The Age from Melbourne, Victoria, Australia • Page 12

1 TM1A0E FRIDAY 18 DECEMBER 1992 Arts Entertainment Edited by MIKE DALY Night of magic and fun Is this the last squawk for the endangered Penguins? TELEVISION BARBARA HOOKS ISr It g. An assemblage of materials, following the theme of the Claude Simard's 1991 sculpture 'Metamorphosis' (left) and 'Untitled' by the artist BP. Biennale serves old wine in flew bottles THEATRE Twelfth Night, by William Shakespeare; directed by Glenn Elston; music by Richard Piper; cast Includes John Wood, Nick Carrafa, Alison Whyte, Phil Sumner, Simon Hughes, Leigh Morgan, Evelyn Krape and Michael Bishop (Royal Botanic Gardens), LEONARD RADIO ON a balmy summer's night, there is no more magical theatre setting than Shakespeare performed In the leafy environs of the Royal Botanic Gardens. True, there are hazards like midges and mosquitoes and small planes droning monotonously overhead. There is also the weather, which, as every Mel-burnian knows, is nothing if not changeable.

None the less, more than 200,000 people saw and enjoyed Glenn Elston's Initial Shakespeare-under-the-stars production, 'A Midsummer Night's Dream'. Many were people who would never think of going to see a play of Shakespeare's in a conventional theatre setting. Elston's 'Twelfth Night follows the same approach. Again, It is Shakespeare made accessible for non-specialist audiences. The production is not high on subtlety.

Indeed, it has more than a touch of the lowbrow and the slapstick. But it is also robust and, in its befter moments, highly entertaining. As with 'The Dream', director Elston makes good use of the natural gardens setting. But where "The Dream' began beside the lake, moved to the palms plantation for the woodland scenes, and returned to the lakeside area for the lamentable tale of 'Pyramus and Thisbe', "Twelfth Night' takes place In a single location against a backdrop of waving palms lit in pastel hues. It is still light when the play begins.

Large birds flap in the trees; the audience, seated on rugs on the ground, clink bottles and rummage in their picnic hampers. To settle them down, jjphn Wood, the master of revels, takes cast and audience through an Hawaiian hula song and 'The 12 Days of Christmas'. Two women, unwise enough to admit it was their birthday, are hauled onstage and encouraged to participate in the dancing. These frivolities completed, it is time for the play itself to work its own magic. It does so amiably enough.

However, Elston's decision to opt for a broad knockabout approach and to play up the bawdy moments in the text is not without its debit side. The songs, for example set by Richard Piper have a jaunty rather than a melancholic air; while the romantic heroes and heroines play second fiddle to the two roistering and noisy knights. Sir Andrew Aguecheek (Simon Hughes) and Sir Toby Belch (Phil Sumner). The latter pair are much In evidence, as is Maria (Evelyn Krape). Together with John Wood, as the wise fool Feste, they bring to their playing a comic vigor and inventiveness that puts Nick Carrafa's Orsino and Leigh Morgan's Olivia in the shade.

However, All-son Whyte gives a persuasive performance as the disguised Viola, while Michael Bishop is a source of great amusement as Malvolio, whether he is being conceited, glum, or merely ridiculous. This is not a production for purists; it is consciously tailored for the general public. Take a rug, a jacket or a jumper, and something to repel the midges, and a fun night out is assured. AMERICA has the Emmys and Britain has the BAFT As, peer-Judged awards lor television excellence. For the same prestige and international recognition, what does Australia have? The Logies and the People's Choice Awards have their place but they are commercially sponsored popularity awards.

Television is increasingly represented in the peer-judged Australian Film Institute Awards, but there is still the perception that TV is the poor cousin to lllm. And despite the superior recognition factor of Australian television over Australian film In most years, it is not yet known as the Australian Film and Television Institute, or the AFTI Awards. Australia used to have the Penguin Awards, introduced in the late 1851s by the Television Society of Australia set up to promote excellence within the Industry while providing a forum for discussion. But over the years the Penguins have waxed and waned in popularity until a couple of years ago they vanished first from our screens and then from our collective memories. Almost.

For the past 18 months, a dedicated group of society members has been trying to revive network interest in the awards and elevate them to the prestige position of the Australian television industry awards. The group is headed by the society's president, Nigel Dick, a media consultant, analyst and television historian who in his previous incarnations was a chief executive of the Nine Network, chairman of HSV 7, and a director of Crawford Productions and Film Victoria. He was also one of four people behind the original Logies. "But I still believe that an industry requires awards that are not commercially sponsored, not because there is anything wrong with them, just because It Is good having peers judging peers. Every other English-speaking country has such awards.

