The Age from Melbourne, Victoria, Australia • Page 14

14- THEAGE, Monday 30 May 1988 Edited by MICHAEL SHMITH Arts NMENT if Douglas Lawrence's work at the orgaa was deft and pleasant'- For all these little faults and there MaUer film comes across a little easier than the book Films This is a charming and sentimental point of view, but a hard one to argue intellectually. And if you want to brave it out in terms of emotion instead of intellect, the music here is not really positive enough to back you up. It has none of the life-affirming strength of the 'Turangalila Symphony', which was played here a week ago, and very little of the incense-scented mysticism which Messiaen has translated, in his organ music, from Cesar Franck into our own hostile times. On Thursday, however, it sparked up more interest than anything else on the program, and was the occasion for the evening's best playing not only, from, the excellent Loriod at the piano, but from the orchestra as well. Otherwise the orchestra playing, though competent, was nowhere near the orchestra's top quality.

There was a handsome bloom of string tone in the Ravel, but this was offset with enough bad chording throughout the program from the horns, the brass, and once from the chorus of woodwind itself, which otherwise played pretty well at copy-book standard, especially in the Ravel. And there were too many indifferent details over-heavy brass tone, unusual hesitation within the percussion, a slightly curdled intonation in a little solo from the first viola. Iwaki's direction of the Saint-Saens was on the whole stolidly paced, and the orchestra was not particularly well balanced except at moments of quietness, when the playing of the strings again emerged with great beauty. But on the orchestra's own standards this was quite bland and unremarkable playing, even were no gicm ones uk cuuuai uugwt a have passed smoothly enough without the bizarre decision to AMPLIFY THE ORGAN for the Saint-Saens. When I inquired on Thursday night and Friday, the ABC maintained that this had not happened.

But the evidence clear enough. In the innocent slow movement, the orchestra was suddenly enveloped in a ham-and-pea soup of or- gan 'tone coming from the speakers on side of the stage: in the finale, an annihilating Gabriel-blast far beyond the talents this organ has ever shown before. What a sad confusion this is that the-' planners have utterly miscalculated the -v design of the organ. It has very character. It has far too little steam in" the boiler.

And it is perched so uncom-fortably high on the back wall that cannot cope either with the height of the hall or with the battery of saucers. But to imagine that an electronic crutch is any kind of solution Is naive a baleful degree. In its pulbic concerts, this orchestra is not kept to give us processed sound. We-. can get that, by staying at home and watching the simulcasts.

And certainly" Saint-Saens is not the greatest of com-' posers, but he is good enough to be -taken seriously. He deserves to be'" played without sleight-of-hand. I left Thursday's concert just after the -start of the fourth movement of the hoping to catch up with our record reviewer. Electronic sound more in his line than it is in mine, and I --s-am the last man in the world to provoke a demarcation dispute. Anthony Sher in the title role of 'Shadey: whimsical pixie.

Johnny Griffin inspires all MSO riot at best in Red Series 7 1 KENNETH HINCE I -Jtod Series ConcertNMeftoume Symphony Orchestra conducted by Hkoyuki hmkL' Yvonne Loriod.soto pianist (Concert Hall. Thursday and Saturday). 'ERE was a concert which did something to lift the pallid start oi this year's Red Series but not much. The program of French music was obviously put together to honor the presence of the fine French composer Olivier Messiaen, and this was of course an appropriate gesture. But it was not subtly done.

The program was ordinary and unimaginative the minor Symphony of Saint-Saens, "The Apprentice Sorcerer of Du-kas (one of Messiaen's teachers), the Ravel 'Pavane'. The only piquant stroke was the inclusion of Messiaen's 'Awakening of the Birds', and even this was little more than a touch of 4he exotic. Of all Messiaen's ample scores and I suppose that this is one of them it is perhaps the most uninteresting. It is a quite literal, generally accurate, transcription of bird song into instrumental sound. Beyond that it has no discernible musical form, unless, like Messiaen, you can see birds as master creative artists, and their song as art Eric Bogle evokes love for Australia ERIC BOGLE is a man in love and he is prepared to sing openly about it before a crowd of more bashful romantics at Dallas Brooks Hall.

In a situation where many of us would hang our heads and shuffle our feet, he is brave enough to come right out and proclaim his infatuation. Most of us, I suspect, go along to hear him sing because he puts into words and music the feelings that we try to keep well-hidden within us. Which is strange, because Bogle is a Scot and the feelings he expresses are those of Australians for Australia. He is, however, a born-again Australian and expresses his joy at being here with all the fervor of a religious convert. But don't let that frighten you off Bogle or his newly released album, 'Something of Value'; he is no folk-singing wimp.

