The Los Angeles Times from Los Angeles, California • 43

IJUNDAY' MARCH 30, 1930. PART III. 1 5 CURRENT ART EXHIBITIONS MryA tiP a IFD HP- 57 NEW WASHBURN DRYPOINTS rA Master of Line and Bur Makes Print Series of North Africa's People ARTHTR MILL1ER When, a year ago, Cadwalladei Washburn's drypoint portraits of men etched on the French Riviera were first shown at the Print Rooms, Hollywood, we haled them as a scries unique in contemporary print-making. The present showing of further drypoints, this time done In the cities of "North Africa, heightens the. Impression of Washburn's talents ti si with deep-sunk eyes, the roundness PERSIAN ART CENTER.

BTLTMOFS ARCADE AND BEVERLY HILI3 KG TJX Lxhibiis of Ptraian art. STENDAHL GALI.ERIES Joint exhibit of paintings by William Ritschel, and Walter TJfer, N.A.; paint. Ings by William Wendt, A.N.A.; etchings by Arthur Miiiier. THE PRINT ROOMS Recent drypolnti by Cadwallader Wahburn. W'lLSHIRH GALLERIES Mar lnM bf Leon Uiinnei.

WOMAN 8 CLUB OP HOLLYWOOD Flower paintings by artists ot Southern California. 8 BOOS 6H0P Etchlnn pr Arthur MUlier. PASADENA GRACE NICHOLSON GALLERIES Fifty. Ming pointings; new color prints by H. YAshida; antique Japanese tcreeus.

Woodblocks by Illuaa Miller. THE GEARHARTS Etchings mi wood blocxs. PASADENA ART INSTITUTE Paintings by Pasadena Society of Artists; paintings by I. Maynard Curtis; Marlon Kavanagh NVacluel: J. Duncan Glrason; J.

H. Sharp; etchings by George Fawcett; camera studies by Jor.an Hapemeyer. KIEV1TS GALLERIES Paintings and sculpture by contemporary artists of Ban Diego; paintings by A. J. Van t'Hofl of Holland.

MRS. MILLARD'S LITTLE MUSEUM Exhibition of specimen of bistorlo bookbinding. TILT GALLERIES Painting's by old and modern artists. SOWERfs PRINT GALLERY Exhibit Of the "Medici Prints." NEAR-BY CITIES LITTLE STUDIO GALLERY. MONROVIA Commercial art drawings of Hollywood by Owynne Klrkpatrirlt.

SAN PEDRO BRANCH LIBRARY Chafes Joseph Rider collection of contemporary American paintings. PEA VY ART GALLERY. SAN PEDRO Water colors by Pauline Peavy. CATHERINE C. POLK GALLERIA, Long Beach Paintings by western and California artists.

LACUNA BEACH ART GALLERY Exhibition of paintings, SANTA MONICA PUBLIC LIBRARY Art work from the Santa Monica schools. SIERRA MADRB CITY HALL Paintings by artists of Sierra Martre. EL PA8KO GALLERY. PALM BP RING 9 Paintings by Gordon Coutts; camera studies by William Horace Smith. EBUT F.

ART OAL-, LI.RV. SAN MAKiSO EsglLh pot. JtkUaa c.d Flemutl ADOLPH WTO. GALI.ERIZ3 Piintinti hi Europtdii AINSLEE GALLERIES. BARKER BROS.

txhibiiion acti of liineiy-two iuiir.tmvt br luropcta Pfinters. BAkTLETT GALLERIES PlntinM restern artif is. BII.TMORE SALOV Ccntfmporry Air.er-can nd Ltch PBintinm. BRAXTON GALIiRIi-S ttchinss nd paintings doit br Deny Willson. April 1.

BPU.OCK'8 WILSHIKE Painti-nis nd driving br Eawehela and drawings by Ward Montague. CALIFORNIA ART CLUB Exhibition by thlrtwn pmter members. CALIFORNIA STATE EXPOPITTON KUILDINU. EXPOSITION PARK Showing of water colors. draini aiid prints.

(Opfnlrre April 2. wort from the School ol Architecture, CAN NELL ft CHAF7TN Etchlngi by Goriie Elbert Bjrr. CITY HALL ART GALLERY Indian paintings by Kathryri Leighton; wood csrvlrgs P-tr Krasnow. DALZtLL HATFIELD GALLERIES Recent paintings by Millard Sheets. EBELL CLUB Paintinsrs by membejs and associates of National Academy; paintms by Theodore N.

