Arizona Republic from Phoenix, Arizona • Page 70

t- E6 The Arizona Republic Sunday, August 30, 1998 Pax TV stakes its future on family viewing Photos versed in poet cording to the publicity pitch) while linking "heartwarming, morality-based" animated series. Earlier this summer, however, the network ran ads in Hollywood trade' publications condemning "so-called creative people" at other networks for their "sometimes bizarre and depressing views of family values" and for promoting "alternative lifestyles" in their programming. Critics pounced on the ads for their gay-bashing subtext. Paxson officials apologized, but the impression had been set that the network might equate "family" values exclusively with "Christian" values. Meeting with TV critics a few days after the ads appeared, Jeff Sa-gansky, the network's president and CEO and Paxson's second-in-command, attempted to diffuse such thinking by first noting that he's Jewish.

Then he pointed out that the bird in the network's logo was a dove of peace, and otherwise unrelated to Christian symbology. files of good people doing good. There's definitely, a touch of the angelic 'about Paxson and his new network. Famously loud and proud about his born-again Christianity, Paxson announced his new network last year by essentially blaming television for ruining society. is the No.

1 thing that has most negatively affected the American home in the last 40 years?" he asked in an interview with the Bloomberg news service. His answer: "Television." To that end, PAX will offer a Sunday-night centerpiece titled It's a Mjracle. Hosted by actress Nia Pee-ples and country singer Billy Dean, the show js "about the power of faith and the assistance we sometimes receive from a source greater than ourselves," according to publicity material. Weekend morning programing blocks for kids (titled Cloud 9) will be hosted by wing-wearing teen angels (Gabriel, Michael and Rapha-ella) who will display "extreme style and teen attitude" (again, ac- the Death of the Rebel Sharpshooter. Our young man slumps in much the same These series are less clever than his earlier work, but make up for the loss by being more subtle.

But not everything in the show is quite so successful. For many of the images, he uses for his model a young man identified as John Painter. Painter is an extraordinarily well-built fellow, but a little too obviously a gay stereotype calendar boy. Nothing in the show is overtly sexual. No schoolchildren should have to avert their tender eyes.

But for a good number of the images, Painter stands like a pretty Narcissus. His soft, boyish face and blond curls belie his beefy arms and bodybuilder chest. Michats clearly sees him as a modern Adonis, the stand-in for the Greek ideal. But he comes off a bit too campy, a bit too kitschy to be taken seriously. The worst is an unintentional parody of a teenage girl's adolescent equiphilia, in which our ringlet-haired boy kneels in supplication to a large, black stallion and seems to wait with his head thrown back expectantly for a kiss and the ecstasy it will bring.

I couldn't help laughing out loud. In another artist, it might have been meant ironically, but the whole of Michals' career says otherwise. Michals has addressed his own homosexuality before, and done so movingly, without resorting to images of buff young men in stone-washed jeans. It is a serious miscalculation by an artist, whose critical faculty has failed him in the face of his own desire. It's as if Titian were painting nude Greek goddesses and used Playboy bunnies for models.

GUiUlLLA (PG13I THE TKUMAN SHUW (PG13) 1:25, 4:15, 7:05, 9:55 3:00, 7:10, 9:25 OEEP IMPACT (PG13) A PERFECT MURDEfl (R) 11:45. 4:40,7:15, 9:45 3 II), 7 9 12:00, 3:45, 7:30 PAULIE (PG) 1:00,5:10 Mw Wipf.i LOST I SPACE IP613I 4:20 quest mcBiTTfC) THE PLAYERS CUB HI 9:15 12:10 hi iow i irvii i mi i THinia LTT.ii7T?irflmi;PfTa-ii-ajimTJ PAX TV; from Page E5 machine for a rerun review of period pieces like Bonanza, The Big Valley, The New Land and Christy. If some of this seems familiar, you were likely a regular viewer of the recently deceased Family Channel on cable. Rupert Murdoch invaded that network a few weeks ago to remake it in the edgy Fox image. Pax TV will supplement its older-skewing reruns with weekend cartoon blocks for kiddies, plus some original programming.

Pax TV stations will also continue to program a lot of infomercials. kmong the the network will gffer a weekday show based on Woman 's Day magazine. While there are currently no plans for affiliates to do local newscasts, the network will produce a national newstalk hybrid titled Great Day America. Originating every weekday from Universal Studios in Los Angeles, GDA will offer the usual household hints and celebrity interviews, plus "inspirational" pro A luolu Mtouio i That's as Satisfying as Bib First. How Can Anyone Resistl" -WASHINGTON POST UNITED AHTISTS EAST VALLEY MAUL 2140 4Trw 4it.

