The Los Angeles Times from Los Angeles, California • Page 57

LOS ANGELES TIMES WEDNESDAY, JULY 10, 1996 F5 an urban age of titanic industry when nature itself seemed poised ART: Retrospective at Philadelphia Museum v-, iy to disappear, he showed us both the power and the poignancy of the transformation. Somewhere in there is a lesson for our own brutishly convulsive age of postmodernity. The Philadelphia exhibition, which has already been seen in Paris and London but will not travel further, is the first full-scale retrospective of Cezanne's paintings to have been organized in 60 years; it isn't likely to be repeated any time soon. Given our predicament, the timing turned out to be just right. Cezanne" Philadelphia Museum of Art, Benjamin Franklin Parkway at 26th Street, (215) 763-8100, through Sept.

1. Closed Mondays. Can't make it to Philadelphia this summer? Visit the exhibition's Web site at; http:www.pcezanne.com cinct of painting. Not that the artist doesn't try. His anxious pictures are cobbled together like intricate puzzles that leave nothing to chance.

Cezanne's art brings into simultaneous play pictorial philosophies that had been in dramatic opposition since Rubens and Poussin in the 17th century. Was the convincing magic of painted form created by the brilliance and luminosity of color? Or, did the refined and classical organization of line do the trick? The argument over color versus line still raged between champions of Delacroix and Ingres 200 years later, when the painter from Aix was first setting to work. Cezanne's The bowl balances precariously atop a curving leaf in the patterned drapery a leaf that leads visually to the tulip leaves painted on the sugar bowl, while the tulips' red and yellow color echoes the disruptive apples. Tapestry leaves, faience tulips, painted apples in one little passage of a big painting, Cezanne mixes up artificial representations of nature, including his own. Visual movement creates cognitive action, while contradictory realms vividly converse with one another.

In Cezanne the bracing revolu- tion of secular modernity gets compared to the painful fall in ancient paradise. Through sweat equity, coupled with a conviction for the value of humble painting in eXUNTiMTcrnr CD SANTA CDWESTWOOOIEB faflMCrrWffll IBHOUrWOOO Genu iemj HoliTwxKlGiluy 12131 9S 426 DDflfYEM-Y HILI GenerilOncnvi 3I0)UMII PUuaDtQro (805)9634503 UNIVERSAL CITY (J18) 905-36 ON2SCKENS CD SANTA FE answer was to build his pictures bit by painstaking bit, in patches of luminous color constructed from linear strokes of paint Line and color were made inseparable, the ON 2 SCREENS umniso 404, 70S 1025 ONLV 1070.14a, S40.S00 Mann (110)941-7747 (I) SANTA MARIA Edwards SanUMifla 10 I80S) 347-1166 SANTA MONICA MannCnIeiwi HI 3I(1 2894MNN tttwiitMMrMitroi long dispute given final resolution. Still, the inevitable result is AfJlilEIICH'S TWO TIIU.V3S UPF CD SANTA PAUU SmtiPiuLt7 1805)9334)707 paintings of great dynamism and CD PASADENA IMedArtrsti Marketplace (818)735-1106 PtCORMM Pecfci fettaOmeln ON) 948-3671 jRANAWMHRlS SI SKH JSSMVAILEV Edwards PtuiW (8011520462a CDSTMTW LanhMegeCiMtT CARSON S0dy6CrWtS (310) 777HM 1411 mcfRRrros EdwvatCriemtt (310) 403-1 113 CHATSWORTN Picikc WinnefM Omeki (118) 3496606 CDCHMO Mmetl (9091 464-1209 OlOHNOIRUliT ineMoMtEjpenenceAt Spedrum Mukclpujc (9091628-1500 (OTVlWSTlff Pldhc'l Viniuntwn (81BI 961-9262 OEAflrT0GAAWt HUNTW6T0N BEACH Edwardt CiwtetCeiitrt (714)8414770 ID MM) MetroStfieatrei (619) 322-356 Edwards Pan. Place tO (714)4406860 Op IRVINE Edwardi 21 feq Cinema (714,4504900 CDLACANAMFUllMGE UraieoArtrtts UCaFkntMot (818) 95241 17 DQLAMMAOA Knluvtan Ljlrt)aCKma7 (714)522-6920 CDTAFT fm (213)786-2145 CDMANHAnANftfACH Mr6 (1I0)2MAMI LI) eVlRNlA Ofl REY Cnfx Cttor Manne MarfcdptauCnmat O0) 827 9581 IZ1IISSI0NMEJI Edwaids lratwcoHs5 (714)457-8660 wOMOVIA Marai UnwgunOalBS I8U3I356-4S4S MONTE BEILO AMC MonleMki 10 (2131 7226086 mMOftEWKLUV Ceinyon Sonngj (909) 7824600 OMORMBAY Bayrneatre (805) 772 2444 DE NEWPORT BEACH Edwards fastm island Ctnemet 1714)6401218 OQ NORTH HOLLrWOOO Century 1EB (811) 444-flLM 4270 rxPUEiatHtis AMC PutnttUaltO (818)810-5566 RANCMCAUFORAM Edwartsttanclio Cailorna rown Centtf (90916944130 JDiUNOMCUCAItaR Edwards TefrivWaCneme6 (909I46M515 OORfllOTlOOfttACM GeimiCmerna GrtfenaMSBw I3101M2-436I EDDIE MURPHY THE raw PROFESSOR (818)996-1100 CD TEMPLE CfTY Edwards Temple 1818)2860179 CD THOUSAND OAKS ltMArttttsMowet (605)497-6701 COMMEJCE Peuhcl Cornrnvn Itiealm (213) 72622 (DCORONA Edwards CorowH (909)279-1160 (XI COSTA MESA Edwards Town Center (714) 7514164 (ETUSTM Edwards CDRDGECREST rUaeaest (6191 446-7771 CD RtVERSHX KX r'tJm Jmnml Continued from Fl Angels" as a gathering of the most mortal of flesh-and-blood creatures. Impressionism wasn't the secular answer to the new problem no matter how many times Monet painted the transient light playing across the imposing facade of Rouen Cathedral.