Those who started the Penguins bad a lot of vision. Regrettably, the networks, for economic reasons only, aren't able to have that When Mr Dick accepted the presidency last year, the society was in debt The commercial networks, perceiving a bias toward Victoria and the public broadcasters, had lost interest. But after consultation, each of the five networks stumped up enough to cover the debts and provide some capital. The outlook was hopeful. A business plan was drawn up to include network participation on the board, a full-time secretariat, judging coordinator, possible sponsorship and mounting of the awards for television.

But one by one the commercial networks lost interest. Nigel Dick does not blame the society or the networks, although without their support the awards are unworkable. Rather, he blames government for the bad planning and short-sightedness that created a debt-ridden industry unable to put the audience first by providing new and quality Australian programs. Earlier this week, the society's members agreed that if no new candidates declare themselves for office, the society would be wound up in February. If that happens, a piece of Australian television history and the immediate hope of an important television awards system will be wound up with it.

Such a pity. been Included are dismal, and that the photography demonstrates a general blandness (very dark, blurry images of and crusty old buildings predominate). In these respects the final choice apparently favors what some British critics are calling 'BICCA' (Biennale International Club Class Art), a recently evolved idiom that monopolises similar events held overseas. But the show's chief shortcoming does not lie with the exhibits; it is the woolly concept of the unifying title, 'The Boundary Rider', which probably undermines the larger project. Contrary to the organisers' claims of offering viewers the basis for a colonial critique of cultural theory and practice, the Biennale struck me as a subtle recapitulation of an outdated colonial stereotype.

The terminology might be updated, yet the underlying message has been around for decades. Tony Bond, an Englishman, seems to order his ideas in Eurocentric terms: his catalogue essay invokes the mythology of Australia as a Wild West-like emptiness, and suggests a parallel between the local contemporary artist and a rugged pioneer (the logo for the event Is a 19th-century photograph of a bullwhip-bearing drover). Hence it Is that Bond arrives at the romanticised figure of the lonesome boundary rider, a supposedly outback equivalent of the bricoleur making do in a sparse Australian the artistic director ex- plains, "his life was spent travelling between remote points on the Instead of subverting the parochial ideology of transatlantic culture, the Biennale therefore manages to reinforce obliquely conservative perceptions of Australia as an untamed and exotic "Other" place. Make no mistake, the Ninth Biennate of Sydney contains some fascinating and Important work that certainly deserves our attention. I hope we get to see more of artists such as Blain, Ngnetchopa, Salcedo, Simard and Wolger.

But the overall project seems an Instance of old wine in new bottles: the Australian contemporary art scene has engaged with exhibits and ideas like those featured in this event many times before. TRATEGIES that have worked within post-colonial cultures are now being applied by art ists everywhere, including the perceived cultural centres. It is these strategies that determine the theme of the exhibition "It is also concerned with enhancing the opportunities for individual artists to find a voice with which to address their audience, without the oppressive mediation of an accepted ideology or prevailing assumptions." Thus writes Tony Bond, this year's artistic director for the Biennale of Sydney, probably the foremost contemporary art event to take place in the Southern Hemisphere. Entitled 'The Boundary Rider', the 1992 Biennale brings together 112 international and Australian contemporary artists in a vast survey running across a cluster of galleries and temporary exhibition spaces. The most impressive component has even been installed in a rambling, five-storey Victorian warehouse behind the Rocks an intricate hive of buzzing contemporaneity.

It is the largest show I have visited, a huge index of artists and works devoted to articulating one idea. The artistic strategy that Bond wishes to outline with the Biennale is the concept of the bricoleur the French term for an odd-Job man who always makes do with whatever is at hand. Bri-colage is the act of making repairs or devising much needed implements with wire, machine scraps and any other debris just lying about. During the 1960s, bricolage was adapted by the anthropologist Claude Levi-Strauss to analyse many of the processes, relationships and rituals he observed among South American Indians. A rich body of theory soon built up, which has subsequently been tapped by art critics and historians.

