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St. Louis Post-Dispatch from St. Louis, Missouri • Page 17

Location:
St. Louis, Missouri
Issue Date:
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17
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ST. LOUIS POST-DISPATCH Feb. 20, l2 DOONESBURY By Gorry Trudeou Movie Times 38 Nile viper 54 Cunning 39 Comic 55 Vegetable OKAY, AL, I NEB? A DECKHANP, SOhehe'sthepeal. since pen. CAPITA INCOME- IN HAITI IS ABOUT Si- NOUl IF )OJ KEEP WUP.

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solution time: 22 mln. redeye ay Gordon Bess fell 1L IS THIS TOMIC SfOFP ANY DO YOU OFFER BULK RATES OM IT TO BE PERFECTLY HOMESf, ITS ABOUT 2 fOOO CtXORlMG AMD AUIOHOU eooo 35 Performance bonus 36 Swimming 39 Sprees: slang 40 Track shape 41 Tranquil 43 lily plant 45 Edible root 46 Unique thing 47 Food fish 49 Apron top 2-20 Answer to yesterday's puzzle. JULIET JONES By Stan Drake JAMESTOWN MALL 2 CINEMAS No. 1: Mr. Super Invisible, 1, 3.

Making Love, 5:15. 7:15. 9:15. No. 2: Dial For Murder, 1:30, 3:30.

5:30. 7:30. 9:30. KIRKWOOO Windwalker, 1:05, 3:05, 5:10, 7:15, 9:20. MANCHESTER CINE No.

1: Windwalker, 1:05. 3:05, 5:10, 7:15. 9:20. No. 2: Buddy.

Buddy. 1:15, 3:15. 5:15,7:15,9:15. MARK TWAIN Making Love, 1, 3:10, 5:20, 7:30, 9:40. NORTHLAND 2 CINEMAS No.

1: Body and Soul, 1:30, 3:30. 5:30. 7:30. 9:30. No.

2: Prince of the City, 1:30. 5:30. 8:30. PADDOCK No. 1: Windwalker.

1:05, 3:05, 5:10. 7:15,9:20. No. 2: Buddy. Buddy.

1:15, 3:15, 5:15.7:15. 9:15. RITZ No. 1: Kentucky Fried Movie. 7.

Airplane, 8:45. No. 2: Enter the Dragon. 7:05. 9.

RONNIE'S (CINEMA No. 1: Joni. 1, 3:05. 5:10. 7:15.

9:20. No. 2: Night Crossing, 1:30, 3:30, 5:30, 7:30, 9:30. No. 3: Vice Squad.

1:15, 5:10. 9:10. 11:15. Venom, 3:05. 7:05.

11:05. No. 4: The Border. 1:15. 3:15.

5:15. 7:15.9:15. No. 5: Reds, 12:30. 4:15.

8. No. 6: Cannery Row. 12:15, 2:30, 4:50.7:10, 9:35. 11:25.

ST. ANDREWS Venom. 1, 3, 5, 7, 9. SHADY OAK On Golden Pond, 12:30, 2:40. 4:50, 7:15.

9:30,11:40. SOUTH CITY CINE No. 1: Windwalker, 1:05, 3:05, 5:10. 7:15. 9:20.

No. 2: Buddy, Buddy, 1:15. 3:15, 5:15,7:15,9:15. SOUTH COUNTY CINE No. 1: Mr.

Super Invisible. 1, 3. Absence of Malice. 5:15. 7:30, 9:40.

No. 2: Dial For Murder, 1, 3:10, 5:20. 7:30. 9:40. STADIUM CINE' No.

1: Scared to Death, 1, 3, 5, 7, 9, 11. No. 2: Vice Squad. 1:15. 5:15.

9:15, 11:15. Venom. 3:15.7:15. SUNSET HILLS CINE' No. 1: On Golden Pond.

1,3:10, 5:20, 7:30. 9:40. No. 2: Sharky's Machine, 1:30, 4:30, 7:20. 9:35.

No. 3: Arthur. 1:30. 3:30. 5:30.

7:30. 9:30. TIVOU Dr. No, 2:30. 7.