But Impressionism was a key to unlocking Cezanne's developing aesthetic. The time he spent at Pontoise working at the side of Camille Pissarro in 1872 opened wide the door to his subsequent accomplishment. Cezanne laid the groundwork for a style that would be as revolutionary for Modern art as one-point perspective had been for the Renaissance. He lightened his palette, broke up his heavy-handed brush strokes and divided his colors to create a more controlled and subtle surface. He began to paint in broken planes of color composed of adjacent values, which made atmospheric space simultaneously seem pictorially flat And, not least of all, Impressionism showed him that the deep and resonant complexity of nature could be a productive avenue for an art of moral seriousness.

By temperament, he was ready for the discovery. As early as 1867 Cezanne had painted his first picture of a nude in the landscape, perhaps inspired by a similar work of Courbet's. In 1870 he painted a pastoral idyll showing female nudes and clothed men by a lake, inserting a portrait of himself reclining indifferently in the center. The picture looks back to Manet's scandalous "Luncheon on the Grass," with its female nude and jauntily dressed male picnickers; but it also looks ahead to the great and perplexing paintings of bathers, which would prove so important to his career. Two of the three large paintings of multiple bathers have been brought together for the first time in the Philadelphia show just one of many joys in this remarkable retrospective, beautifully organized and installed by curator Joseph J.

Rishel. The third is conveniently housed a few miles away in the Barnes Foundation, whose collection numbers more than five dozen Cezannes. Given the 170 or so works now on view in the retrospective, this city is the place to be for the artist's fans. Bathers are a prelapsarian subject. Naked men or women, shown by the water in a verdant landscape, recall Eden before the fall, Paradise without sin, nature un-trammeled by cultural anxieties.