T31-0III sriHio UNITED ARTISTS METRO PARK MtWCHXt OtMOtl mum UNITED ARTISTS PAVILIONS 901-4100 SIIHIO UNITED ARTISTS SONORA VILLAGE 9OI-I3O0 snnto UNITED ARTISTS VAL VISTA CROSSINGS SMitflrv Mi v'bM 641.0000 BltHto AMC AHWATUKEE 24 I5 WrflO. 0U-4AMC fwr.tr AMC ARIZONA CENTER 24 VAN IkHllV JHO 5TH ST AMC ARROWHEAD 14 75 'H Ave 6 BtLL RO 4J6-4MK mrer AMC BELL PLAZA 8 32H Sr to 9SMAJM OltfltO AMC GATEWAY VILLAGE 10 tft6m59THAit iflaito S6-4AMC iitnio AMC LAGUNA VILLAGE 10 KVr flu ChMXER 010-44W BltRIO AMC TOWN 8 COUNTRY 8 2QTH ST OmiBACH 436-4JUK SltfltO NO PASSES, COUPONS, GROUP ACTIVITY TICKETS OR VIP TICKETS ACCEPTED Tim Arizona Republic mm nil: A i i aus r'j'-Tiiynr1 aw al -EJwiipiiCiXS i.i.h.S'.i.i.i.J,'.u-i.h flSWrK DIS DIGITAL SOUND 34 (R) 12: 10 2:45 5:30 8:05 10:25 EVER AFTER (PO-13) 11:352:154:45 7:45 10:30 DTS DIGITAL SOUND THE PARENT TRAP (PQ) 11:20 2:10 5:00 7:40 BLADE (R 11:05 1:504:35 7:35 10:25 SOMETHING. ABOUT MAHV (Hi DANCE WITH ME (PQ) 11:00 1:40 4:30 7:15 10:15 11:10 1:35 4 20 7 20 10:05 SDDS DIGITAL SOUND SNAKE EYES (11)12 00 2:30 THE AVENGERS (PO-13) 7:10 10:00 5:10 7:50 10:25 THX SDDS DIGITAL SOUND SAVING PRIVATE RYAN(fl) AIR BUD: GOLDEN RECEIVER (O) 11 30 2:05 4 50 11:00 3:00 7:00 10:30 WRONGFULLY ACCUSED (PO-111 RETURN TO PARADISE (R) 12 45 3-15 5 45 8 0010 20 1030 PM. SUDS OIGIIAL SOUND WHY DO FOOLS FALL IN EVER AFTER (PO-13) 12:45 4:10 7:20 10:15 LOVE (R) 12:00 2:30 5:00 7:45 10 25 WRONGFULLY ACCUSED (PO-13) 4:45 7:3510:20 DOLBY SR SOUND SMOKE SIGNALS(PO-13) 1210 2:15 4:25 7:10 9:40 BOlBV DIGITAL 50UN6 HOW STELLA GOT HER GROOVE BACK (R) 12:40 4:00 7:05 9:50 BLADE (R) 1:00 4 20 7 00 9 45 SOMETHING ABOUT MARY (R) 12:50 4:40 7 30 10:05 THX bfs DIGITAL SOUND SAVING PRIVATE RYAN R) 12 00 3:30 7:15 DTS DIGITAL SOUND RETURN TO PARADISE (R) 10:10 P.M. DEAD MAN ON CAMPUS (R) 1 2 25 2-40 4:55 7:25 9 55 SDDS BiCIML SOUND AIR BUD: GOLDEN RECEIVER (Q) 12 20 2-40 SNAKE 2:20 4-35 7-40 10 00 T5 DANCE WITH ME (PQ) 9:45 54R)12 00 2 30(4-55)7 20 9:50 SOMETHING ABOUT MARY (R) SNAKE EYES (R) 11:45 10:10 10:30 BLADE (R) 1 1 1 0 2:00 (4:45) DEAD MAN ON CAMPUS R) 7:45 10:30 12:20 9:55 SAVING PRIVATE RYAN (fl) THE AVENGERS (PO-13) 10:00 P.M.

