The Philadelphia Inquirer from Philadelphia, Pennsylvania • Page 60

10-F Tuesday, April 5, 1988 The Philadelphia Inquirer Don't expect any job to be perfect Radio today By DARRELL SIFFORD 6-7 WSNI (104.5) Reunion Ride Eric Johnson plays pop hits from a particular year in the 1970s or 1980s. 6- 10 WDAS Best of Oldies 9-10 WMMR All-Request Hour 9:00 WUSL (98.9) Power Nine at Nine 9-1 WMGK (102.9) Lover's Magic -Love. songs. 9-1 WKSZ (100.3) NHe Lite Requested and dedications with E. A.

Wood. 9- 10 WIOQ Lovers' Portion Mike St. John hosts requests and dedications. 10- 2 WUSL (98.9) The Quiet Storm 11- 3 WXPN Beat Planet 11 -Midnight WMMR What's Newl Michael Tearson plays new releases. Midnight-1 WYSP (94.1) Classic Album Nostalgicjazzelectronic 9-11 WKDU (91.7 Jau 1-4 WRTI (90.1) Big Band Jazz for the '80s Al Raymond is host.

7- 10 WRDV (89.3) Tuesday Night Swing Club Doug Gainer, host. All too often it's like what hap- hat hit your hot buttons. You grab pens when somebody from the north he offer. Hot dog, you're on your moves to Arizona to get out of the vay. But then you get there and you cold.

But are you ready to face 100- 'ind that yes, indeed, complaints A degree heat and the humidity of ind have been taken care of, but summer? You never think about that things that you took for granted because you're thinking only about the old company and escaping from the cold. It's the same ion't exist in the new place. The thing with any job. The question is benefits are not so great, or there are this: How can you cut your losses by no cultural activities in the city finding a job that has some positive You didn't examine all the factors things about it that you really enjoy and weigh them before you came up but that doesn't have some negative with your decision. The problem is things that are so bad that you can't that everybody wants to eliminate tolerate them? To think that you or pain and grief from one particular anybody can go into a situation and factor, and in doing that, you may nave everything on the upside is lose" important things that hadn't being very naive.

Some jobs been figured into the equation, might have ideal work conditions but not good advancement opportu- When I hear about perfect jobs, I nities. Others might have good- inevitably think back to an inter-enough advancement, but they're view with James P. Smith, a vocation-not located in the best places." al psychologist at Temple University. The fact is that when most people "Certain jobs the vast majority look for another job, something is preclude enjoyment because bothering them, said Erdlen, and they're set up for specific tasks to be they're so interested in getting rid of performed in routine ways." For what's bothering them now that they many people, job satisfaction is not don't check out the other stuff that possible, he said, and they need to But perfect Only in the seminars. Jack Erdlen has seen a lot of them come and go over the years, bright people with potentially marvelous futures if only they didn't want everything to be perfect.

"There was this guy about 35, and he was making $75,000 a year, and he seemed to have the world by the tail. But he was unhappy with his job, and he was looking for the job that would be perfect for him. We all change jobs sometimes. That's a fact of life. But this feeling that it is out there, the ideal thing, is what causes people a lot of trouble.

You can't push a button after taking a test or being interviewed by a counselor and say that, yes, you should be an ice fisherman in Minnesota or a third baseman in Japan. It just doesn't come that way." Erdlen is president of Management Dimensions an outplacement and career-search firm in Wellesley, Mass. In an interview he said that "you have to identify within yourself what are your skills, your abilities, what makes you happy. You also have to identify what you don't like to do. You have to understand from the beginning that there are shortcomings to every job.

Yes, every job. baby boomers and Did you ever know anybody who was in the perfect career? I've known some people who understood themselves well enough or who were just plain lucky enough to get into careers that to a great extent matched their talents and temperaments. But perfect 1 just don't think this is in the cards, yet it's what some people continue to look for, people who are convinced that it's right around the corner, the key-in-lock fit that forever will bring success, prosperity and contentment. One reason that some people continue to look for perfection is that other people continue to promise it. Not long ago I got in the mail a notice that promoted a seminar "on finding the perfect career" and on celebrating life's work, presumably forever.

