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"WEDNESDAY, SEPTEMBER 15, 1999 The Palm Beach Post m SECTION D" Are you a Good Sam baby? The county's oldest maternity ward is about to close, and we'd like to hear from families who have had at least three generations born at Good Samaritan. Please call 820-4574 or 820-4730 and leave a de Kevin Costner takes the mound in Tor Love of the Game' WEEKEND PREVIEW, PAGE 3D MartinSt. Lucie County Living tailed message with your phone number. Or fax 820-4445. r n n n ACCENT I ":m-. w 11 $ i n j Ron Wiggins 7 i i " iiliinwnimiii tiiiiiiiiiiiiiiiiiiiwiiniiiiiiiiiiMiiiiiiimi iniiMifgil Mullets! Mohawks! Monstrous mall 'dos! What's the worst hairstyle in history? Brando as Caesar: Hail the most practical 'do! t ,, 4$ ... a jSteve Harris has created a rare character for television: A black male with ho sign of a chip on his shoulder nor "time for buffoonery. Rare TV role: A black man with depth Reba McEntire: 'High' on the mall-girl look. The Television Celebrity. Examples include the Jennifer Aniston, the Dorothy Hamill and the Farrah Fawcett. The Rapunzel. "In recent times, the only famous person to dare this hard-to-maintain style is country singer Crystal Gayle," who is forced to spend vast sums on a team of round-the-clock stylists, 50-gallon drums of shampoo and "portable generators for her arsenal of blow dryers." B The Mullet Head, aka Hockey Hair. Short on the top and long in the back, as pioneered by the likes of Pat Bena-tar, Kevin Bacon and multitudes of "hockey players." The Mohawk. The "peacock of hairstyles" also serves a practical purpose: "Keepers of the mohawk must stand facing into the wind to avoid blow-over, which makes them the perfect weather vane." The Tail, whose origins date back to the 1980s. Fortunately, "most sport-ers of this superfluous lock have been weeded out by natural selection." The Mall Girl. Until modern times, "high hair" was limited to the noble classes, who were the only ones with enough leisure time to have their locks styled or enough cash to buy enormous wigs. But "all of this changed with one revolutionary invention: Aqua Net hair spray, (which) turned the tide in the war against hair gravity." To read Charged.com's full story, log on to http:www.charged.com issue2leisurestorieshairdos By Roy Rivenburg Los Angeles Times It has been said that those who cannot remember history's bad hairstyles are condemned to repeat them. Or so claims the Internet magazine Charged.com (www.charged.com) in a humorous article on the top 10 hairdos of all time. Leading the pack is "the emperor of all haircuts," the Julius Caesar, which scores points for practicality ('Tour mom can give it to you using a salad bowl and a Flowbee") as well as versatility ("It looks just as sassy at the Roman orgy in December as it does at the execution on the Ides of March"). But the main selling point is longevity. Current practitioner: actor George Clooney. The rest of Charged.com's list is heavily weighted toward the 20th century. It includes: The Princess Leia, featuring dueling cinnamon-roll-style buns. "Not since the beehive has hair made us feel this hungry and sticky at the same time," says the magazine. Dreadlocks. Introduced by cavemen, "the world's first hairstyle" has been making a comeback since the advent of Rastafarianism and reggae. The Baldy. Recent practitioners of the Zen look include Yul Brynner, Ko-jak, Uncle Fester and Sinead O'Connor. The anti-hair motif also raises several questions: "Does a hairstyle require hair? Does the cost of razors offset the savings on styling products?" UN Uncle Fester: Is shaved-bald really a hairstyle? Worry not, reader, for morons pay in spades Annamaria Parrish of Palm ' '; Beach Gardens has a bone to : , pick, not with me, but with the ; i drunken slob who missed a ; curve and plowed into her ! daughter's small Mazda, and spun ruts into the yard in his ; haste to leave the neighborhood. ''. "Every once in a while you . write about people who are steamed about some incident that has happened to them," Pajv ish writes. "I need a place to 1 vent, so I am hoping that you can help me." Parrish has little hope of fincU ing the offending driver who left; a bit of red paint on the rear : quarter of Ryane Parrish's 1995: Mazda 626. The family hoofed itf around the neighborhood look- ; ing for dented red cars. Nada. Nor would I expect an ac- T: count of the incident to excite " the French forensic labs into asking for the paint sample in - their continuing search for the ; . red Fiat that clipped Di's car twci years ago. i The drunk or crazed guy or gal got away clean. Or did heshe? , My mother has a comforting theory on the sorry people who ' seem to get away with bad be havior, but before we get into Mom Philosophy 101, let's hear a bit more from our first mom. "I have raised my daughter " to be honest, hard-working and " J kind. She is the light of my life ; and I am very proud of her. She ' works full time and goes to col- '. lege full time at night. She is ; completely responsible for her ; bills and takes pride in both her ; grades and her job." , '. Ryane bought her car and pays her own car expenses, in- I eluding insurance. ; "On Thursday night around ; midnight," the account contin- ues, "some individual with no I character or integrity raced ; around the cul-de-sac on Green ; Meadows Way, missed the