From Russia With Love. 4:30. 9:15. TOWNE Bon Appetit (i), 10:15. 12:45, 3:15, 5:45, 8:15.

Blue Ecstasy in New York (x). 11:30. 2,4:30. 7, 9:30. VARSITY Manhattan.

7, 10. Everything About Se. 8:35. The Rocky Horror Picture Show, 12. VILLAGE No.

1: Making Love. 12:45. 2:55, 5:05.7:15. 9:25. No.

2: They All Laughed, 12:30, 2:45, 5,7:15. 9:30. No. 3: Mr. Super Invisible, 1, 3.

Prince of the City, 4:45, 8:05. WESTPORTCINE' No. 1: Absence of Malice. 12:30. 2:40.4:50.

7.9:10. No. 2: Reds. 12:30. 4:15,8.

WOODS MILL CINE' No. 1: Mr. Super Invisible, 1, 3. Prince of the City, 4:45, 8:05. No.

2: They All Laughed. 12:30, 2:45, 5.7:10. 9:25. frrnr T7 1 Agg 7 ALTON CINE' No. 1: The French lieutenant'! Women.

12, 2:20. 4:40. 7, 9:20. No. 2: Ragtime.

2. 8. AVALON Arthur, 7:30, BRENT 000 Ragtime. 1:35. 4:50, 8.

CAVt SPRINGS CINEMA No. 1: Mr. Super Invisible, 1, 3. Absence of Malice. 5.

7: 15. 9:30. No. 2: Joni, 1,3,5.7. 9.

CHESTERFIELD 4 CINEMAS No. 1: Arthvr, 1:10. 3:10. 510. 7:15.

930. No. 2: The Border. 1. 3.

5, 7:15. 9:30. No. 3: Making Love. 12:45, 2:55.

4:55,7:05. 9:35. No. 4: On Golden Pond, 12:45, 2:50, 7:10,9:25. CINEMA 4 CENTER No.

1: Raiders ol the Lost Ark, 12:30. 2:45.5.7:15. 9:30. No. 2- Arthur, 1, 3, 5, 7, 9.

No. 3: The Border, 1, 3:05, 5:10, 7:15, 9:20. 4: Cannery Row, 12:30, 2:50, 5:10,7:30.9:50. CRESTWOOO No. 1: Raiders of The Lost Art.

12:25. 2:40,4:55. 7:15. 9:35. No.

2: Mr. Super Invisible, 1, 3. Prince of the City, 4:45. 8:05. No.

3: They AN Laughed, 5,7:15,9:30. CREVE COEUR Shoot the Moon. 12, 2:20. 4:45. 7:10, 9:30.11:45.

CROSS KEYS CINE' No. 1: Arthur. 1.3.5. 7,9. No.

2: Ragtime. 2, 5. 8. CROWN Cinderella. 12:45.

2:45. 4:50. 7. 9:05. CYPRESS VILLAGE TWIN The Border, 12:45, 2:45, 5.

7:15. 9:30. Dial For Murder. 1, 3, 5:15. 7:30.

9:45. DES PERES 4 CINE' Jom. I. 3:05. 5:10.

7:15. 9:20. No. 2: Cannery Row, 12. 2:30.

5. 7:25,9:45. No, 3: Whose Life Is II Anyway? 12, 2:25, 4:50, 7:20. 9:50. No.

4: Night Crossing, 1, 3, 5:05, 7:10,9.20. EU1SVILU No. 1: The French Lieutenant's Woman. 2. 4:30.7.9:15.

No 2: Venom. 1,3,5,7.9. ESQUIRE No. 1: Chariots of Fire, 12, 2:20,4:40. 7 15, 9:40.

11:45. Nor 2: Making Love, 12:45. 2:55. 5.05.'7:15, 9:25,11:30. No.

3: Raiders of the Lost Ark, 12:35, 2:50, 5:05,7:20. 9:35. No. 4: Mr. Super Invisible, 1, 3.

Arthur, 5:15, 7:15. 9:15. FINE ARTS Touch Me in the Morning (x), 7:30, 9:20. 11. GRANADA Cinderella, 1.3, 7,9.