I'm convinced that this kind of stuff, even when it's well-intentioned, sets up people for disappointment after disappointment. When something goes haywire and eventually something always does go haywire people who seek perfection feel as if they've failed again or that the world somehow has failed them. And off they go once more. Say, where is that holy grail, anyway? CWPLUS1I think the best that we realistically can expect, for the most part, is that we can find work that is meaningful much of the time, that offers us some challenge, that puts us sometimes in contact with people who are stimulating, that at day's end more often than not leaves us feeling that we're glad to be where we are. If we have that, or even part of it, we're way ahead of almost everybody else.

A show for "WONDER YEARS," from 1-F '50s and that were pretty much inhabited by couples in their mid-20s who moved in with tiny kids," says Black, who was born and raised in Silver Spring, Md. (Her husband grew up in Huntington, N.Y., on Long Island.) "No matter how old you were or what you were like, there were always three kids around to play with. We sort of traveled in packs and had a sense of independence because it was a rather safe environment. "I don't know to what extent people feel that way today," continues Black, who is expecting her first child in August. "I sense that people are a little more cautious.

I remember when I was 12, there were woods near my house where I'd go and wander. I don't imagine I'd be doing that today." Black pauses to complete a thought. "I guess it was a very sheltered and unrealistic environment to grow up in." For all the differences that the producers see between the suburbs of today and those of yesterday. Savage, who comes from an affluent community outside Chicago, figures that they're about the same. "I think Kevin Arnold is a lot like Fred Savage," says the young actor whose first professional job was a Pac-Man Vitamins commercial, shot when he was in kindergarten.

"One difference is that be plays baseball on the street I play baseball on a field because, on my street, you'd have to move too many rimes for cars." This is not the producers' first foray into depicting TV kids. Marlens was the creator of Growing Pains; bis wife later joined him as executive producer. (The couple met while students at Swarthmore College.) Black also wrote the script of the controversial hit feature film Soul Man, which she co-produced with Marlens. "With Growing Pains says Black, "we were just going trying to make something that looked like a TV show. Now we're trying to make something that interests us.

This one's a little bit more from the inside out." The idea grew out of a feature Michael Reagan, the eldest son of Ronald Reagan, talks about his life as the President's son, about his coming to terms with his adoption and about his forthcoming book, Michael Reagan: On The Outside Looking In, on today's edition of WHYY-FM's Radio Times, at 3 p.m. Seiji Ozawa conducts the Boston Symphony in Verdi's Mamoni Requiem on WFLN-FM at 8:05 p.m.. Also performing will be Susan Dunn, soprano; Shirley Verrett, mezzo; Vinson Cole, tenor; Paul Plishka, bass. As the baseball season gets under way, Larry King's guest is New York Yankees outfielder Dave Winfield, on WIP-AM at 11 p.m. Classical music WFLN (95.7) Morning Concert Includes: Mendelssohn's Symphony No.

4, WFLN Afternoon Concert Includes: Tchaikovsky's Romeo and Juliet. 1- 2 WHYY The Symphonies of Leonard Bernstein. 2- 3 WHYY Herbert von Ksrsjan Birthday Tribute An all-Austro-German program, in honor of this Austrian conductor's birthday. 9-11 WHYY Music From Washington The Handel Festival Orchestra, with violinists Ani and Ida Kavafian. WFLN Diapason Three pieces by Dupre including Symphony for Organ and Orchestra (Op.

251. 11 -Midnight WHYY Sound Passages Potpourri of musical styles. WFLN Sleepers Awake Included: Hadyn's Sympohny No. 101 Talk shows WWDB (96.5) Dominic Quinn 6-10 WHAT (1340) Reggie Lavong 6-9 WDVT (900) Lee Fielding 6-10 WYSP (94.1) Howard Stem 9-10 WCAU (1210) Newsline 9-Noon WDAS (1480) Georgie Woods Barbara Grant 9-Noon WWDB Susan Bray 9- 11 WDVT Carol Saline 10- 11 WCAU Kitchen Irene Rothschild. Topic: dining etiquette.