And with good reason after all, a host of innovative artists from Picasso to Warhol and beyond have been bricoleurs; they have developed fresh and intriguing styles by using whatever odds and ends were at hand (eg, linoleum, comics, plastic toys, junk). The "artist-as-bricoleur" is a valuable and worthy idea that has warranted an exploratory exhibition for some time. One of the most stimulating dis- TV Worth plays in the present show is 'Aladdin's New Lamp', a selection of ingeniously constructed tools, clothing, toys and domestic implements made from Western refuse (beer cans, light bulbs, kerosene tins, car tyres) by Third World bricoleurs. In the main, the Ninth Biennale of Sydney tackles this complex subject by focusing on contemporary bricolage artists who use peculiar materials in order to go against the political grain, while somehow reflecting the current state of international affairs. For example, the Croatian artist Mladen Stillnovlc exhibits 'Dead Optimism', an arresting array of works that juxtapose vanilla pastries, kitchen utensils, propaganda photographs from pre-1960s Russian magazines, and small Constructivlst paintings.

Such disparate elements mesh together visually in such a way that they allude to the early Utopian rhetoric, and the current social disintegration, of the communist world. Equally engaging are the large wooden relief sculptures based on Japanese, Israeli, Italian and Dutch banknotes by Jean-Baptiste Ngnetchopa of Cameroon. Not only are they carvings of strong aesthetic merit, but one's thoughts immediately turn to the futile hopes of cargo cults, and uneven economic relationships between the First and the Third Worlds. And the Canadian artist Dominique Blain has filled a room with rows of military boots, each suspended just above the floor by wires and clearly waiting to goose step into action the reference to current political troubles in Europe is unmistakable. One could continue with a list, for I was also impressed by the exhibits of nature and condition of human reception.

A range of pieces Includes seats or chairs, which often draw our attention to how we passively sit back and are overwhelmed by the media (one artist up-ends several sofas, presumably to jar us into alertness). Other pieces again focus upon human experience in a more physical sense, using materials or imagery that directly refer to tactile sensations, membranes and fleshiness (Anderson, Dews, Janin, Lemieux, Lum, Maning, Salcedo, Simard, van de Ven, Whitehead). Then there are straightforward "brl-collages" quite bizarre devices of unknown purpose constructed from mechanical and electronic bric-a-brac (Bickerton, BP, Gorss, Herold, Nomura, Steinbach, Wickstrom). Finally, several Installations raise more grassroots questions of social justice in Australia. One piece even attempts to simulate a suburban lounge and juxtapose it with an Aboriginal shack.

THESE interlinking themes aside, however, I cannot help feeling the art is often patchy, predictable, possibly even old-fashioned. There is a numbing sense of uniformity about the selection: nearly everything seems to be arranged into a matrix, grid or line in a show that is not sparing in its display of serial sculptures and claustrophobic installations. Indeed, too many pieces have an early 1970s post-minimal art look about them. Many artists tend complacently to paraphrase or extend the styles of Beuys, Flavin, Haacke, Hesse, Kounellls, Kosuth and their peers. I also came away from the Biennale thinking that the few paintings to have ART The Boundary Rider.

Ninth Biennale of Sydney (Art Gallery of NSWArtspaceBond StoresMitchell Libraryel until 14 March 1993). CHRISTOPHER HEATHCOTE Charles Anderson (Australia), Gordon Bennett (Australia), Ashley Bickerton (USA), Sara Diamond (Canada), Rainer Gorss (Germany), Svetlana Kopystiansky (Russia), Janet Laurence (Australia), Yechiel Mirankar (Israel), Joey Morgan (USA), Julia Morison (New Zealand), Doris Salcedo (Colombia), Claude Simard (Canada), Hiam Steinbach (USA), Martin Wickstrom (Sweden) bhd Dan Wolger (Sweden). Yet the hundreds of works in this show reflect a definite set of concerns. Beyond political overtones, the Biennale is apparently organised around several Issues. Many exhibits address the subject of information technology, probing its place and function in our lives (eg, the works of Brassil, Diamond, Gefz, Kessler, Morgan, Piper).

There are innumerable electronic relays, light pulses, sound systems, recorded messages and closed circuits pumping tout seemingly useless This sqmetimes spills Into works alluding to the high-powered world of big business and advertising (signs, posters and billboard motifs abound). In fact, a slick executive office for a simulated new-technologies corporation has been Installed in the Art Gallery of NSW. Allied to our relationship to information systems is a clear interest in the be missed e.OONews. 6.30 Good Morning Australia, u. s.ao The Morning SHoW with Bert Newton.