Cezanne's primeval bathers are modern Adams and Eves evoking a lost Golden Age of peace and harmony, which cannot be recoveredeven in the imaginative pre- (714)669-1626 (60S) 4t-7563 00 ATASCAOEM Cenlwy IS06I4664S1I mMRtOR tllOlStOOl lsiuusa itwitOi FfMrH CentH (BIB 964 9632 IXBAKEHSfiaO AMCSlociuue B0S324fiS 8AKER5FIEL0 Mann Crest Ow 1 8(ft) 632-0001 EDBAKEflSFffiLO United fVtrsts East His Marl (80ilS72 CD BAIOWW MILS Magtc Jotwson Theetre (213) 290-5900 CDBARSTOW Bvslow Station (619r 8ARST0W Skyline Ortve (619)246-3333 DO BISHOP Batwp (619) 87J-3575 www.mca.com Nodhndgeirfmii (818)993-1711 QDNORWALK NorwatkTO (310)864-5670 CO ONTARIO 1909) 392-4885 tX LACUNA BEACH Edwards South Coast (714)497-1711 (SLJUUMNKUa Edwards Ocean Ranch 7 (714) 443-1960 (E LAGUNA MOUEL Edwards (Wicrw Nitjue) (714)831-0446 (O UWE ARflOWHEAD SoCal's Blue Jay (714)337-8404 CD LAKE ELSWORE Aegal Doemat brkianCmemal (9091 245 1456 on UWEWO00BX teihcsHeQencya (310) 420-9977 muuxfwooo Onrted Artists Monet I3M) 804-2002 LANCASTER Mms 12 (805)945-1887 UMPOC VatievDnye-tn (8051 736-1011 LONG BfACH AMC Ftae Square tft (310)435-1315 0DL0N6 BEACH UnrtMArtaU Marketplace ON) 594525 CrnenwSurUttrapleirt ttMisswGrme 1909) 342-2256 CD RIVERSIDE SoCal's Manawiwni (909)682-4040 CD RIVER SIOE United Artists Park Sierra (909)3594995 CD SAN BERNARONIO Knkonan 0ittoMCnma (909)666-SWW ITSAHBfWWAOtW Psotics Inland Center (909) 381 1611 JESANLWSfWSPO Edwards Fremont (806)541-1)21 SAN LUIS OBISPO Sumet Ome 18051 5444475 CD SAN PEOM Reott Cneiiaitueionin Ternce Owmj6 (3101 611 -SHOW CD SANTA ANA AACUaenpixt (71419724500 CD SANTA ANA EdwarMrWUnCenNf 17141662 2266 CD SANTA BARBARA Metro (805) 96303 CD UPLAND Edwardi Mountain Green 4 (909)982-7851 (D WUENC4A Mann 10 (805I25M966 wUNUrS PKittc'iVanNuyt 0rrve4n (816 786-3500 VENTIJU Pacific's tOtOrw (6051644-5596 CDVKTVMLU MctHVUMylO (6t9) 2414400 tSWESTOWNU SoCai'i Eastland (111)339-7113 IX WESTMINSTER Edwardi Mai (7M 8934546 OTJ WKTM1NSTIR EdwarAwesUnntNttO (714 379-1176 WESTMtNSTEN Packs Way 39 Dnwi7l4( 691-3693 CDWHITTlERfteoel WttftwocdOnemetO (Jl 947 SHOW mwoootjueHFUj Unrted Arbsts Warner CerStf (816)999-2110 WtSTWOOOEH GtNfkALCMMAAVCO 010)4764711 On Two Saeis: FMSUH-11K, 240, 4:30. 7:00, 930 MOM TKU 7:00 6 0:30 LATE SHOW FBI SAT 12:00 300,5:30, 800. 1030JHE SI OOponang ot ftnanj tHOUVWOOOETD GtNlRAL CINEMA H0UYW00D GALAXY (213)957 9246 On Two Screens. DAILY -10'45. 1:00, 3:19, 6:45, 8:00, 1030 IBS 2:40, 5:00, 7:15.

