The Jackson Sun from Jackson, Tennessee • Page A7

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Jackson said the woman was girlfriend and that the shooting stemmed from a domestic situation. Witnesses told police that Minter entered the church and sat in the front row between his irlfriend and the baby, according to a statement released by the Selma Police Department. Minter then pulled out a handgun and started hooting, the statement aid. The girlfriend, 24, ell to the ground, and Minter fired at her, triking her in the jaw and shoulder. The baby, a1-month-old boy, was shot in the hand.

The pastor, 61, then grabbed Minter and was shot in the leg. Members of the congre- ation helped subdue Minter and managed to rest away his gun, acc ording to police. Minter hen ran out of the church. The pastor was taken to a local emergency room for treatment, while the woman and baby were taken to a hospital in Birmingham. The victims were in stable ondition.

After the shooting, Minter fled the scene but was captured by police less than a mile away. Three hurt in Ala. church shooting Associated Press AP Minter NEW YORK A dere- ict Naval hospital that reated soldiers from the ivil War through World War II is the site of an art i nstallation that deals with the wounds of war and the human power of healing. Conceptual artist Bettina WitteVeen said it took five years to secure the Brooklyn Navy Yard ite for her exhibit We Were Soldiers once a nd which opened aturday. I basically perceive the building and my artwork as she said.

It is the first time an artist has been allowed to use the building, preserved as a time capsule of another era and oarded up for decades. The Navy Yard, which served as a major military shipbuilding site for more than 200 years, was de- ommissioned in 1966. The 300-acre campus has evolved into a bustling urban industrial park. Its largest tenant, Steiner Studios of film and television, plans to restore the hospital over the next several years and turn it into a major media- echnology center along with other nearby historic buildings. public has never ad a chance to see the eauty of this aid Doug Steiner, chair- an of Steiner Studios.

building is so integral to her art. I distinguish between the itteVeen, who was orn in Germany and lives in New York City, said the cracked walls, shattered windowpanes a nd worn state of the uilding serve as a meta- hor for her work. She has traveled around the world photographing the beautiful landscapes once des troyed by war. Indeed, it is easy to en- ision the soldiers who once occupied the former treatment rooms that line along white plaster-wall corridor of the first floor. Here, WitteVeen focus- on how combat affects the soldier.

She groups er color photos with black-and-white archival images that she has re- orked using a complex rocess that the icture and directs the gaze toward the face. just see the issing limb or prosthesis; you see this intelligent uman being. You get a sense of the she said. WitteVeen has deliberately placed these images in a room near a broken inn er staircase propped up with poles and sealed off glass as a metaphor for the amputees pictured next door. here are rooms with i mages of weapons and he injuries they inflict; of war robots and drones; and of bravery and compassion by nurses and sold iers carrying and bandaging the wounded.

he installation continues in the basement, where it focuses on industrial effects on civilians. Aportrait of an anonym ous woman raped when she was 12 hangs in an mpty prison cell another weapon of warfare that devastates lives and communities, WitteVeen said. Elsewhere, a walk-in altar inspired by a church in Berlin, Germany, a tranquil space for reflection with soft music Bach in the background. The last room features aseries of panoramic pho- ographs of a garden in rimea, Ukraine. The pic- ures are bright and color- ul, but on closer inspection a rusted barbed wire also appears.

wound can become a scar, but it can heal and ermit a blooming he said. The message she wants to convey is are not hot-wired for he said. actually ore evidence that otwired for compassion and As visitors depart, they will receive a list of org anizations that deal with these issues, including the ounded Warrior Project. want people to feel empathetic and hopefully do some social she added. he exhibition runs through Oct.24.

Derelict hospital becomes metaphor in NYC Exhibition deals with war wounds Ula Ilnytzky Associated Press MARY German artist Bettina WitteVeen talks about her exhibit We Were Soldiers once and in New York. MARY Part of the exhibit We Were Soldiers once and by German artist Bettina WitteVeen, is displayed in New York..