G. 10.00 Mulligrubs. P. R. 10.30 Aeibbice Oz Style.

G. 11.00 sally Jessy Raphael. My best friend slept with my father. PGR. R.

Afternoon 12.00 Santa Barbara. PGR. 1.00 The Bold and the Beautiful, pgr. 1.30 Donahue. US chat show.

Matchmaking. PGR. R. 2.30 Oprah Winfrey Show. US chat show.

The past catches up with you. PGR. R. 3.30 General Hospital. PGR.

4.00 Zorro. G. 4.30 Haydaze. C. R.

5.00 Newe. Sport Weather. Evening 6.00 MASH. US comedy series. The surgeons realise In that they are out of touch with Adelaide warm to ranges cloudy.

about PORT north metres. ALPINE to Phillip IN Swan Albury: 25; fine, 26; Weather considering Excellent Not to BayCoast 0055 19111 Interstate 0055 332211 BUREAU OF METEOROLOGY Situation of noon yesterday Situation at noon yesterday i Ant G. R. Agro'a Cartoon G. Inc.

G. R. Book Place. P. Whaps On 7.00 Photographic Vision.

R. 7.30 Open Learning: French. 8.00 Vicky the Viking. R. 8.25 Sesame Street R.

9.25 Bananas In Pyjamas. R. 9.30 Play School. R. S.

10.00 Puddle Lane. 10.15 Two By Two. R. 10.30 Mr Squiggle And Friends. R.

10.55 Paddington Bear. R. 11.00 You Can't Do That On Television. R. 11.30 Kids Of Degrassi Street R.

11.55 Henry's Cat. Afternoon 10.00 10.30 11.00 PGR. 12.00 1990 poses orphans. 6.00 Atom 6.30 Connection. 9.00 Kids 9.30 The R.

6.00 Living Dolls. G. R. 6.30 ITN News. 6.55 Business Today.

r.uuToaay. e. 9.00 Here's Humphrey. P. R.

9.30 In Melbourne Today. 10.30 Newe. G. 11.00 Life Qoea On. PGR.

Afternoon Afternoon TODAY'S FORECASTS MELBOURNE: A brief shower or two but mainly fine. A day with cloudy periods. Moderate to fresh east north-easterly wind. Max 29. VICTORIA: Rain areas mainly on and north of the extending to the south-west.

Isolated thunderstorms in the north-west. Mild to warm and mostly Fresh east to north-easterly wind, strong the coast. PHILLIP AND WESTERN PORT BAYS: East to north-easterly wind grading from 15 to 20 knots in the to 20 to 30 knots in the south. Waves of 1 to 2 A strong wind warning is current. AREA8: Cloudy with patchy rain.

Fresh east north-easterly wind. WARNINGS: A strong east to north-easterly wind will -persist over all Victorian coastal waters Including Port Bay and Western Port. THE COUNTRY: MHdura: Rain at times, max 29; HHI: Rain at times, max 29; Horsham: Max 26; A little rain, max 24; Bendigo: A little rain, max Shepoarton: A little rain, max 25; BaNarat Mainly max 24; Geelong: Mainly fine, max 27; Waimam-bool: Mainly fine, max 24; La Trobe VeHey: Fine, max Sate: Max 24; Orboit Max 24. Child's Play. G.

R. NBC News. Porridge Christmas. A Family For Joe. A homeless man the guardian of four Stars Robert Peter Bowies is Born' (7, PGR.

R. 12.00 FILM. Comanche Station. 1960 western. A man searches for his wife In hostile country.

Stars Randolph Scott, nJZZ 7A 1992 ZIT zTl Saint PGR. R. Beverly Hillbillies. G. Drummer Boy.

G. R. by the Bell. G. You See It C.

Feud. G. of Fortune. G. To the Manor 7.30pm) Nancey Gates, pgr.

r. 1.30 Dave of Our Lives. PGR. 2.30 The Young and the Restless. PGR.

3.30 Katta and Dog. PGR. 4.00 My Two Dads. G. 4.30 Pugwsll's Summer.

C. 5.00 The Cosby Show. G. R. 5.30 Melbourne Extra.

Local current affairs. 5.50 For Evening 6.00 World 6.00 News. Sport. Weather. Afternoon 4.30 Novosti.

Russian News. 5.00 English at Work. R. 5.30 and drizzle occurred yesterday, mainly In northern central and Gippsland districts. Rainfall totals hours to 6 pm were generally less than 1 mm.