Guest: Long time waiter Jonathan Horlick. 11 Noon WCAU Consumer Watch Guest: Edward Fiske, author of "Best Buys in College Education." 11-2 WDVT Frank Ford WBUX (1570) Louise Collins Guest: James Ireland, Bucks County actor in Theater Caravan's production of "Pinnocchio." Noon-1 WCAU Entertainment WBUX Joan Stack Guest: Maestro Roland Riore, director of Lucia di Lammermoor" to be given at Palumbo Dinner Theater. WFLN Ralph Collier WBCB (1490) Speak Your Piece Tom Early. WWDB Diane Raymond WBUX Jean Laustsen A member of Toastmasters Club discusses overcoming the fear of speaking before a group. 1- 3 WCAU Speaking of Your Health Marty Weisberg.

Topic: your heart. Guests: Harvey Waxman, cardiology head, Cooper Hospital: Anthony Delrossi, division head of cardtothoracic surgery at Cooper. 2- 3:30 WVCH (740) Point of View Martin Maddoux. host. 2-6 WWDB Irv Homer 2- 5 WDVT Maxine SchnaH WCHE (1520) Carolee Risk Advice program.

3- 5:30 WCAU Your Money Harry Gross. Guest: David Chodack, author of "The Insider's Guide to Government Auctions." 3- 4 WHYY Radio Times Marty Moss-Coane. WVCH Money Matters Larry Bur-ken. 4- 6 WIP Pat Croce on Sports Medicine 4- 5 WHYY Fresh Air Terry Gross. Guest: Playboy magazine and Village Voice columnist Cynthia Heimel.

6-8 WWDB Hearth Fitness James Corea. 5- 6:30 WDVT Psychic Connection 6- 6:30 WXPN Consider the Alternatives WXPN 188.9) Kids Corner 7- 8 WRTI (90.1) On the Line 8- Midnight WWDB Bemie Herman 11-5 WIP Larry King 11-1 2:30 WZZD (990) The Reynolds Rap Financial talk show. WWDB Bemie McCain Midnight-5 WCAU Richard Hayes Easypoprockdance 6-9 WXPN (88.9) Crossroads New contemporary rock. 10- 2 WPGR (1540) Hy Lit Oldies 11 -noon WPEN (950) Frank Sinatra Noon-1 WMMR (93.3) Workforce Blocks Sets of songs by written request. Noon-1 WIOQ (102.1) Lunchtime Special Classic love memories.

Noon-1 WUSL (98.9) New Music Barbara Sommers plays latest dance music. 1-5 WXPN World Rhythms Blend of international pop. WMMR Psychedelic Supper Songs from the 1960s and early '70s. David Carradine, Maria Socas. Holy warrior Kain sees a village divided by rival clans and plays them off against each other.

Nudity, violence. 76m. TMC: 1:40 a.m. Witchboard '87. (R) Todd Allen, Tawny Kitaen.

Two guys help a mutual girlfriend fight unknown evil she accidentally summons with a Ouija board. Profanity, nudity, violence. 98m. HBO: 2:45 a.m. WXTU (92.5) Mini concert Michael Martin Murphy WXTU Requests Dedications Leigh Richards.

Generalnews AH Dey KYW (1060) News 6- 8:30 WHYY Morning Edition Bob Edwards of National Public Radio. 7- 7:30 WVLT (92.1) The Morning News 7:25, 8:25, 12:06, 4:15, 4:45 WCAU Business Reports 9 a.m. WIP Paul Harvey Noon WPEN Eating InOining Out I 12:40, 3:40, 5:10 KYW Personal Finance Reports 1 p.m. WPEN Real Estate Today Jay Lamont. 5-7 WDAS AM News Magazine Wynne Alexander and E.

Steven Collins. WHYY All Things Considered WHYY Local Report WXPN The Pacifies Report WXPN BBC World Service WPEB (88.1) Haitian Edition Gary Jean-Jacques presents music and inform mative topics of Haiti. For sports broadcasts: See Calendar, Page 2, Sports section. AM Radio Stations Dial Format Call Letters 560 Solid Gold WFIL 610 Sports WIP 690 Spanish, Religious Programming WYIS 710 N.Y., Talk, News WW 740 Religious Programming WVCH 800 Religious Programming WTMR 860 Ethnic WTEL' 900 Talk WDvt 920 Country Music WTTM 950 Nostalgia. Big Band WPEN 990 Contemporary Gospel WZZD 1060 News KYW 1110 All Gospel Music WNAP 1150 Middle of the Road Muse WDEL 1210 Sports, Talk.