curve, went onto our lawn and ' struck Ryane's car. The transfer ', paint was dark red against the ; light blue paint of the Mazda." ; And now we arrive at the part ; where Annamaria, incensed par- ent, gets to let off steam. "This individual is without honor and it really upsets me ; that whoever did this has gotten ; away with it. This same person will probably be back down our street. I'm sure it's one of the nu-1 merous cars residents are al- ; ways yelling at to slow down. I -guess there is nothing that can i be done and that I should just I keep thanking God that my ; daughter was not in the car. Thanks for listening." ' Please see WIGGINS, 4D: If vV V -M iHrii' ill 3 Mullet head singer: Billy Ray Cyrus sports the hockey player look. By Robin Givhan lite Washington Post , When a man enters a room, he comes cloaked in attitude, his gait in sync with a private, inner vibe. How he moves defines him as surely as his politics and his religion. In those first moments, spare strokes form the outline on which shadings and details are layered. When Eugene Young, an attorney on the television series The Practice, enters his on-screen law firm, he brings basso profundo greetings and a handshake of authority and zeal. Young arrives without bluster or hunger for confrontation, bearing himself with self-confidence and dignity. This is not a blandly happy-go-lucky . character nor a one-dimensional depic-, tion of moral fortitude. Young is a sur-' prisingly nuanced creation. On ABC's Emmy-winning show, Young is renowned for being professionally aggressive in the most morally : ambivalent cases, yet his own moral certainty struggles with a legal system that often is neither fair nor just. He is .' divorced but retains communication ' with and compassion for his ex-wife. He struggles to rear his 11-year-old son. He can be combustible, but not dangerously so. ', But it's what he lacks that makes him unique: Young is a black male television character with no sign of a chip on his shoulder nor time for buffoon- "ery. He is arguably the most evolved black man on television, and his compe- tition is virtually nonexistent. The ranks .' of black male actors are so thin the networks have drawn the NAACP's rancor. ; There is Eriq La Salle's Dr. Peter Ben- ; ton on ER and Rocky Carroll's Dr. Keith Wilkes on Chicago Hope. And while the ." men of Oz are sculpted in bold relief, ; they are done so within the constraints ; of a cellblock cliche. Young stands out because his pro- fession affords him regular opportuni- ; ties to speak eloquently about the most ; unnerving social issues: racism, morali-; ty, gender stereotypes, addiction. - He has been thoughtfully crafted by " Steve Harris, 34, who received an Em- : my nomination this year. The character - is not perfect. And Harris is not Young. ' Please see HARRIS, 4D Mohawks and Princess Leia: Peacock and cinnamon rolls. 'Nuffsaid. Clothes, who cares? Isn't that Madonna in the front row? wearing a two-tone dye job that, chunky highlight for chunky highlight, ' n 4 " 0 'AS , i eerily resembles the coif of Aero-smith's gum-smacking Steven Tyler just a few seats down. Did we mention Mary J. Blige, Steven Dorff, Juliette Lewis and Jon Bon Jovi, all within air-kiss distance of each other? Best of all, per -" V, H ft'' i v SUV ' : armi irn. i ii.i iiiu.i n i r, 1 1 n i 11 i NEW YORK At a Versace show, the parade of supermodels is almost an afterthought. Yeah, yeah, there goes Kate Moss in a gold macrame bikini and skirt Yup, that's curvaceous model-of-the-moment Giselle in a see-through shirt. The real attraction is just on the cusp of the catwalk: the Versace front row is an odd constellation of music and movie stars. (No TV royalty gathered Sunday night at the historic Rose-land ballroom, where this first bona fide marquee show of what's being called the busiest ever Fashion Week took place. A conflict with the Emmys, you know.) Look! There's Sylvester Stallone, sporting a goatee (hasn't anyone told him that look went the way of Carl Weathers' career a couple of years back?). There's Lisa Marie Presley, nuzzling with her current squeeze and handsome Rupert Everett. And if you keep eyeballing down the line, you'll see that Everett comprises one-third of an Ideal Husband reunion with co-stars Julianne Moore and Minnie Driver. The gracious Driver, accompanied by her equally statuesque sister Kate, outshone the lot of them. Who made her lush turquoise coat dress? "Of course I'm wearing Versace!" she said. Oh yeah, the clothes. The spring Versus collection designed by Donatella Versace, sister of slain designer Gianni Versace - mines the same rock 'n' roll aesthetic that has made the line so popular with the beautiful people. Navel-baring, leather hip huggers. Transparent tank tops. Gold mesh string bikinis. j The kind of clothes it takes a heavenly body to wear. Staci Sturrock Spring Fashion 2000 haps, there sits Madonna, with her impossibly ripped biceps exposed by a sleeveless black shirt and a fuzzy, leopard-print cowboy hat. What killer material, girl! But wlkit, there's more. Next to Madonna is hr good pal, the stunningly MICH JACOBSONThe Associated Press. Madonna, in sleeveless black shirt and leopard-print cowboy hat, carries daughter Lourde's as they leate Do-' " j natella Versace's Versus show on Sunday. The Versus collection is a line designed with the beautiful people in "mind.