The reported was 7 mm at Nhfll followed by mm at Kerano. The sky was mostlv overcast but some clear in the south of the state. Moderate to fresh east to winds occurred over inland areas but winds were gale force along the coast. Maximum temperatures well below The December average In the north of with several places reporting 11 degrees below the Maxima mainly ranged between 19 and 24 degrees. The maximum was 26 degrees In Melbourne at 3.55 pm after of 14.7 degrees at 5.30 am.

A strong ridge lies south continent with a high centre west of Tasmania. A low system is situated north-west of Mildura. The high will the east of Tasmania today with the airflow tending north-easterly over Victoria. Cloud associated with the system will continue to affect the state, particularly and west. Melbourne 0055 19800 Victoria 0055 19321 The world Temperatures and conditions in major cities: Amsterdam Min Max cono UJ U9 clouay Ainens Auckland Bahrain Bangkok tiling alro Geneva Rong Kong onolulu Jakarta Jerusalem Johannesburg Kuala Lumpur London Los Angeles Manila Mecca Moscow New Delhi New York Paris Rome Seoul Singapore Taipei Tokyo Toronto Wellington 10 cloudy 15 17 22 cloudy -26 cloudy 11 rltar 23 -05 -06 clear 09 14 cloudy -05 OS cloudy 12 18 clear 18 30 clear 1 23 31 rain OO 02 snow 24 09 06 21 17 -02 06 -Ol 07 04 -01 24 13 03 OO 13 30 clear 32 rain 10 cloudy 16 cloudy 29 clear 29 cloudy 02 cloudy 22 clear 06 rain 10 cloudy 14 cloudy 04 clear 29 cloudy 20 cloudy 10 clear 04 cloudy 17 cloudy Highs and lows Today's Kecora LnwMt high 38.7 in 857 Today's Highest Record Rainfall Highest Probab Probab Probab ni0n in mi normal low 12.7 low 19.4 In 1936 low 7.6 In 1894 (24 hours to 9 am) rainfall: 28.0mm 1988 of rain 40 per cent ol 2 mm 20 per cent of 10 mm 5 per cent 17 21 11 27 10 22 17 The planets TODAY SUN mss am ERCURV 4.46 am INUS 9.21 am MARS 10.40 om 1UPITER 2.06 am TURN 1.45 am TOMORROW (UN Kises 5.54 am 2.01 am fRCURY 4.46 am 9.44 MAHS IUPITCR SATURN The tide ilimsto down .14 om.

am. 4.21 am. Port Phillip Heads high waten 6,30 am, 7.15 pm. low water Tl.32 Toorad obradirt high water: 7.53 am. 6,36 pm.

low water: Wmiamitown high wattn 1d.13 im, 1 1.27 pm, low water. 4.14 81.12 nnt. Phillip Heads high i.h pm. tow waten ooraoM Nfh water! I.H .51 pm. lew Waten 2.44 6.40 om 7.06 pm 1Kpm 1 fC lSlM 11 NOON 17 DECEMBER Patchy rain in the 9 highest total Ouyen and areas existed south-east strong to were general the state, normal.

highest a minimum of the pressure move to warmer ow pressure In the north i. Den of wolves. G. Yesterday Max Min Sport, Weather. Your Information.

Sports. Final. Life. 6.30 A Current Affair Summer Strangers. US other states Today 24 27 21 32 23 27 22 Some showers Shower or two A little rain Storms Fine Cooler, humid Showers Evening series.

Larry ana hunting. PGR. R. 6.30 World 19 27 19 33 18 37 21 Brisbane Cenberra Darwin Hobeit Perth Sydney as Mitchum. 12.00 World At Noon.

12.30 The Painter's World. G. R. 1.00 National Press Club Luncheon. Speaker: Dr.

John Hewson. 2.00 National Geographic Special. R. 3.00 Tennis: Kooyong Classic. Day four.

Live coverage of the annual lawn tennis championship. Evening B.OOVWtotR. S. 6.30 Gardening Australia Summer Edition. Final.

S. 7.00 News. Sport Weather. 7.30 The 7.30 Report Summer Edition. 8.00 Mother and Son.

In a burst of charity, Maggie donates Arthur's entire wardrobe to the local parish. With Ruth Cracknell, Garry McDonald, Henri Szeps. R. 8.28 News. 8.30 FILM.