News WCAU 1240 Big Band. Talk WSMJ 1260 Nostalgic, Easy Listening WBUO 1290 Adult Contemporary WJBR 1300 Religious WIMG 1310 Adult Contemporary WSSJ 1340 Nostalgic, Talk WHAT 1370 Big Band WPAZ 1380 Oldies WAMS 1420 Talk. Middle of the Road Music. WCOJ 1440 Big Band. Middle of the Road MuscWNPV 14S0 News WILM 1480 Black Music WDAS 1490 Middle of the Road WBCB 1520 Middle of the Road WCHE 1540 Oldies WPGR 1570 Talk.

Middle of the Road Music. WBUX 1590 Country Music WCZN FM Radio Stations Dial Format Call Letters 88 1 Diversified Programming WPEB 88 9 Variety, Special Programming WXPN 89 1 Classical, Jazz WWFM 89 3 Specialty, Adult Contemporary WRDV 90.1 Jazz, Special Programming WRTI 90.9 National Public Radio WHYY 91.7 (Weekday early p.m. I Various Music WPWT 91.7 Jazz, Rock, Special Programming WKDU 92.1 Adult Contemporary WVLT 92.5 Country Music WXTU 93 3 Album Oriented Rock WMMR 93 7 Rock WSTW 94 1 Album Oriented Rock WYSP 94 5 Religious WCHR 95 7 Classical Music WFLN 96 5 Talk WWDB 97.3 Adult Rock WMVB 97 5 Adult Album Rock WPST 98 1 Okxes WOOL 98 9 Dance WUSL 99 5 Adult Contemporary WJBR 100 3 Adult Contemporary WKSZ 100.7 Beautiful Music WFMZ 101 1 Easy Listening WEAZ 101 5 Top 40 WKXW 102 1 Oldies WHX) 102.9 Pop Adult WMGK 103.9 Religious. Ethnic Programming WI8F 104 5 Adult Contemporary WSNI 105.3 Urban Contemporary WDAS 106 1 Top 40 WEGX 106 9 Religious Programming. Music WKDN 107.9 Big Band, Talk WSMJ Purchase or Refinance Rales subject to dungi without mtjes No applications Mill.

Linn I I II Irv I 215-628-3131 609-596-6699 APR potentially could bother thorn intnr "Maybe you, as a marketing rep, can't get the good trips. Maybe you can't get the best territory. Maybe you don't have an office with a window. Maybe you're not in a modern building or something superficial like that. Or maybe you're not getting ahead; your last increase was not that great.

"So you look around at other jobs, and you have a great interview that takes care of your complaints. You'll get an office with a window in a modern building, or you'll get a top territory. They'll give you the things who plays his girlfriend, Winnie. period details when the television is on near the family dining table, it's NBC's Huntley Brinkley Report giving the latest casualty report from Vietnam. The use of period pop music the real thing ranging from the Byrds to Joe Cocker has also given The Wonder Years the most nostalgic soundtrack on TV.

The producers knew from the start that sound-alikes would just not do. "When you do a song that people really know," says Black, "and you use a sound-alike, it's kind of like bringing someone in front of you who looks a lot like your mom. "So far, the only song we couldn't get was the Beatles' Instead of having somebody imitate the Beatles, we used an instrumental version of the song." The cost of leasing the original recordings as opposed to using newly recorded facsimiles about $3,000 a song versus around $1,000 was factored into the budget. "We figured that in the same way that Miami Vice has a budget for stunts," explains Black, "we'd have a budget for music." Between The Wonder Years and Growing Pains, Marlens and Black have had plenty of opportunity to assess the challenge of working with children. Savage's name came up violence.

88m. MAX: 4:30 p.m. Man and a Woman, A '66. Anouk Aimee, Jean-Louis Trintignant. Claude Le-louch's film about a widow and widower who fall in love is set against the backdrop of international auto racing.

Despite its soap opera plot, the movie packs an emotional wallop. 103m. PSM: 6:05 a.m. Maryland '40. Walter Brennan, Fay Bainter.

A Maryland woman whose husband dies fox hunting forbids her son to ride horses, but an old trainer helps him anyway. 90m. DIS: 1:00 p.m. Out of Africa '85. (PG) Meryl Streep, Robert Redford.