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2:45, 5:15. mi IATE SHOW FIR I 5:45. KEB 4 Inn hum fuMig MMcwpucftm (31012S9-MANH CD EH AMONG AA Regal Cinemu KnkorianOeVnondBirS (909I596-SH01 DC El MONTE Edwards Et Monit 8 (8181580-7660 on a tow EdwerOs El Ton 11415819500 ODFONTANA Edwards Fontwt 8 1909)3505666 CDFUUEBTON AMCfuttertontO (714)9926000 GLENOALE GflWeM Cmrmi Giend Central (811)549-9950 mCAJUUOAHRIi Mi9EK (8)8)361-7291 OQHfMET Beoal Orwas Rnkoan Drwni II (9091656-1156 BruPUn (714)529-5339 iXBUEMFARK UrrrtedAnisUMaMt (714)9524993 018WBANR AMCBubankl4 (1181953-9800 D6AM8ANK AMC Mc(MCenterNoiff6 (811)953-9600 Sladruni80rtve4ni (7l4 777-ElMlf4t0 (SOXNAnD Pacitet Carrkaoe Square (805)4856726 Ofl PALM DESERT Tlw Cinema 10 16191122-3456 CD PALM SPRINGS Courtyard (619)3223456 CD PALMOAii MomSPairndaM (06)2744204 CD PRIOS VEROES HeoalCmemai IWufian Permsula 9 (3) 544-3456 FASAOENA rKltK rUCtrgi (816)351-7555 liveliness, not serenity and languorof edgy resignation to human frailty and firm commitment to artistic possibility. Looking at Cezanne's paintings is like gorging from the tree of pictorial knowledge. No wonder he so often chose to paint apples, that momentous fruit of Eden! His famous little red, yellow and occasionally green orbs perform a range of mind-bending functions, in still-life paintings that collectively add up to the greatest body of such work ever painted by a single artist It doesn't matter whether it's a tiny canvas, like the 7-by-10-inch picture in which seven apples are lined up in rows for your inspection, or if it's a monumental work, such as the large and imposing "Still Life With Apples" (1893-94), recently purchased by the J.

Paul Getty Museum in a headline-making acquisition. There, apples cascading from a tilted dish share a convulsive tabletop "landscape" with a faience sugar bowl, a bottle of rum, a ginger jar and a green-glazed ceramic vase, all tucked into hills and valleys formed by a patterned blue drapery and a crumpled white tablecloth. Sometimes Cezanne seems to have added apples to a picture just because the composition called for something round, or because he needed a primary color as a counterpoint to a field of blue. Occasionally the apple establishes a swelling volume that contrasts with a concavity, dramatizing the fullness of the fruit and the hollo wness of a dish. In the great Getty picture, the tumbling apples also conspire to create visual movement in an otherwise static image.

The rolling fruits seem to have bumped the sugar bowl and knocked it askew. PUENTEHUL) AMCPuenteUollO (818)8106666 99ANCH0 CtKAMOWACa) Edwards HrrcrttCueamnao JCAMAMLIO Il05)3t34a OD CMPf NTfJttA PtUl605 664-4014 4-ALHAM8RA GB EdwofosAmmlxaRKa (8181281-0980 ARCADIA Genral Cmemo Sown Anto (8I8)445200 ALDWMHUJ Huac Jonnson Hwolrei (213)2906900 BBEAUnirBdArhst) UofhetPlocerlia (714) 629136 KEA LMed AHUls Hows (714)9904021 auitAM(GB AMCButxvikU (818)9639800 8UMAHK AMC MJ0 Cenlsf 8 nons Kxtmo nCEHGMUtM HIWTH0ME HawrnomePlazoe (310)319-3017 HtM0SA BEACH AMCHermosa6 (310)3188000 RNfNECIO LrJearos 2) Cremas (714)4604900 LA CANADA FUNlDloeErSB LkiterJAlrsls LaCotorJaltotndpt (818)9620117 iLAUWOOCfl Prjciftcs Laerjwood Center So. (310)6349281 lOHG BEACH AMCUaroFtefta (310)4934521 t(XW BEACH AMCHne Squore Ifl (310)4361336 eHMONTEBEUO AMCMametNUalO (213) 7228088 WWPOft BEACH GS EawarastarMn Island Cnemos (714)640-1218 eNOmHOUVWOCO LtmedAmsls VrAyPIOTortS (818)7664317 Norffnooe Cnemos (818)993-171101 HOWL AMCNawai20 (310)8646678 00AH3E CenrtryCnerJornell (714) 7774ILM 4272 MLOSVEIIDE9 flegd Cnemos KnkaoansPennsil09 (310)544456 MHOOAMACItY Amencono OAJLSCIBIBI MaanJanss Uaulroce9 (806)3749668 UTljuFraas UpnnaCnemo8 (909)9863338 van mm mac's Von Nays Drive (816) 786-3500 (FRI SUN ONLY) VBrftJMES) CenruryS (806)44tfUI)27l VTIJA FYjanc 101 tjnwtn (805)644-5596 (FBI SUN ONLY) YHtTTlfReor) CnemoshrSwian's WhrltwooOCnerTKl 10 (3l0)9476HOW WOOOLANOWUSEaj AMCPramenaae 16 (818)8832262 BHSS CHArsWORTHPacAcI WwieniaOnvern (818)3496806 COHWBCE Rkcs Commerce rheatres 13) 7288022 cooAfSn EOworas Corona (909)279-1160 COVWA SoCoTsFox cuvEnaTYfa UannCiArerPlanlBZ (3I0)28U4NN ErAvarasEIMonteS (818)580-7660 SMrTJENAIMIC'l VermanlDrrrelfl (310)3234066 OtErtDAlElFS General Cwema Gtenaae Central (816)649-9960 OlEleDOItAMrnil (818)914-2817 OtANAOAHItLSDB Moan GronodoHKlIS (818)36)7298 IrTOONOO BEACH CHrfU General Cnema GollenaafSaamFJrJY (310)642-4361 ROLLIHSH11S AMCRoeraHfls (310)3266611 SAHF1omReaal Cnemos rMonan's Terrace Cnemo 6 (310)831-7469 SANTA Ft SPOIN8S MamOThealres (310)941 7747 SANUMOMCA AMCSonlaMcoica7 (310)3960030 SHERMAN OAKS mmsm 4CAMARIU0CB UnneOAmsIS Cornoriolirhectri (806)389010 CAMOH Soulnboy60rtlns 010) 777 FILM 419 (THutosanEapoAoO centos DB Edwoids Camlos Cnemos 10 (310)403-1133 toenerrjunema Sherman Oaks GIB era" ll j. j. nnrm (213) 7486321 rMAIH0ELEY CracrexOrJeon MSADENA AMCOldPasadefiaS (818)585-8900 PtCOKVtFIAFtloScs Fesla Doveln (310)9483671 Cinemas tTARTANAELB MaonVcnevWist (818)996-1300 SPECIAL ENGAGEMENTS NOPSSSESOftOISCOUNT COUPONS ACCEPTED (3 10) 821 9685 I epreWfve.ewjV- UJ permiiu(rWj' This summer, the only safe place to be is inside a theatre 'HARRIET' li "Seductive! Dizzyingly beautiful.