Lukiu; miniatures by Margaretta Archani-baut; California cartoonists. (Opening April 1) EbtU's annual exhibit by California painters. FRtDAV MOltNINQ CLUB by Lillian Ferguson. HOLLYWOOD CHAMBER OF COMMERCE Works by Hollywood artists. HOLLYWOOD PLAZA HOTEL Paint-lnm by'Charlcs Matthew Crocker.

KANbT GALLERY; HOIXYVOOD-LAND American and European paintinn. LC8 ANGELE8 MUSEUM Paintings by Sergey Scherltakofl; Printmasers international Exhibition: Persian rugs and textiles from the Persian Art Center; Mural competition exhibit; permanent Harrison collection of Americau and French paintings; Gen. Mnnthe collection of Chinese art; Biirltngame-Johnon oriental ceramic collection; Greble historical collection of furniture nnd ceramics. ICS ANGELES PUBLIC I.IBPARY Victor Merlo loan collection of Etrusran and Oro-Homn pottery, American Institute of Architects' exhibit of Southern Calilornia bouor award buildings. i-t.

A 1 fa ft: and, A i Above are "Ezekiel of Sousse," recent 7 Stir1 i "ScyLtiuuer from the shown at the Print Rooms; and "Paint and Indians," a self-portrait by Walter Ufer, N. at the Stendahl galleries. UFER-RITSCHEL ART SHOW I ,11 1 III. Two Ndc Painters Blend Well in Joint Exhibit; Taos Artist's First Show Here of his skull gained with the maximum of freedom and open line. Another print of especial quality Is "The Horse Trader," with a grand nose and mustache to envy, and while the hard-faced money lender may not appeal as a person, as a dry point he has few peers in the series.

These Washburn portraits have gained an enviable international reputation for the man who worked several years at Morro Bay, and collectors, both here and elsewhere, are rapidly absorbing the very limi-ited editions. Among the collections of Washburn portrait dry-points, that being made by Dr. Kendall Frost of this city will be difficult to excell ARTS COUNCIL TO MEET A meeting of the Arts Council has been called for 6:30 p.m. at the California Art Club oft April 7 to further-plans "to protect and forward the artists interests and to aid the city in conserving and procuring the right kind of art," according to an announcement from the Civic Bureau of Music and Art. The council consists of representa tives from art organizations.

"Marguerite de Vaudemont-Lorraine, painting of the school of Clouet tura," Pasadena. i 1 'V ') 1 i i If it 1' Vi i i. -1 I i1: u-, V- A V' AtT BY ARTHUR MILLIER Poles apart in style, William Ritschel, N.A., and Walter Ufer, N.A., old friends exhibiting Jointly at the Stendahl Galleries, have a kinship of quality that harmonizes their differences and makes, this easily one of the season's best exhibits. where hollyhocks crow, is tvn'cal 1 V'. 1 1 I- 1 4 4 i.

i '4 4 i f- A 1 I i 1 i i I V. -i i i-' it 6 'I 1 5 painting by Galleries. l. srs'f v. drypoint by Cadwallader Washburn of the Ufer method.

It is not sur prising to learn that he spent some early years in Germany, receiving his training there. The leaves of the the storm clouds scrolled up from the definite blue sky, the Indian girl among the flowers, all are seen in the clearest light, each thing definite yet bound by shape and color into a sturdy design. The thoroughness of his painting method doubtless goes back to his German training. It Is interesting to note that the neighboring Ritschel marines, moonlights, do not lose an inch by the clear Ufer daylight. They too are thought out in every part with out muss; every inch of paint is put on with purpose and is working.

There you have one key to art if you are able to turn It in the lock. Every part of a picture (or an automobile) must be working. Every part of the design must carry its load of the strain. A fine picture is not just a sweet thought wished onto the canvas by a signing nin eompoop in a 'o shanter. but heroic balance of active forces play ing within the borders of a rec tanguiar irame.