Danish baroness Karen Blixen, pen name Isak Dinesen, falls in love with British hunter Denys Finch Hatton in 1920s Kenya. Excellent performances by Streep and by Klaus Maria Brandauer as Baron Blixen. Oscars for best picture and director Sydney Pollack. Adult situations, violence. 162m.

TMC: 6:05 a.m., 11:00 p.m. Peanut Butter Solution, The '85. (PG) Mathew Mackay, Michel Maillot. An 11 -year-old boy's hair falls out from fright; ghosts help him get it back, but then it won't stop growing. Adult situations.

90m. DIS: 9:00 a.m., 1:00 a.m. Pink Chiqurtas, The '86. (PG-13) Frank Stallone, Claudia Udy. A private eye in a white convertible with a tusk on the hood saves the world from women excited by a meteorite.

Adult situations, nudity. 86m. SHO: 2:00 a.m. Platypus Cove '83. Paul Smith, Carmen Duncan.

An Australian tugboat operator and hie amiK, knlr rtrnh. to be in trouble. 73m. TMC: 9:30 a.m. Police Academy 4: Citizens on Patrol '87.

(PG) Steve Guttenberg, Bubba Smith. Misfit citizens join misfit officers in a crime-watch program headed for disaster. Profanity. 87m. HBO: 3:00 p.m., 11:30 p.m.

Psycho Ul '86. (R) MAX: 10:30 p.m. (See Prime time grid.) Ratboy '86. (PG-13) Sondra Locke. Robert Townsend.

An out-of-work journalist promotes a nervous little ratlike alien for profit with a media blitz. Adult situations, profanity. 104m. HBO: 11:00 a.m. Rosemary's Baby '68.

(R) MAX: 8:00 p.m. (See Prime time grid.) Sea Wolves, The '80. (PG) HBO: 6:00 p.m. (See Prime time grid.) She's Gotta Have BW '86. (R) PSM: 10:00 p.m.

(See Prime time grid.) Sheriff and the Satellite Kid, The '79. accept the fact that, if they're ever to be happy, they must find something in which they can invest away from work. That's tough talk, but it's true, and 1 suggest that people consider it when they scramble for perfection. It's important to be realistic. What about my job? I'm contacted by plenty of people who want to find out how they can get a job like mine, talking to interesting people about interesting things and, of course, writing a little bit, too.

They want to know how I got such a perfect job. It is just about perfect, isn't it? Yes, just about. their kids when they were interviewing casting directors, and though he has never had a single acting lesson, his natural ability and charm won him the role. "You try to consider what kind of person the actor is," says Black, "and how much fun and easy and productive the kid would be to work with. In addition to obviously casting the best actor for the part, those personality factors are important, because you don't want to work 12 hours a day with a spoiled brat." Another trick with adolescents, of course, is the wild card of puberty.

"That was one reason we wanted to cast kids who are really the age we are dealing with," says Black. "Sometimes you'll cast a kid who's 14 but who looks a little younger. Two months later, he'll have a voice that's older than yours. At least when the kids are their real ages, the changes can be worked into the whole concept." The other trick about working with children is abiding by labor laws that require that a child not be called upon to work for more than a 9Va-hour span that must include a half-hour for lunch, a half-hour for recreation and three hours for school. Those regulations pose no problem for the program's other minor participants including Josh Saviano as Kevin's nerdy pal, Paul, or Danica McKellar as his girlfriend, Winnie but Savage is in almost every scene.

For this reason, says Black, "it's much easier to use children in an ensemble show. If you're doing Family Ties, for instance, there are scenes that Jennifer's not in. We don't have that luxury." The Wonder Years is filmed on a Tuesday-through-Saturday schedule using locations in Los Angeles' San Fernando Valley. Although they find settings there that duplicate an earlier suburbia, Black shudders at the thought of her unborn child growing up in gasp a TV town. "We have secret plans to leave Los Angeles before our kids reach the age of cognizance," says Black.

"Because of the way we grew up, we have an inclination to find a nice, normal neighborhood." Bud Spencer, Cary Guffey. An extraterrestrial who resembles a young boy is befriended by a Georgia sheriff who doesn't. 93m. SHO: 4:30 p.m., 5:00 a.m. Sorry, Wrong Number BW '48.