J.l Tllli NliW VORK "Erotic! Liv Tyler is a fresh, luminous sensation." Our COSMOPOIJTAN Bruce Wllli.nuon, PIAY1IOV "Sensual!" J.m. (Went, Nl-W YORK DAILY NI WS I'l II I 1 1 5 Ifl I 'j ii I I I' Mil ill I I ii li I li 1 I i'l I'S'i 'line vmrnmmm rrmxmshsa tsmnnmmma mimmmmmammm A Mann (Hit. Mann Chuum Clnep( Odeon Clneoiex Mann JilA Cdttflon 6 310269-MANN 0fi3SerHM Dotty 10 00 Beverly CenltT 310652-7760 Dolly 10:15 AM Continued from F4 spans, "Harriet the Spy" is actually a smart-kid movie, with big lessons and even some subtlety. Harriet has to struggle for her art (although whether she's destined for a Pulitzer or an assignment in Havana is unclear) and learns that the written word can have repercussions. She has a strong sense of identity, but it's locked up in her notebook.

And when the notebook is taken not by the kids but by her parents (J. Cameron-Smith and Robert Joy) after she achieves some rather severe and gratifying revenge on her tormentors she lets her hair down, literally, a feral female raging against the injustice of the universe. All of which makes director Brownwen Hughes sound like Bergman on horseback, but there is a lot of darkness in "Harriet the Spy." It's fun, yes, at times, but isn't afraid to expose the overall nastiness of youth or the offhanded cruelty of one girl's ego. This is not a happy little movie about the sweetness of childhood; its PG rating is well deserved. Kids should certainly exercise judgment before letting their impressionable parents see it MPAA rating: PG, for mild language and soma thematic elements.