These forces are. of course, ns abstract as thos? in a mathematician's equation but they are forces at play in great minds and, if they do their stuff, outlast the artist himself many centuries without lowing their balance Two things hold artists in New Mexico: the clear beauty of the un snoiled country and the pull of Indian art. Indian potters and weavers have had their share in clearing up the American artists' patterns and Ufer has undoubtedly leit tnis mnuence. Varied aspects of the country are seen in his pictures from tha mighty soread of the green mesas to the strangely assorted devotional objects used by the half Catholic, half pagan Indians. One of his finest works Is "Stranpe Things," a pic ture wherein Indian dolls and ma donnas and saints meet below i bleeding Christ on an altar covered with an Indian blanket.

A sleep (Continued on Tage 17, Column 6) a ft' i -i 1 i' In the portrait vein. Indeed, because of the more colorful skins and clothing of his new eitters, the prints, as prints, are even more attractive-than the earlier group. They give Washburn greater opportunity to make those deft transitions from the sharpest, most delicate of lines to the velvety webs of black bur that establish him as a consummate technician on copper. And the more colorful humans, Mohammedans or Jews, Nubians or Arabians, their forms and features accentuated by more sharply denned shadows under the glowing light of that coast, give these prints an added vividness. Washburn works with a Bharp, wiry line all his own, probably gained by the use of an unusually sharp diamond point; and by printing cleanly on deep-toned oriental papers he Is able to preserve In the print the full charm of his rapid line without loss of tone.

Three of the finest in the new series are "Ezekiel of Sousse," a mellow old fellow: "A Fakir," this one a marvel of drawing, and "A Soudanese Chief," another superbly drawn head. The etcher will find especial joy in "A Gentleman of Sousse," an old and cultivated man ANDERSON SELECTS ART FOR LONG BEACH LONG BEACH, March 29. The Catherine G. Polk Galleria, large art gallery In the Villa Riviera, Long Beach, has secured the assistance of Antony Anderson, former art critic of the Los Angeles Times, to aid In the selection and assembling of fine examples of painting by California artists. Already the galleries are enriched by representative work of the, following painters, most of whom live and paint at Laguna Beach: William A.

Griffith, Joseph Kleitsch, Karl Yens. Ruth Peabody, Donna Schuster, Frank Cuprien and others. Karl Yens shows a prize-winning cam'as, "Swans of the Holy Grail," among other pictures from his brush. Ruth Peabody, a fine still-life and a richly colorful portrait of a gypsy girl. Donna Schuster, "Red Beads." William A.

Griffith, a very good seascape. Frank Cuprien has one of his characteristic seascapes, Joseph Kleitsch a fine small Laguna subject and ar. equally fine mission study. LOUVRE HAS MI SSI OX PARIS, March 33. UV The Louvre has a mission few people know bout.

It trains curators and art custodians for museums throughout the world Ita work ts carried on through an established school to which students cf many nationalities come for study. Principal courses are the history and classification of art works. MISS SABEL SAILS Antoinette Sabel, executive director of the Civic Bureau of Music and Art, leaves April 1 for Europe where she is to make Initial contacts for the surcops of the international art exhibition to be held in Los Angeles during the World's In 1932. exhibition Ward Montague wood carvings little gallery stint floor Wilshirc at Westmoreland $100,000 Collection of PAINTINGS FOR SALE Reduced Prices KANST ART GALLERY 6182 Mulholland High Way Hollywoodland KIEVITS GALLERIES announces EXHIBITION BY CONTEMPORARY ARTISTS OF SAN DIEGO also recent work by A. J.

van Hoff of Holland. Main Gallery, 464 East Color-ado Street, Pasadena. AT VISTA DEL ARROYO HOTEL GALLERY Old piasters MARINES William Ritschel, NA. INDIAN FIGURES AND WESTERN LANDSCAPES by Walter Ufer, N. A.

STENDAHL ART GALLERIES AMBASSADOR HOTEL LOS ANGELES Gkllsrlet open Ercnlnti BULLOCKS wwt VlT TTT HIT 'TMT 't'k News of the Art World Gilbert Made A.N'.A. Arthur Hill Gilbert, well-known Southern California landscape painter now living at Carmel Highlands, has Just been elected an associate member of the National Academy of Design -on the acceptance of his painting, "Salinas Hills," for the spring exhibition. This follows his award of the second Hal-garten prize in the 1929 fall exhibition of the academy for "Near Monterey," which picture also won the Ranger Fund purchase prize. Spring Show Jury Named Edward Bruce of New York, Charles Rciffel of San Diego and Nicolal Fechin of Taos, N. will serve as a jury of admission for the Los Angeles Museum's annual spring exhibition of paintings.