WRONGFULLY ACCUSED (PO-13) 8 00 10:15 THE PARENT TRAP (PQ) AIR BUD: GOLDEN RECEIVER (Q) 11:00 1:05 EVER AFTER (PO-13) 11:00 1 35(4 10:05 BE "YOU'RE G0II2G TO Htm? Y0UHSELF LAUGHING. MM miWIM ARERICA, tod Msfsl HARK MS TOWNE CENIHI Phonu' 011 OQLBY StEHKO nesTA LUXUMV Sotitheni A LoiiyiTiore Mna OS3 HARKINS Siiimrmiiun Fwy imi aosl i Mu.w Ikl Man 048 omirftL, run sunsws. -iioiir AMC AHWAT UKM S4 l-l(lt Pay (Id Ahwatiikfi 0BO-4AMC sdds maiTAi AMC ARROWHEAD 14 UNITED ARTISTS U. VISTA CROSSING UNITED ARTISTS CHRISTOWN CINEMAS Miwtn Clrwtivii Mo) Phoqniji 242-4 S28 l-r- rrr And yet: "Is faith going to play a part in our programing?" he said. "Absolutely." Paxson bought instant credibility by signing Sagansky to the network.

One of modern television's most ac- complished programers, Sagansky headed up prime time for NBC during the mid-1980s, and was CBS entertainment president during the' early 1990s. At CBS, he oversaw the creation of two of Pax TV's cornerstones. Dr. Quinn, Medicine Woman and Touched by an Angel. Sagansky, for one, is certain that the family audience still exists.

"Network television was based on it, and, in fact, as recently as when I was at NBC in the mid-1980s all the way up until 1990, that was NBC's foundation. And parents watched with their kids. "NBC went out of that business, as has every network. I think that all of them have made a really big mistake, because the country hasn't changed that much." Yv'W'fftf 54(H) 12:10 10 25 SAVING PRIVATE RYAN (R) 12 00 WHY DO FOOLS FALL IN LOVE (HI 11:30 2 10(4 10:05 WRONGFULLY ACCUSED (PO-13) 8:2010:30 0TS DIGITAL SOUND BLADE (R) 11:10 SNAKE EYES (R) 11:40 2 10 00 DOLBY OIGIIAl SOUND THE PARENT TRAP (PQ) EVER AFTER (PO-13) 11:00 9:45 11:45 THE AVENGERS (PO-13) 10:10 PM SOMETHING ABOUT MARY (m 11 20 2.00(440i7 20 9 55 AIR BUD: GOLDEN RECEIVER (Q) DEAD MAN ON CAMPUS (R) 11 50 2-40(5 2018 1010 15 11-15 1-20 3 30(5 40) WHY DO FOOLS FALL IN LOVE (R)1 1:30 2:05 (4:40) 7:30 10:15 dts Digital sound DANCE WITH ME (PO) 10:10 ARMAGEDDON (PO-13) SAVING PRIVATE RYAN (R) DEAD MAN ON CAMPUS (Rl 12:20 2 30(4 50)7 30 9 50 EVER AFTER (PO-13) 11 40 00)740 10:20 HOW STELLA GOT HER GROOVE BACK (R) 12:50 3:50 7:00 9:55 WRONGFULLY ACCUSED (PO-13) 12 00 2 10(4 30)7 50 10 05 AIR BUD: GOLDEN RECEIVER (Q) 11 50 2 00 54(R) 12:10 2:35 5:05 7:50 10 00 RETURN TO PARADISE (R) THX DOLBY DIGITAL SOUND 7:4010:15 BLADE (R) 12 50 4 00 7 00 9:50 SMALL SOLDIERS(PQ-13) DTS DIGITAL SOUND SOMETHING ABOUT MARY IR) 12:35 4:25 7:30 12:00 2:20 4:45 THE MASK OF ZORRO (PO-13) THE PARENT TRAP (PQ) 1:054:157:20 7:15 10:10 DR. DOLITTLE (PO-13) 12 20 2 45 4:55 LETHAL WEAPON 4 (R) 10:05 PM.