GRANDVIEW PLAZA 2 CINEMAS No. 1: Raiders of the Lost Ark. 1, 3:155:20. 7:30. 9:35.

No. 2: On Golden Pond. 12:30. 2:51, 510.7:25. 9:45.

HALLS FERRY 6 CINE No. 1: Joni. 1, 3:05, 5:10. 7:15, 9:20. No.

2: Reds, 12:30.4:15,8. No. 3: The Border, 1, 3:05, 5:15. 7:25,9:30. 11:35.

No. 4: Venom. 3:30. 7:30. 11:30.

Vice Squad. 1:30.5:30. 9:30. 11. No.

5: Scared to Death. 1. 3. 5. 7.

9. Nor 6: Cannery Row, 12:30. 2:50. 5:10,7:30, 9:50, 11:25. HI-POINTE My Dinner With Andre, 7:30, 9:35.

mSmSS IF YUUE APKIAN VWUt A 1 ncKS I I It? -4-7 M68EZ OF A WlOHi A rZpr 25. APEAN CHAHCE THEVLL HAVE VITAL I T2 T5 $111 14 iipj ill Ipllp pi 34 35 III 36 lp pH KXXX 42 43 SaSSi 44 4i 49 54 55 III 56 STEVE ROPER and MIKE NOMAD By Saunders and Overgard IT fays too- tier a A i.ZSa Hex! MrUir's LEAVE MY KIP OUT Or MUTUAL D'SUKi SO yrVftT TALK A8W 7 rfCi2Cjtl THIf SHI HASVT got anything to oo WITH Mg! CRYPTOQUIP 2-20 QBAOJY F.YJBSK DAB ZJPF YFQ- DKJOBJHF CJPFQ SAB SZ PSHFC Yesterday's Cryptoquip MUTINY ON BOUNTY LED MEN TO SAFE AND BEAUTIFUL ISLAND. Today's Cryptoquip clue: equals 0 The Cryptoquip Is a simple substitution cipher in which each letter used standi for another. If you think that equals 0, It will equal 0 throughout the puzzle. Single letters, short words, and words using an apostrophe can give you clues to locating vowels.

Solution is accomplished by trial and error. STEVE CANYON By Milton Coniff 7 A BLACK WIDOW SENTRY SEES THE Tg WE ARE NtAE AW jaETHEBORPER YOU'RE STATION WAOON COMIHQ FAR POWN THE ROAD AND 6IVES THE ANCIENT. SECAU5E YOU A SPY WHO TAKE MB TO HAS ALREADY YOUR HEAD-REP, PASSED ON THE FOR HIM TO PECIDE LOCATION OF IF I AM A WNPLY YOUR MISSILE- SIGNAL TO "HEAP 'EM OFF AT EAOLE PASS. U2 Is Better 2nd Time Around SITE reviewrock DALLAS Jim Lawrence Ron Harris bf IS IN FACT, SAW HER LEAVING- 1 WITH A BOUQUET OF BEFORE ZJ.R. WENT Edge plays reverb as much as guitar, stretching holes in his melodies and then punching through them with a reverb attack.

Drummer Larry Mullen underpins the whole show, executing for example the difficult drum bridge between "I Threw a Brick" and "A Day Without Me" that allows Bono to strap on a guitar. One problem with last year's show was the occasional monotony of instrumental structures. This issue remains. While they have no hindrance putting on a charged performance, and while they have proven their skill at composing a fresh rock song with a memorable hook and a strong bridge, there's still some difficulty at giving each song a distinct identity. Southern Illinois' Scanners opened this evening's show.

While Scanners played with undeniable quality and proficiency, their material seemed a little unbalanced. Something is unsettling when a band plays 17 songs and 10 of them are by either the Police or the Cars. By Kevin Martin Ingenuousness and ingenuity are the touchstones for Irish rock quartet U2, who Friday night made their second St. Louis appearance at Night Moves. Since their first appearance here almost a year ago they have tightened up their stage presence considerably without losing any of the youthful exuberance that gives them a fascinating visual excellence and makes all the superlatives assigned them well justified.