The Jury meets tomorrow and the exhibit will open on Tuesday. Art at Springs At a recent meeting of artists, writers and musicians at the Hotel Mirador, Palm Springs, plans were discussed for making an art center at the desert resort to include a school of art, exhibition galleries and probably a community playhouse. Krasnow Panels Shown Two carved wood panels by Peter Krasnow, noted Los Angeles painter and sculptor, are on exhibition A LADY OF RONSARD'S DAY (nk hv Holrpr dshiil and thirtv two. full-page reproductions of the artist worK. ropuiar.

special ana de luxe editions are now ready. Burr Etchings on View Opening tomorrow an exhibition of etchings by George Elbert Burr will be shown at Cannell Chaf fin's. Announcement has just been made that Burr, noted for his desert prints, will be honored by Inclusion as one of the twelve volumes of the "American Etchers Series." Twelve of his works will be reproduced with a foreword by Arthur Millier, art critic of the Los Angeles Times. Botke Show in New York Decorative paintings by Jessie Arms Botke of Santa Paula, will bri exhibited from April 1 to 12 at the Grand Central Art Galleries, New York. Mrs.

Botke is famous for her decorative bird panels. Havemeyer Art Reproduced fhe paintings, drawings and other, objects in the, Havemeyer bo- quest, now on exhibition at tb (Continued on Page 22, Column I) Harker ESros. Jive inter esting specialized Alnslle A branch of the fam' Galleries ousAinslie Galleries of New York. Di-play of fine paintings by European, Americaa and Califomian artists. Floor Modes This unusual shop ia It! miners and distinctive guise.

The new and different home furnishings and decorative, Floor, Lbs Angttis Start Sixth Floor, Hollywood Start Picture A Distinguished se-F ii ni 1 it lection of fine pic- hoi9 "amec' 1 unframed. Special ist in correct framing. Floor, Los Angeles Start Floor, Hollywood Start Oriental Art Shop Oriental Art objects personally selected py our own repre sentatives in the Orient shown in a new beautiful shop. Floor Stationery Shop Fine social engraving unusual mono-crams and coat of arms designed and engraved bookplates created in all mediums Floor 0 Ilnrker Ilros. Seventh Flower Figucroa DOG PORTRAITS Etching Miniatures by EDITH DERRY WILLSON April 1st to April 15th Braxton Gallery 1624 N.

Vine Street Hollywood v. PAINTINGS American, Dutch, Early English Biltniore Salon A TIP PplH unntnUKX i Duchesse de Joyeuse," from the at Mrs. George M. Millard's "Mlnia may be a pen decorated with minute artificial flowers. Here is a complete change of ar tistic fare for us in Southern Call fornia.

This is 'the most desirable sort of museum example, one that should remain with us in one of our public collections. She is but ona. of the many remarkable things Mrs. Millard's flair for fine art has discovered. The books, furniture, wood carvings and paintings offered to the public atLa Miniatura on Prospect" Crescent, Pasadena, form a veritable museum.

Indeed, she has a little museum devoted to the art and history of the book that Just now houses an exhibition of historic bindings by the greatest, masters of the art, a showing that could scarcely be duplicated in the country outside New York or Philadelphia. Student and collector, child or adult, are alike welcome between the hours of 3 to 8 p.m., and we can promise them their eyes will encounter nothing specious or unworthy the name of art. GRAECO-ROMAN AND ETRUSCAN ART SHOWN The second of three exhibits to be shown at Central Public Library, through the courtesy of Victor Merlo, will be on display from April 1 to 21. The first exhibit, consist ing of art objects of ancient Greece, terminates on the 31st inst. Following In proper consecutive order, the eecond exhibit will include Roman and Etruscan art objects, illustrating the influence of Greece upon the rising Roman civilization.

Various objects in the typically Etruscan Bucchero, or black, ware may be seen. Some examples are of the brownish black finish, hand-molded and kiln smothered which are attributed to the seventh to fifth centuries B. C. and the transition from this primitive finish in use for several centuries, into one of Jet black color. Velvety texture, and astonishing durability is well illustrated in the present exhibit.