SUPER VALUE ALL CONCESSIONS ITEMS SI 00! GODZILLA (PO-13) 1:45 5.00 8.00 SIX DAYS, SEVEN NIGHTS (PO-13) 1:40 4:30 7:15 9:40 A PERFECT MURDER (R) 2:10 4:40 7.30 9:50 THE HORSE WHISPERER (PO-13) 1 30 4 50 THE TRUMAN SHOW(PO) 1:50 4:15 7 00 9:30 MADELINE (PQ) 2 00 4-20 7:10 9 20 DEEP IMPACT (PO-13) 8 15 I HARKINS CBKTERPOINT LUXUHV 11 Mill A Uniwslty Ttuwm 222-HARKINS O10 OMITAL ARCADIA LUXURY I HARKINS AMZONA MLL8 LUXURY S4 Tamps 222-HARKINS 049 UiitTV. ThH HARK MM PhoanlK 222-HARKINS 02 HARKINS SHEA LUXURY 14 9hlM UV1 HBBl Of LkJttlue FU Scottadnl HAHKINS 040 anus uiiri, AMC LAOUNA VILLAOH 10 Wsl Rny A Kt-iw lid Chandlar 9S6-4AMC TRt METRO VKJJUM! 3131 A vb soull'i rip Phonl 9H0-4AMC UNTTED ARTISTS UHTTFD ARTISTS SOOTTSDALE RWSJOMB ndmii 01 A tkl Scotladal 901-4200 srFneo UNITED ARTISTS SONORA VILLAGE 10 SICfiCU himni Anjelica Hdstoh UNTTFD ARTTSTS fCOTTSOALK PHVSJOHS k-Mban DoxJ A Pvm fl Scotladala 991-4200 STEHFO UNTTTfD ARTISTS CAST VALLEY MALL Aiimwi Avo A WsnBi FVi Chandlar 732-0886 GrFBFO AMC OATaTWAY VILLAOI 10 arotjnacIeter tepteniri4Ar SOflS DIGITAL AMC nesTA vH-LAoe SoutlKn Alma SUwol Rd. Maaa 050 4AMC AMZONA MIXS LUXURY HARKINS HO lp4ntT(xl viy 'nffAL Jhh CHfttSTOWN LUXURY 11 1901 Avenue 4 Bethany Harrm PnotNix 222-HAnKINS 010 DDI BY BTtHi-O HARKINS Phonlx 222-HARKINS mm Cinderella Story wwwiouHmfvcoM 1(21 II AMC I LAOUNA VILLAOS 10 a Wesl nay Kyrene IV ChandlafflSflAMC TWfH SOONTRY 1 20th St 4 Camnltxr; Rd. a i 1 wmmn vnuav 7 PHOTOS, from Page E5 five images shows us a book opened to a page in which Michals has quoted from Whitman, "In the satisfaction and aplomb of animals, in the annual return of the seasons, in the hilarity of youth, in the strength and flush of manhood, in the grandeur of old age, in the superb vistas of death." The next frame pulls back to show a young man hardly more than a boy who holds the open book and chews on a corn tassel. The third frame pulls back further so we can see the boy and book are sitting in a corn field.

The fourth pulls back so far that you can barely see the boy's face in the crowd of corn stalks. The final image pulls back far enough to show us the cornfield in the larger landscape. The boy is all but invisible; if you hadn't been shown him in earlier photographs, you wouldn't even know to look for him. The effect is both delicate and striking. One remembers Whitman's line in Song of Myself, "1 bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles." The sense of being swallowed by the cosmos is palpable.

