPINAL TAP (R) 3.

ROMANCING THE STONE (PG) 9:20 Plus MR. MOM (PG) 730 ERIC4FEASTERYILIE fKu S2 50 Eves Til 7-00 Mon-Thurs IN FULL STEREO SOUND THE NATURAL (PG) Now On 2 Screens Your Choice of Timet Or MAKING THE GRADE (R) Or: BREAKIN' (PG) 7 30-930 MATINEE TOMORROW AT 1 PM, SIS. Wed. INDIANA JONES (PG) 157 Bala Ava ExduilveMaln Opens 730-Radlo Sound-Under 12 FREEI FINALTERROR JR) 10:10 SIATrUCT hAt lAISEBC IBI 11.C4I BALA 42 50 Eves Til 7l Mon-Thurs THE BOUNTY (PG) 40 MATINEE TOMORROW AT 1 P.M. M7-700S Line Showing Screams In A Winter Night (R) Dusk PLAZA CINEMA PUBLIC AFFAIRS (X) GARAGE GIRLS (X) MATINEE DAILY lflO PM Eves Fr 4 PM Sal -Sun.

Cont fr. I PM Last Complete Show 930 PM SUZIE SUPERSTAR Plus: Secret Passion CRITIC'S RAVE 5 STARS LIQUID SKY (R) IS tmtt tm DRIVE-IN Rl. 130 177-714 WriH EDGE WATER PARK, NJ. pimrflKtftantiTTwiB o-44-iot) S5.00AMfiilO RrUVrPS4Casior l7O0Adultit2 0O DtWUK Sean Penn (PG) PI 3-1773 Racing With The (Moan BUDCO WALNUT MALL 3 3' 12 50 Mon. Thru Thurs.

til 7:15 PM 1. THIS IS SPINAL TAPIR) 2. MOSCOW ON THE HUDSON (R) 7 15-925 3 ROMANCING THE STONE (PG) 730-MS I. HARDBOOtBtlR) vuvttu nseimuni inin HaddonAva. Free Parting 42.

50 Mon. Thru Thurs. Til 7:15 PM 1 FINDERS KEEPERS (R) 1. FINALTERROR (R) 730-930 ERIC TWIN FERN ROCX 42.50 Eves Til 7-M Mon-Thurs FIRESTARTER (R) Or MAKING THE GRADE (R) 7 MATINEE TOMORROW AT I PM. Horse Pk.

454-3331 Rill UMMIR Oaklyn. N.J. Smoking Sect. Mat. Eva.

Todavl (si Run Showlngl 2 HOLLYWOOD HIGH (R) VAN NUY'S BOULEVARD (R) FOROMTHiATRE aVSlST (XXX) RATED FLMS (XXX) POMLYADULTSONLY Annette Haven and Kelly Nichols star In new erotic film with some of the hottest scenes In adult film history. Reviewed by PIS, Philadelphia Seen Magailn. Rated 100. PmW00TKlF" 1. Where The Boys Are (R) 2.

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A 9-3000-o Otfk Orani 7 10 ERIC TWIN FRAZER 42.50 Eves Til 7-30 Mon-Thurs THE NATURAL (PG) Or: BREAKIN' (PG) MATINEE TOMORROW AT I M. BLUE; Warrtar The Sorceress (R) Terror-Hor ror-Dle Young! VERAMILE5lNmTKN NIGHT TRAMP ALLEY CAT run tMoran or tm earn (K) ANGEL LIC AFFAIRS (X) P1 -1 -4 ruo ERICSPENNSAOXENbim" 42 50 Eves Til 7-00 Mon-Thurt BREAKIN' (PG) Or: IN FULL STEREO SOUND THE NATURAL (PG) 7 Now on 2 Screens-Your Choice of Timet Or: TERMS OF ENDEARMENT (PG 730-935 FOOTLOOSE (PG) 730-930 MATINEE TOMORROW AT 1 PM. SIS. Wed. INDIANA JONES (PG) RED: Usl House On Tna La (R) BUDCO ANDORRA 4 ttvl 1 FINDERS KEEPERS (R) 730-MS SPLASH (PG) 3 MOSCOW ON THE HUDSON (R) 7 15-925 4.

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