A plate of this Bucchero ware, found at Teano, and attributed to the third century B. C. may be considered of great interest, since it illustrates in a splendid manner, the incised, stamped as well as painted decorations for which the Etruscans were especially celebrated. It is an exceptionally rare and fine example of this, workmanship. Of interest to the technically cllned is the black glaze, which has been the subject of much investigation; it contains no lead, as do most of the modern glazes, and was brought to perfection only after cen turies of experimentation.

MOOV GODDESS GONE A dispatch in the Detroit News records the theft of a tiny idol, 2500 years old, known as. the "Goddess of the Moon," from the Na tional Museum in Vienna. The clay goddess was discovered in the grave of a man of the Halistatt age dur ing excavations in the Leltha moun- aina. It waa the first complete I Actually the divergence Is of na hire's making for Ritschel formed bis art by living with and on the sea while Ufer arrived at his present mastery of painting when he settled in New Mexico alter the war. Each has studied deeply the design Inherent in his aquatic or desert realm until the patterns of nature have blended with the patterns of his own mind.

Mature artists both, they are two outstanding American painters. The paintings by Ufer are clear, sharp-edged, brightly patterned as the designs on the pottery and blankets of the New Mexico Indians. He gives us mesas, mountains and adobes in the bright sunlight of the West. Ritschel, stemming from the Dutch marine painters, sees the fluid ocean mixing its colors in mosaic patterns of shifting wave and foam. But because each goes right through to the essential structure of the thing he paints, seeing nature in terms of design, their works gain by the friendly proximity.

Ritschel we saw last year at full length in the Stendahl Galleries. Ufer has only been seen here in occasional examples. He Is typical of the sturdy art still developing in New Mexico, an art to which Cali-fornians, western though they be, have not so far taken too kindly. Perhaps the Taos painters are too brightly unsentimental for us, who have scarcely learned to see the bodies of our hills and mountains, the plains of our deserts and valleys, for the eucalyptus trees and brush beneath which some of our painters never seem to penetrate. Anyway Walter Ufer is good medicine for us and we shall do well to study his vigorous work.

He draws hard, designs strongly and accepts the characteristics of the land as he finds it. In New Mexico contours are sharp and colors definite. The rain pours down in visible streams from inky black clouds. This definition delights Ufer, who designs with it, avoiding sentimental musslness. The picture of an Indian in a rose-pink smock who has left his horse at the gate of the garden I' 14- -1- 1 1 A IV4 i.

jL'TL Leon Bonnet at the Wilshire in the art gallery of the City Art Commission, City Hall, for a few days previous to their exhibition in San Francisco. They symbolize "The Family," and "Adoration," the first showing the birth of civilization, the second the rise of humanity from an earthly to a spiritual state. Scholarships Offered The Chouinard School of Art offers five scholarships for the year 1930-31, covering full-time tuition for nine months, three to school students and two to advanced i art students. All applications with work must be received at the school by May 1. Gave Two Lectures Anna Louise Wangenan of Chi cago and Park, gave two lectures at Mrs.

George Millard's "Miniature," Pasadena, on the Florentine bas-reliefs and the early Madonna and Child carved in wood that form part of the Millard art collection. Persian Art Lecture Dr. All Kull-Khan, director of th8 Persian Art Center, lectures eacij Friday at 3 p.m. in connection with the showing of Persian art at tha Los Angeles Museum. Dr.

Khan ha Just added to the exhibition an important Japanese urn, seven feet high, crowned with a seated Buddha. The lectures offer a free course in Persian art. Max Weber Monograph The Downtown Gallery of Nert York announces a monograph on the work of Max Weber, containing atSclrwtitacher everything sor the ARTIST PAIMTS-FRUSHES CAWAS MEDIUMS EASELS 'SMCCKS 3lLTLIILCXE, 1 AUCTION Fine Oil Paintings Wednesday, April 2nd it 10 A.M. At Tauhe Gallerjes, 650 North Los Roblei Ave. Pasadena OIIhIIm Mmltrt t1y nf'tiut.

famtui work. tr o4 tnd Madam Mirtan, tuth Ruktni, Hili. ttlniborxit ft, Crt, Renault, ttt. tnd tnbruti UiHliupm, M.riM,. Qtart, Wtiltr ind Rahiiaia 8ulJtt, (.