U2's Irish heritage imparts a dreamy, traditional character to their songs which, added to their strong rock heritage, sets them apart from the crowd. Lead singer Bono Vox colors his voice with a smooth legato style that can take on the character of Uilleann pipes. Many of the compositions seem drawn from rich liturgical plainsong in structure and lyric sensibility. "Gloria," the first song of the concert, descends not from fellow countryman Van Morrison's 1965 song but from the Latin Mass. Pcoeey, pwyouY no.

ASK MISS ELLie SHE'S NOT WHERE T.fZ. HCWe, TjEHiJ And all of their songs are written in minor keys, adding a soulful romantic haze to the atmosphere. Not having the release of a major chord can give a rock composition a sense of incompleteness, but in U2's case it contrasts triumph with tragedy, joy with tears and pride with resignation. In this they exemplify the Roman Catholic Irishman's concerns in a war-torn state. "I Threw a Brick through a Window" and "Rejoice," two stand-out tunes from the performance, respond to death and the loss of home with youthful ideals and the personal resolve of the church's teachings.

Philosophic trappings, however, don't cut it on stage, and U2 is wise enough to let the rhythm of the music and the impassioned dramatics of Bono Vox's vocals reign. U2 is strong on reverb too, adding it to all their instruments and voices. The band's guitarist known only as the TRVMNe OUT I ANNIE By Leonard Starr HI, THIS IS IfiN'T N.M GOOPNKS-MY LEG5 TLL DRAW WO AKE STILL THAjJ A NICE HOT AWFUL EXPERIENCE fBATH SOON AS 1- ann landers HOW SOON C'N -THATS WONPERRJL NEWS, TORO, BUT LIVING ALONE AS YOU CO, HOW WILL YOU SET THE WP LIKE TO RECUPERATE rveee.You'p BE VERY ABSOLUTELY Y' LEAVE TH LET ME HOSPITAL 1 SPEAK TO HELLO? YESy I'M STILL HOLDING DRAINED CAKE YOU NEEP? i HIM, ANNIE WELCOME' I i mupvel II t- FfTTTTTTTTTTfal CATHY By Cathy Guisewite another. (They can be mean biters, too.) I suggest that you select a domestic pet one that is friendly and more predictable. DEAR ANN LANDERS: I want to write in response to "Florence," the night nurse.

I also worked nights, full-time, had three boys, no husband or other adult in the house. Since I was an aide, I was paid less than a nurse. One early morning I fell asleep driving home and narrowly missed a telephone pole. (I averaged four hours' sleep during the day.) When my old car broke down, I hitched to work. Every mother who works is holding down two big jobs.

What's more, mothers are the largest group of underpaid workers in the nation. Every level of society pays a big price for under-mothered kids. They fill our courts, detention homes and jails. Working mothers should unite and do something about this problem. EXHAUSTED MOMMIE THEY HAVE UNITED.

This is one of the things the women's movement is all about. Where have you been? DEAR ANN LANDERS: I'm a 15-year-old high school sophomore who has learned a lot from reading your column. A while back you printed some shocking figures about high-school pregnancies. I think you said there were over a million teen-agers who had out-of-wedlock babies. I know of a birth-control method that is very effective, very inexpensive and guaranteed not to fail 100 percent of the time.

It is the word "No." One of the reasons there are so many pregnant teen-agers is because someone has sold them the idea that "everybody is doing it." Well, I can tell you that everybody is not doing it. I recently read an article on the true meaning of One line from that article stuck in my mind, and I wish every teen-ager would think about it. Here it is: "The more special something is, the more we reserve it for special people, special times and special occasions." It seems to me a person's body is just about as special a thing as there is in the world. It should be reserved for a special person at a special time and a special place. HOLDING OUT I'M WITH YOU.

Another fringe benefit of saying "No" is peace of mind. Every day I receive dozens of letters from teen-age girls who are worried sick asking if the do-it-yourself pregnancy kits available in the drugstores work. They often tell me the date of their last period and the last time they had sex and ask if they could be pregnant. I hope the girls who write those letters to me see yours and learn something. A word from one of their peers is much more effective than anything I might say.