The best of these sequences is probably Adhesiveness, in which the young man with the book reclines under a tree, and as we pull back from him, each succeeding image shows him more and more obscured by the leaves dropped from the trees, so that in the last panel, he is dead and buried. One cannot help but be reminded of Alexander Gardiner's famous Civil War photograph of 939-9715 or 222-RLM 010 BETHANY HOMfc RD 4 55TH BLADE (R) Plus LOST IN SPACE (PG-1 3) DANCE WITH ME (PG) Plui-THE MASK OF ZORRO (P5-13) DEAD MAN ON CAMPUS (fl) Plus SNAKE EYES (R) WRONGFULLY ACCUSED (PG-13) Plut-TME AVENGERS(PG-13) SAVING PRIVATE RYAN (R) Plus -THE NEGOTIATOR (R) HALLOWEEN: H20 (R) Plus HAV PLENTY (R) EVER AFTER (PG-13) Plus SMALL SOLDIERS (PG-1 3) SOMETHING ABOUT MARY (R) Plus LETHAL WEAPON 4 (R) ARMAGEDDON (PG-13) Plus MAFIA (PG-13) 949-9451 or 222-FILM041 McKELLIPS 1 HAYObN HD BLADE (R) Plus LOST IN SPACE (PG-13) DEAD MAN ON CAMPUS (R) Plus SNAKE EYES (I WRONGFULLY ACCUSED (PG-13) Plus LETHAL WEAPON 4 IR) SAVING PRIVATE RYAN (R) Plus -THE NEGOTIATOR (R) HALLOWEEN: H20 R) Plus DISTURBING BEHAVIOR (R) SOMETHING ABOUT MARY (R)-(Hus -THE MASK OF ZORRO IPG-13) SHEA 14 LUXURY CINEMAS HARKINR HORKINS ARCADIA LUXURY 8 If. 5 -fT a TMASRD 32-MUKIQI4 waul HARKINS DIU TOMER LUXURY AvfV 5 A.l Hl: miM01I DMfTM. HARKINS 2H-HttKt040 DWTujna UNrTEO ARTISTS PAVILIONS HI-4JW imr.m UNITEO ARTISTS SONORA VILLAGE a Jw f-Mdw i Anight Haraev CHBISTOWN LUXURY 11 wi at -n 28-4UMIQI9 DMfTAl not HARKINS CENTURY SCQTTSDALE Dl HUKfMMi; SMCKRUPS ni rim 1041 SOUTHWEST UNITED ARTISTS METRO PARK HARKINS FIESTA LUXURY 9 JUKX (VflFffSn MAT I 3nMKIl OKHTAl HARKINS WM9II AMC AHWATUKEE 24 SUPERSTITION SPRINGS 2S rw of Km.R Hi: 1KM 2ft MUX 101 monttm UNITED ARTISTS VAL VISTA CROSSINGS 441-000 STEMS AMC ARIZONA CENTER 24 A d4 Brm JHO 6 jTm ST AMC BELL PLAZA I tUa flD. 4S4-4444C nrse AMC ESPLANADE 14 HARKINS ARIZONA MILLS LUXURY 24 ISM HM1UKIM9 DMfTM.m HARKINS CENTERPOINT LUXURY 11 lUKll DHWTH llom 1S4-4MC mrzc CENTUHY GLENDAU 9 Dl 111-fHJI MIS AMC LAGUNA VILLAGE 10 fSO-UMC mfza UNITED ARTISTS EAST VALLEY MALL M1-04U DOT pa; dts HARKINS FASHION SQUARE LUXURY 7 IftHMKlOll'IMITAL HARKINS PARADISE VALLEY 7 THE TRUMAN SHOW IPG) 1:00 3:10 5:20 7:30 9:50 GODZILLA (PG-13) 12:30 3:40 8:40 :30 SIX DAYS.

SEVEN NIGHTS (PG-13) 1:20 4:10 6:50 9:20 MADELINE (PG) 1:40 7:00 OUT OF SIGHT IR) 4:20 9:10 A PERFECT MUR0ERR) 1:10 3:20 10:00 DEEP IMPACT PG-13) 1:50 4:30 7:20 9:40 QUEST FOR CAMEL0T IG 12:40 2:20 4:00 THE HORSE WHISPERER (PG-13) 5:40 9:00 TPANICIPG-13) 12-50 4 40 8 30 3E mi MAOELINE IPG) 1:30 3:30 5:20 DEEP IMPACT (PG-13) 7:10 9:50 THE TRUMAN SHOW (PG) 12:50 3:00 5:10 7:30 9:35 SIX DAYS. SEVEN NIGHTS IPG-13) 12:40 2:50 5:00 7:50 10:05 THE HORSE WHISPERER (PG-13) 1 20 4:30 00 GODZILLA (PG-13) 1:40 4:20 7:00 9:40 A PERFECT MURDER (R) 1 fO 3:20 5:30 7:40 10 00 isk Mia'fBpwfjBjsajMa 4.M1..:.T Ill in mini iiJi 11 i HARKINS FASHION SQUARE LUXURY 7 Scottsdato Cutx-tNtck RrJ Scottidalt 232-HARKiNS f02I ooi by srsnro HAflKJHS POCA RESTA LUXURY 4 Southern Ainu Sdooi HARKINS BOlTOWNECEffTICS 7B1 blraiH 4 ft IW. Rhotnii 2ZZ-HARKINS 1011 DTS DIGITAL HARKINS RMUDiSEUUlY7 LCtU a lnHll Phcwnn ZI2-HARKINS 1012 DOLBY STFRfO KINS HAAKMS CBfmwo ujvvm 11 MiU i Uiirversjrv HARK MS CHMSTOWN LUXURY 11 19th Avnnue 4 LV'ttuny Hofw Phoehix 222-HARKINS 1019 DIGIT Al SWHWrTOl vnmatm Fwj Meta HAP Timh -KARKINS 018 DIGITAL THX2 UUMItWAVVLlAOE 10 West Ray Kvrin Chandler 956-4 AMC STERtO E9nJuubei4 S.E Cfirw if Vml I fjrsA fld Phoenix 956-4AMC sons DIGITAL AMC METRO 31sl Ave. south Phoanlx STTHEO VNXAGC of (Vra 956-4AMC "This Movie -Peter Travers, Rolling Stone GODZILLA 11:15, 1:50, 4:20, 7:00 MAOELINE (PG) 11:15,1:15, 3:15, 5:15, 7:15 TRUMAN SHOW (PG) 11:30, 2:00, 4:30, 7:00 DEEP IMPACT (PG13) 1 1 :30, 2:00, 4:30, 7:00 TITANIC (PG13 11:15, 2:50, 6:30 PAULIE (PG) 11:15,1:10, 3:00 OUT OF SIGHT (R) 4:50, 7:15 'Showtimes alter 9 0O om Friday Saturday Only siskci am Two Big Thumbs Up!" "A Thoroughly Entertaining Jjiwi Hlin. THt HfW Y0BK TlMfS "Warmly Comic with Charming Performances and a Splendid Screenplay!" "One of the Best Films of the Year!" fSmokeSiena Ji "i HARKINS ARCADIA LUXURY I IOW S'TTFT JuMtS f.