to'd pitf by Palntinit a Dimlay Monday and Tuwiay from I J. Saia Dirertcd by Pincn Auctlsa and Jabbini C. Jacques Williamson, Auctioneer I 11 41 -MS VV It: VI i i 3 VAN EYCK BROUGHT TO AMERICA "Madonna of Ypres," Nou) Being Shown in Neu) York, is First Important Painting by the Father of Flemish Art to Cross Atlantic Whoever painted whether Jean Clouet, the father, his gifted son, Francois, or some other member of the school of delicate por traitists, who worked at Tours dur ing the sixteenth century, this lovely lady, whose painted likeness Is now in the possession of Mrs. George Millard of Pasadena, sat for a portrait that has few, if any, peers among pictures in Southern caniornia The attribution tells us she Is Marguerite De Vaudemont-Lorraine Duchesse de Joyeuse. Her name fits her for she is among the most beautiful of ladies, at once a Jiving presence and a pure and per- lect creation or art; natural to high degree, yet stylized by a great artist.

One can well pardon Prof, Pijoan his enthusiastic outburst be fore her of "School of Clouet? Rub bish. Nothing less than Francois Clouet himself is good enough!" On that score little can be said with certainty. Experts are very cnary in tneir attributions to individual members of a school of which not much definite record is available. But that she is a product of one of the highest peaks of French painting and a worthy example of tne most delicate portrait period the world has seen, who, before her likeness, can doubt? TIME OF MARGUERITE It Is the time of Marguerite De Valois and Ronsard. The clear eye of the sweet sitter is perhaps not hers alone, but also of the period and the painter.

For it was a mo ment of time when folk looked clearly at everything in life and yet sanir aeucareiy. Here is neither idealization nor any harping on curious features, but portraiture of modest size based entirely upon a rapid yet intense crayon drawing wmcn proDBoiy exists somewhere unknown to the world, beautifully fitted into its small rectangle and men painted Quietly and unhurried ly to conform to a well-established portrait formula. And is it not interesting to see how the French return to their quietest color schemes. There is no lighting in our sense of the word, no preoccupation with deep shadows. Limpid tones of colden yellow and silvered yellow, a greenish back ground perhaps once blue, and onJv in the ribbon about her hair and the strip of velvet on the table does a pure color, rose, enter.

EXQUISITE HEAD But, above all. it is the nalntlrisr of the neck and head that is exquisite. The hands mieht even have been done by a lesser artist But the neck is a strong, fine column, the contour of the cheek soft- modeled with marvelous art. the nose, mouth and eyes drawn with supreme art. Does she not make the expensive English ladies at San Marino seem emDtv and artificial by contrast? The details in such a work are always exquisite.

The slender necklace with its tiny green stones set in gold, the pearls pendant from her ears, the fin cordinii that bor ders the dress. Ia her hand ehe It "The Madonna of Ypres," painted by Jan Van Eyck, has been brought to America by the Van Dicmen Galleries of New YorS, Amsterdam and Berlin, according to an announcement in the Art News. The Van Eycks, Jan and Hubert, who flourished in Flanders in the first hnlf of the fifteenth century, are not only regarded as the originators of the process of painting in oils, but as the ountainhead of the great Flemish school. Hitherto Jan Van Eyck has only been represented in America by a small picture in the Johnson collec tion at Philadelphia. If the "Ma donna" stays in the country as doubtless it is destined to do- America will possess what Dr: Friedlander of the Berlin Museum calls "an imposing monument in the history of Flemish art." According to documents in the possession of the Van Diemen Galleries, the allarpiece was ordered by Nicholas Van Maelbeke and that Jan Van.

Eyck died In 1441 before fin- ling it. At the death of Its donor in 1445 it was hung above his tomb in fat. Martin's Church, Ypres. whence it derives its name. The wings of the tryptich.

not now shown, were never finished, a fact which has enabled experts to study the technical methods of the painter. Besides being a center of scientific study the famous picture has been acclaimed by critics for beauty of conception, luminosity of color and the rich rendition of de tails that tiistlniruish it. An old historian of Ghent calls the picture 'more heavenly than earthly." The masterpiece of the Van Eycks, on which they are both believed to have worked, is the famous "Ghent Altarplece," the most closely cher ichod national art treasure of Bel gium. METROPOLITAN HAS DEFICIT NEW YORK. March 29.

The Met ropolitan Museum of Art' showed I.im.IAN MILLER EXHIBIT WOOD BLOCK PRINTS GRACE NICHOLSON'S PASADENA CALLERIES OPENS MARCH 27TH i i.