The Benny Goodman 8tory. 1955 musical drama. Story of the famed clarinetist and his life In the world of swing and big bands. Stars Harry James, Gene Kulper, Martha Tilton, Steve Allen, Donna Reed. G.

10.30 News. S. Evening 6.30 comeay Balk! go 7.30 To 10.50 FILM. drama. 2.00 The 3.00 The 3.30 Little 4.00 Saved 4.30 Now 5.00 Family 5.30 Wheel 6.00 Newe, Real 7.00 Perfect Audrey manager duties Penelope 8.00 Open comedy Ronnie 6.30 FILM.

Andersen. adventure. his tales the Ugy Danny FILM. comedy. million The Manor Bom.

Expected itvation for 9 om today News. Weather. 7.00 Say Aah. Dutch comedy sorios 7.30 Delia Smith's Christmas. chides the new for neglecting his the manor.

With Keith. PGR. R. Chef Delia Smith Christmas menu Edition. 7.00 Keynotes.

Musical quiz snow. 7.29 Keno. 7.30 What's Cooking. presents ideas. G.

R. cnnstmas special. Hosted Gabriel Gate and Colette Mann. G. R.

8.30 lee 8kettng: 1992 Skate canaoa. nostea oy Ken i Satellite. Figure skaters vie for the Skate Canada title at Family the Memorial Arena, Victoria, AN Hours. British 8.00 The Bookehow. Tonight, Pollen Count Solar energy oer cubic metre ol air.

Todays per square metre. On average IS days receive more solar o. Melbourne Schooi ol JSVX'uVi'U. KS tht vtrt hot wAttr bill. series about an old-fashioned shop-keeper.

With Barker. PGR. R. Manx MacLeod on cniiaren books, romantic fiction and Barry Dickens on books lor Christmas. Nana Christian 8.30 Connections.

10.40 FILM. Aria. Ten directors! were asked to Interpret lOof the great opera arias. Stars rv Buck Henry, Bridget MO.n. 1119 Naff.

Mueto at changes Rodney 12.80 NBC ieO part-three, Wddar.AO.R.' 448 bktt tne surgical world. With Mike Farrell. G. R. 7.00Hinch.

7.30 Beverly Hills 90210. US teen drama. With Jason Priestley. PGR. R.

8.30 FILM. Beverley Hills Brats. 1988 teen drama. The son of wealthy parents by convinces a burglar to kidnap him and take him on a joyrtde across tne country, stars Peter Billlngsley, terry Moore. PGR.

10.30 Newe. 11.00 FILM. The Thing. 1982 science-fiction. Scientists discover an alien Ufa form that has been frozen for thousands of years.

Stars Kurt Russell. AO. R. 1.08 FILM. Gokkunner.

1984 drama. Stars Kristin Kelly. AO. R. 2.46 The Challenge.

1939 drams. Stars Robert Douglas. G. BAW. R.

4.00 Prisoner. AO. R. 8.00 A Year The Ufe. US drama series.

PGR. pius. i-rencn documentary. How adults and children come to terms with divorce. 1952 musical A Danish storyteller entertains children with of Thumbelina and Duckling.

Stars Kave. Q.R. Brrtisn Columbia. i- 10.30 Nkjhtilne. 11.00 Wise Guy.

US drama Line. Final. series witn Ken warn, ao.i 12.00 Goth Johnnie Walker Championship. From the Tryall Club, Montego Bay, Jamaica. 2.00 FILMS.

Raw SNk. 1988 9.30 A Life On The Italian series. Easy Money. 1983 10.55 FILM. Kamlkaie.

1986 DEC 1992 a.r"Ni 11 A slob earns a $10 inheritance if he his ways. Stars Recordings- Bero- Dry Dew- Re French mystery about Imploding television presenters, a mad inventor and a tough but vulnerable female politician. Stars Michel Galabru. AO. R.

Dsrvjerfietd. AO. Todav Show. G. Rainfall if 12 how i 767 mmj Nil raM 1st I 19- anrae re In aa mm; total is month ta ihti as.

mmiimaet raw for month oecemcen save iwn. a cweon3ne 28.8 mm; 27 15 drama. Stars David Argue, Nlckl Paul PGR. R. 3.60 Hie Mejssty CKoefe.

1953 .1 drama. Stars Burt Lancaster, Joan Rice. Q. I LQee4BftflJa sVfOtSOXlee) stars Margot ONMBM. Q.

B. it 12.28 FILM. The Greek faros. AO. llOOeaa Laet Man.

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