MAX: 6:30 p.m. (See Prime time grid.) Springtime in the Rockies '42. Betty Grable, John Payne. Wayward co-stars of a Broadway show take their lovers' quarrel to Lake Louise in Alberta, Canada. 91m.

DIS: 11:30 p.m. Star Spangled Girl '71. (G) Sandy Duncan. Tony Roberts. A patriotic small-town girl crusades against the liberal editor and publisher of an underground newspaper.

92m. SHO: 2:00 p.m. Star Trek IV: The Voyage Home '86. (PG) SHO: 7:30 a.m., 6:00 p.m. (See Prime time grid.) Stone Boy, The '84.

(PG) Robert Duvall, Jason Presson. Plodding drama about the struggle of a taciturn Montana farm family to come together after one of the sons accidentally shoots his older brother. Adult situations, violence. 103m. MAX: 12:30 p.m.

Sweet Bird of Youth '62. Paul Newman, Geraldine Page. Newman is at his gorgeous, charismatic best as a gigolo who angers the corrupt leaders of a Southern town by returning with a faded movie queen. 120m. TMC: 11:00 a.m.

That Dam Cat '66. (G) Hayley Mills, Dean Jones. Disney farce about a cat that brings home the only clue to a bank robbery. 7 16m. DIS: 6:00 p.m.

(See Prime time grid.) Tlrna, 9 -A- 'on -t- 3 ww. in. i iiiii, Alvarado. The sleazy street scene around the famous intersection is portrayed as a kiddie play land in this absurd mish-mash. Profanity, nudity.

111m. MAX: 1:35 a.m. Trip to Bountiful, The '85. (PG) TMC: 9:00 p.m., 3:00 a.m. (See Prime time grid.) Vindicator, The '86.

(R) Richard Cox. Terri Austin. A scientist sends a female bounty hunter after his latest project, a killer cyborg with his colleague's brain. Profanity, nudity, violence. 88m.

MAX: 12:05 a.m. Warning Shot '67. David Janssen, Ed Begley. Veteran TV director Buzz Kulik scored with this savvy thriller about a cop who kills a seemingly innocent doctor and has to answer for it. Fine supporting work from Lillian Gish, Walter Pidgeon and Carroll O'Connor.

100m. PSM: noon. Warrior and the Sorceress, The '84. (R) Premium movies on cable Savage with Danica McKellar, script the pair were writing that employed an off-screen narrator. "We liked the concept that you could play with what people think and what they're saying," explains Black, "or how they would like to see themselves as opposed to how the audience is seeing them.

The thing that's really different about The Wonder Years is that it's from both a child's and an adult's point of view at the same time." Another really different thing about The Wonder Years, at least from ABC's standpoint, is that it's a hit. The network clearly smellcd a winner besides premiering the program immediately after this year's Super Bowl, programmers have sandwiched it between two of ABC's most popular entries, Who's the Boss? and Moonlighting. It has scored impressive ratings, and the show has attracted a remarkably wide-ranging audience children actually seem to be watching it with their parents. "If you do a show like Growing Pains says Black, "you end up doing a particular story about either the kids or the adults. All of our stories are about kids, but they're also about the things that interest the adult narrator." Tremendous attention is paid to spoil all the star-crossed fun for a boy from a back-woods parole camp and a girl from a school run by nuns.

Adult situations, profanity. 104m. PSM: 8:00 a.m., 2:00 p.m. Firstborn '84. (PG-13) SHO: noon, 10:00 p.m.

(See Prime time grid.) Gandhi '82. (PG) Ben Kingsley. Candice Bergen. Richard Attenborough's intimate, three-hour epic about the life of the beloved statesman whose pacifist policy of civil resistance led to independence for India. Kingsley gives one of the best performances of recent years.

Violence. 192m. PSM: 4:00 p.m., 4:00 a.m. Gilda Live '80. (R) Some funny bits in this film of Gilda's Broadway show: but the skits will be quite familiar to anyone who has seen her on Saturday Night Live.

Adult situations, profanity. 90m. MAX: 5:15 a.m. Hannah and Her Sisters '86. (PG-13) Woody Allen, Mia Farrow.

Serious comedy about Hannah (Farrow), whose current husband has an affair with one sister (Barbara Hershey) and whose ex-husband marries the other (Dianne Wiest). Set in Manhattan. Adult situations, profanity. 106m. MAX: 2:30 p.m.