Times guidelines: a few scenes of pre-ado-lescent meanness. 'Harriet the Spy' it IS 310289 MANN Dally 12:00 3:30 7:00 10:30 PM $2 00 HtltlflO block soutti Ofti 5:00 PM Mon-Nt ft, 1:00 4:00 7:00 ft 10:00 PM ft dneplex OOeon UnvwuU CHy Ctamas 818905-3787 0n4ScreRt 00IOOOAM.100'00 7:00 ft 10:15 PM JHX Dally 10:30 AM 1:304307:30 ft 10:45 PM EX Dally 1200 3:00 6:00 ft 9:15 PM Dolly 12:30 330 8 30 ft 9 45 PM JFK VllLSOC 310289-MANN Dotty 1200 3:30 7 00 10:30 PM 00 paiMng oflw 5 00 PM tn Si OOretixKW wNhpald admtnion Cwtury Plaza Clwnat 310553-4291 OnSScrteM Dotty 10 30 AM I IS 415 7:15 ft 1015 PMUJX Dally 11:15 AM 2:15 Dally 12:00 3 00 6:00 ft 9 00 PM 11:00 PM1US Dotty 1 1:15 2:00500 A Dairy 10:30 AM I2 00- 1:45 3:305:00 ft 8 00 PM sDotr 12 00300 6 00 ft 9 00 PM 7:00 10:15 PH ITS KHJNTAM VALIEV 'lit 1 1,1 lili i ll-'i ll I I I I I 4) WISTMWSIEI EOMRk WtSlmlMM 10 714379-1176 I I ifl' I lfl 1. 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Cln-ematographer Francis Kenny. Production design Lester Cohen. Music Jamshled Sharifl. Editor Debra Chiate. Art director Paul Austerberry.