DEAR ANN LANDERS: Could you tell me if there are any pet stores in my area that sell baby raccoons? I hope you will give me an answer, Ann. And thank you ever so much for all the good advice I got from you already. A REGULAR READER EACH STATE HAS its own rules and regulations regarding pet raccoons. Your best bet is to call up a pet store and ask what the law is in your state. According to my Chicago experts, raccoons have been known to turn wild if they are moved from one place to I THOUGHT VOU 5AID I 90WETIIYIE5 THEV SAV THEV HOW DOES IRUIMG FEEl BUT AT LEAST I WON'T A LWEO THAT DRESS, CATHV.

UWE TO ABOUT THAT ORESS HAVE TO WONDER WHAT -i i 7 i AUOlO GommENTlNfr ON HOU) HE'S I somETimes people WE gotem. eome- HE SAW THEW LOVE SOME- TIMES THEV SAV IT WHEW IjHIS OWE. 5 WHEN IT'S THEV WANT TO BREAK UP l-r-kOS TBS fffSk HIOEOUS AND THEV AND THEY'RE FOR fSfSS M1 D0N'T WNT TO HURT "r'mE' jri DOWNSTOWN By Tim Downs UKETOTRr- I I WAVTOQ EXPgN- TOO HUgH. -Z SOrtFTTHING EXOTIC I 5WE. HOW AGOLT THfcS ZEE TDM1GKT I 1 1 HOW AI30LT BOTTOM? j-- AVECLES HOW I V.

THUS? I AN FZJES. dr.donohue HAGAR By Dik Browne ABOUT PERCENT of wrestling ear injuries result from failure to wear ear guards. "Cauliflower" ears result from blows. A direct blow is less likely to cause them than is a glancing blow. The latter has a greater shearing effect which damages greater number of tiny blood vessels.

Resulting small accumulations of blood separate the ear cartilages from the perichondrium (the covering). Scar tissue forms and deformities appear. If you do receive a blow to an unprotected ear, apply pressure with an ice pack. This will minimize bleeding and the possibility of the blood accumulating and separating the perichondrium from the ear cartilages. Wrestling is the oldest and most widespread of world sports.

The problem of cauliflower ears was not unknown to the ancient Greeks. One of their stars was Otothladias. Can you guess that that means "cauliflower You.are right. I've got to admit, though, thlt Otothladias was a boxer, not a wrestler. cells to produce more acid.

The four chief reasons for overacid stomach, then, are overreaction to the nerve stimulus or to the hormonal release, an overabundance of the acid-producing cells themselves and finally, ourselves. Caffeine, for example, is a stimulator of acid production. The person with too much acid production should do the same thing the person does for an ulcer. Avoid foods known from experience to cause trouble. Antacids help, and, finally, if the stomach symptoms cannot be controlled otherwise, cimetidine, the ulcer drug, can be tried in an effort to stop acid production.

DEAR DR. DONOHUE: I intend to try out for my school's wrestling team. I'm really into this sport. The thing that bothers me (and my mother) is the fear of cauliflower ears. I've seen these on the pros.

HJw can I avoid them? How do they confe about? B.C. DEAR DR. DONOHUE: What can you tell me about overacid stomach? What causes it, and how can you take care of it? MRS. J. M.

NATURE HAS PROVIDED an efficient system with plenty of fail-safe features to assure that our stomachs produce enough acid. To begin with, special cells in the stomach secrete hydrochloric acid. If you care to know their name, they are called "parietal" (puh-RYE-uh-tuhl) cells. If they produce too much acid you get an "overacid" stomach. The acid-making cells are controlled by nerves to the stomach and by certain hormones.

Let's look at the nerves. The nerves stimulate acid production in the storrfach cells at the sight, smell or taste of food. Once the food gets to the stontach, the cells are again stimulated to produce more acid. Another thing happens when food enters the stomach; nonjones from certain glands are released that rnse the digestive tract I'M fJoriNe BUT so You Krtort I iVe UP- WHATlS 1- A. A THIS YoU I LOWER TMAM.

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Pages Available:
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Years Available:
1869-2024