How the West Was Won '63. (G) TMC: 6:00 p.m. (See Prime time grid.) Land Raiders '69. Telly Savalas, George Maharis. An Arizona land-grabber and his younger brother renew their bitter feud amid Army troops and Apaches.

102m. MAX: 8: 1 5 a.m. Legend '85. (PG) Tom Cruise, Mia Sara. Woodland boy Jack and some elves save mniHen nrmrp I Hi Mid rtVhnrnH inuvvn from the Lord of Darkness and his goblins.

Violence. 94m. HBO: 9:30 a.m. Lies My Father Told Me '75. (PG) Jeffrey Lynas, Yossi Yadm.

A deceptively simple, powerful film about a young boy's love for his junk-dealer grandfather in a Jewish ghetto in 1920s Canada. Profanity. 102m. HBO: 1:00 p.m. Lisa '62.

Stephen Boyd, Dolores Hart. A Dutch police inspector frees an Auschwitz survivor from an ex-Nazi white slaver, then helps smuggle her into Palestine. 1 12m. MAX: 6:20 a.m. Little Shop of Horrors '86.

(PG-13) Rick Moranis, Ellen Greene. Skid Row flower-shop clerk Seymour Krelborn raises a huge plant, named Audrey II, that eats humans. Steve Martin is brilliant as a sadistic dentist, and Bill Murray outshines him as a masochistic patient screaming for more pain. Profanity, BRIDAL SALE Amadous '84. (PG) F.

Murray Abraham, Tom Hulce. Milos Forman's adaptation of Peter Shaffer's stage hit about disorder in the court of Joseph II in Vienna won eight Oscars, including best picture and best actor (Abraham). He plays composer Salieri. who's jealous of the more talented Mozart. Profanity.

158m. TMC: 3:00 p.m.. 5:30 a.m. Betrayed '54. Clark Gable, Una Turner.

A Dutch intelligence officer, working with the British, suspects a woman he trains for the underground is working with the Nazis. 108m. SHO. 10:00 a.m. Black Moon Rising '86.

(R) Tommy Lee Jones, Linda Hamilton. Vastly entertaining B-movie about an FBI free-lancer who has the goods on the mob and escapes their clutches in a car mat goes 325 mph. Profanity, nudity, violence. 100m. HBO: 1:00 a.m.

Bolero '84. (R) Bo Derek, George Kennedy. Advertised as a daring, almost X-rated sex flick starring a big-name actress, it turns out to be soft-focus, soft-core and soft-headed drivel about a Roaring '20s heiress romancing a bullfighter. Adult situations, profanity, nudity. 106m.

MAX: 3:30 a.m. Brighty of the Grand Canyon '67. DIS: 9:00 p.m. (See Prime time grid.) Burglar '87. (R) Whoopi Goldberg.

Bob Goldthwait. A San Francisco cat burglar becomes the prima suspect for a murder she witnesses during a jewel heist she is forced to make. Profanity, nudity, violence. 102m. PSM: 10:00 a.m.

Darting LiS 70. (G) Julie Andrews, Rock MmHv A hlrtwfml World War I mnwvw tHnt lost a bundle for director Blake Edwards. Julie, trying to change her image, takes a steamy shower with Rock, otherwise it's all familiar stuff. 136m. MAX: 10:00 a.m.

Death Before Dishonor '87. (R) Fred Dryer, Brian Keith. A gung-ho Marine sergeant goes in after a colonel who is kidnapped by terrorists in the Mideast. Profanity, violence. 95m.

PSM: 11:30 p.m. Delta Force, The '86. (R) Chuck Norris, Lee Marvin. Lively, wishful-thinking action film loosely based on the 1985 TWA hijacking by terrorists. After a passenger jet is hijacked in Athens and taken to Beirut, well-armed U.S.

commandos "take 'em down." Profanity, violence. 129m. SHO. 11:45 p.m. FX '86.

(R) HBO: 8:00 p.m.; SHO: 8:00 p.m. (See Pnme time grid.) With Fire '86. (PG-13) Craig Virginia Madsen. Authority figures Sunday, April 17th 9.00 AM To 4:00 PM All Sales Final One Day Only ApM)intm-nl Required sukyrosan Suburban Square Ardmore, Pa. 649-3686 i.