Set design Thomas Carnegie. Costumes Donna Zakowska. mln general release throughout Southern California. 310318-8000 "LOH0 IEACH AMC Pine Square 16 310436-1336 LOW REACH PacAciUiAMrjrtH-kl 310421-8831 LOS AHOf US SoCoTe Unrverity Vltlaae Mai 21374i32T 4 MARINA Dlt RIY UrirM ArtmCtnerna 31033-3969 MtSSKWVItJO Edwoids Crown Vefey 714364-0120 MmONVtfJO Edwardt ratwooHMtS At Spedrum MorMphiae Dotty Edwordt Nswpon Cmmai 714644-0760 ftORANOf Century Clnedomt 1 1 71 4777 -FilM 272 IANCHO SANTA MADOAIIU Edwami Maffl8tpto 310ft 94 -6625 iVNOtWAUl AMCNOIW0HI20 310864-5676 CULVER an IHX Monn Culver Plaza 6 310289 MANN MARINA DEL REV Onepttx Odeon Manna Marketplace Cirwtt 31027-9588 eiDolty 1 15.345 8 45PM cmoecoMMticf PocUc's Gornmtfte 213726 SO 22 AHNHLANO PARK mntilond 213256-6363 HUintteSTON 6EACM Edwards Charter CMe 7147841-0770 4 UNtVinAL cm 31044-3456 806658-6644 Rancno SANTA ANAAMC (714)972-8600 6 Cinema HUNTVWTON PARK MropoiHon i Park 21387 3873 CWNOMovWa 909464-1200 Wm VALLEY CfTY Of IHOUtTtTT PocHc i Vmennd Drtet- 616961-9262 OWONA Edwardi Coiona 15 Cinemas 90979-1160 tlAlDWIN HU.L6 Mogtc TtwottM ot Crwittww Ptan 21390-5900 VWmiMPodtCi 101 0rtw4n 8057644-5696 WCTORVUI AMC Metar Vdlty 10 6197241-8400 eranwatme WISTOOVtNA SoCol i Wkom CMme RtVtRSW SoCnft MONIOVU Oonvan Cwt CanefM Morni 6 816358-4648 9097682-6900 Cineplti Odeon Umvtrsol Cly Ctnemat Oellcreeee Ooy 10.00 AM I2 30 3 I5600 6 8 45 PM IHX Dae 1100AMV46 4 3d 7 00 4 9 45 PW Ooty 11.30 AM 2 15.500.7:30 A 10 15 PM THX pTftMAlftd wlrrt eSpanrsR SubflHftS 01 lte Theotrtfl DOWNTOWN LA PANORAMA CITY MeMpoMon't PokJOl MeWopolitoni 213239-0959 Panofoma fwrftmmmmm Si 6692-0968 At Spectrum ItwemUMMAMe 1-4130 OOSTA MfSA EawaideCarterMQeiSM 7149794141 OOSTA MM Fdwcedt 71486-3340 SANJUUURSTUN Edwards I Franciscan Ptoia 71461-0111 SANTA ANA EOwOTdl HudemCrti 8 Ctfttrnai 71462 2266 STANTON EdwtMl Vittoge Center 71491-0567 TWTW Erjwor Tuflln Moikeipiace Cinema 71469-1826 IMM SOI UMSI HUM 714546-2711 Cin OF COMMf RCS Kt i llll lirmimtfi PodAc Comrrwct ftAROCNA Poet; I Morlietplocf 909628-1500 PONT AM Edwards fonnno 8 909356-5666 LA VERNE EdwanH la Vemi 12 Onemoi 90992 4865 RANCNO CUCAMOHOA Edwordt 1838-5674 WISnMNSTfl tosKMi Hurramr TeWi 7196 5333 WIStrJMTIR Edwards WeeMnettr 10 714379-1176 WTtTMBRSTIR tfeowMMoaatkn't Meiib 6 Theoine 619322-3456 rrWEdworde 21 uocip4 CtoeriMe 7147450-4900 sttvwi EdMode urwetsey 1 146544611 ANAHEIM HIUS SoCoi i Ctramapott 71470-6700 mia imm nm Morkeiptac 71429-9038 mhamau United ArtsHMortM 71490-4022 A4MNMA HtUS Maim Aaosira Hi 6 616707 -9966 IHX OOLETA Metrcvr'iantma 80563-9503 SANTA BARBARA HiooWnirVtnaui 80563 9503 iMOtmHUO AMC MunleMkl 10 213722 8088 MORI NO VAUff Se A i Oortyon SjMege 909782-0600 NLTWRORT SfACN tOmvto tWwijrjfi Cummm Z13Z6S022 Vermont Onve ei Si iuisu ni-BVEJIB 4 OOSTA MM E4woi4k rtwnglt Sc)ua'i 8 71474-7765 CWVfl CfTV Mann Cufvw Ptan 8 3IOeUAHN IHX (213) 629-4411 (714) 966-5600 (818)772-3600 1-800-234-4444 AMC C4XrvnrcenW 9O978S8-I400 4 SAN MRNAerSfM Sttrnru CUMrna 6 809425 8688 4 SAN JACINTO MaftopoMon i Metro 12nieM90487-9s62 Utt JUAN CAmTTrAM PactSci Wc 1 1 Way 38 7147891 3 vmrvtaMaamt WhrfMrood 6nema 10 3IIV947-SHOW TBX '50108 JOLT K. JJ WISTMWSTtl l7M-0W 4 NORTH NOUTWOOO Ctntwy 8 tiX 818444-rut 1270 NQRTMRtOM PacMc'l ttorthridae Ceiemee IWWJ-1711 LA CANADA UntNt Aj La Coruda r-knkidaa trcQoiituMian't DMmond Bar Ctnemo 8 909598-SHOW IHX HUNTWeiON PAIS Cantor nu 21381-0777 NWTIHOTON PARK MetropotMn Podt 213587-3873 HUNTWOTON PARK Pocjflc i Wamet 21362-8786 Edwordi Fnmcncan Plan a 7147661-0111 AUUAtUA Edwoe Aflumua Ptace 8lV28l-0aO AMAMM HHU to'-jl Cswiopoij 7147970-6700 AHRttlOH Von 6wen Drtyv AIUUEmidttwM CenkM 8iarW9-9632 iiUIIWHLS ifawcw Dm In 60832 -0001 AUttMLO UhM vm Bwrwd SHet A06V8 73-0292 EOwarat Wesfmtfwtet Tw 714896-5333 SAN I A ANA Metropowan FMM 7)441-4351 COSTA MESA Edwaras Cwemo 714546-3102 COSTA MEW Mwonlt South Coaa Pkm 714546 271 1 COSTA MEU Edwarti Inanow Squoti 8 714A74-7755 Cos Angeles Sfimes A AOOUftA HUS Maim Agoura 8 818707 9968 AMC BjrMf 14 81653-9600 v'lORIAM AMC Media Center NorttiS 61653-9800 Concno Cwsmongo 00989-6697 SAN KRNARDINO Pocrftc HMand Center 909361-1611 SAN ftHNAtDWO Swung Cmema 6 909425-6886 i it cetPOM wu it teara SANRfDRO ReaorfJUKanan i Twrace CwrroS 111631 7449 'WCOOIJUSBiiBUS unKt fan wanwr Cei S18U999-2IW nni-r 3 smr Aixpr; 4.

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