nvtuMioii rjTHi 4l HARKINS ARIZONA MIUJ LUXURY 14 m-HWitlt otorrALinr HARKINS BEU TOWNE CENTRE SW Srirr dtu HARKINS CHfiWTOWVN LUXURY 11 nmuM dmitu HARKINS CORNERSTONE LUXURY Htm iMfdsrr IH-HIHfOll HARKINS POCA FIESTA 4 Sawn Am Snm m-wsmss ams) HARKINS SOUTHWEST I 67m 4Mf Thmib m-HAHMM HARKINS BUPER8DTION BPMN08 25 ni tUIIIMI OtOrTALTR UNITED ARTISTS PAVILIONS AMC ARIZONA CENTER 24 Viw Blhh urm 3m 5nt st. AMC GATEWAY VILLAGE 10 fS4iHC orfMO COR SHOWTIMES 1 TICKETS CALL 222-FILM Of visit WWW.MOVIELINK.COM MADELINE (PG) 12:45 2:50 7:10 OUT OF SIGHT (R) 4:50 9:10 TITANIC (PG-13) 12:40 4:20 8:00 THE HORSE WHISPERER (PG-13) 1 :40 5:00 :10 PERFECT MURDER (R) 1:20 3:30 5:40 7:50 10:00 DEEP IMPACT (PG-13) 12:50 3:10 5:20 7:30 9:40 SIX DAYS, SEVEN NIGHTS (PG-13) 1:10 3:20 5:30 7:40 9:50 THE TRUMAN SHOW (PG) 1:00 3:00 5:10 7:20 9:20 GODZILLA (PG-13) 1-30 4:106:50 9:30 YT 3E MAOELINE (PG) 1:10 5:00 7:00 PAULIE (PG) 12:30 2:35 7:25 CITY OF ANGELS (PG-13) 4:40 9:20 TITANIC (PG-13) 1 :00 4:30 8:00 OEEP IMPACT (PG-13) 12:50 3:05 5:20 7:35 9:50 GODZILLA (PG-13) 1:30 4:10 6:50 9:30 A PERFECT MURDER (R) 2:55 9:10 THJTNORSE WHISPERER (PG-13) 1:40 4:50 8:10 TRUMAN SHOW (PG) 12:40 2:45 5:10 7:15 9:40 SIX DAYS SEVEN NIGHTS (PG-13) 3 25 5 30 7-45 10-00 NOW PLAYING HARKINS ARCADIA LUXURY 4 Srw Jums ftr. hauioii hi HARKINS ARIZONA MILLS LUXURY 24 (-10 nf Stnsnnw m. zoom uiMixfOoo uoururm HARKINS CHRISTOWN LUXURY 11 I9TH AvfMf BfTHUtf HARKINS DESERT SKY 8 75th hnu ftflMiS IDHUIBll' HARKINS AMC AHWATUKEE 24 ISISE. ir.

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