ON SCREEN the plot of 'Tough Guys Don't Dance', written and directed by Norman Mailer, makes more sense than it does in the Mailer novel from which it is adapted. But that is not to say i it is easy to get the drift Heading the list of unlikeable charac-! ters is Tim (a very frazzled Ryan O'Neal), a would-be writer who has been in jail for cocaine-dealing. He has married Patty Lareine (Debra Sand-lund), who obtained a big divorce settlement from her multi-millionaire second husband, Wardley (John Bedford Lloyd), who was probably in love with Tim when they were at college together. Tim was Patty Lareine's chauffeur when she was married to Wardley. Tim also had a brief menage quatre with a girlfriend, Madeline (Isabella Rossel-lini), Patty Lareine and her first husband, a Baptist preacher (Penn Jillette).

Madeleine then married Regency (Wings Hauser), who is chief cop of Provincetown, where Tim and Patty Lareine live. Now that we have that sorted out, I can tell you that the film actually starts when Tim wakes up one morning and finds his sturdy old father (Lawrence Tierney), who has terminal cancer and a low opinion of his son's stability, sitting in the kitchen. There is a great deal of flashbacking as Tim tells Dad that life has been something of a blur over the past few days. Patty Lareine has left him after a cocaine-snorting party, there are two severed heads in the cellar (he is not sure whether he murdered the people to whom they belong), he has made love to a woman while her husband watched, and he has no idea how be acquired the tattoo, 'Madeline', on his arm. AH the characters mentioned so far, and a few others, become involved in mayhem, a cocaine deal, and much double-crossing.

At least two scenes are intended to be funny (and one succeeds), but otherwise it is hard to tell whether 'Tough Guys' is supposed to be a melodramatic thriller or a grisly comedy, or whether the heavy-handed arrangement of coincidences indicates a fatalistic tragedy is being worked out Jazz ADRIAN JACKSON Johnny Griffin (The Reef, Thursday). whether his playing was most satisfying on the fast workouts; on the medium tempos that he played so lithely (like 'If I Should Lose You'); or on the ballads ('Lover Man', 'Sophisticated Lady') which be explored with such a sensuous tone and such sublime phrasing. His playing was especially wonderful whenever he signalled the rhythm section to drop out while he delved into an extended solo. This is a risky manoeuvre, but one which Griffin has developed to a very fine art Griffin's set was preceded by a delightful performance by Keith Houns-low on cornet and flugelhorn, backed by the same rhythm section. Some listeners may have been surprised to learn that this under-appreciated former Mel-burnian is an exceptionally expressive stylist with a rare gift for swinging, melodic invention.

If you did not hear Johnny Griffin and Keith Hounslow (on Thursday, or at the Tankerville Arms on Saturday), kick yourself now. Television ZE lata na AM. 7.30 Cartoon NEIL JILLETT Tough Guys Dont Dance (Capitol); Shadty (Carlton Movienouse). Mailer's dialogue is an awkward mixture of the obscene, the cryptic and the-over-explained. The acting has an equally uncertain style, although Hauser gives great relish to his portrayal of a cop trapped between the criminal and law-abiding sides of his nature.

Mailer's direction relies on Angelo Badalamenti's bombastic music, plus a final spot of Elgar, to let us know when dramatic high points are occurring. It is giving nothing away to say that in 'Tough Guys' most, of the characters take cocaine, and that two of them live happily ever after on a $2 million profit from a drug deal. Federal censorship guidelines say that an M-rated film must not have advocatory depictions of drug use and an R-rated film must not have advocatory depictions of drug abuse. One might suppose, then, that 'Tough Guys' would be banned or at least rated R. It has, of course, been rated M.

MEMORIES of great performances by Anthony Sher on stage here as Shakespeare's Richard III and on television in The History Man' may lure people to take a look at him in his big-screen debut in the title role of 'Shadey', which is to Britain's film industry what 'Les Patterson Saves the World' was to Australia's. Sher, whose idea of comedy seems to be to carry on like a whimsical pixie, plays a would-be trans-sexual who has found a way of reading minds and putting what he reads on to video. His invention, or gift, is eagerly sought by the British secret service and a wicked industrialist (Patrick MacNee). Satire is vaguely intended. Not even the limpest farce is achieved.

Direction is by Philip Saville, who is clearly aware that Snoo Wilson's unfunny mess of a script is beyond salvation. TeleScope BARBARA HOOKS So perhaps it is not so ironic after all. And compared to the US experience, 'Page One' at least means something. CBS was so hard up for a title for a current affairs show it called the program 'West 57th Street', after the network's address. On balance, we can't begrudge the fact that 'Page One' does have more of a ring to it than 'Corner of Epping and Pittwater Roads'.

THE love-hate relationship between SBS and the ABC has its moments of harmony. Subscribers to '24-Hours', the ABC's monthly FM radio guide, were advised this month that the magazine will be replaced by a weekly called 'The Australian Listener'. It will contain more radio and concert information than is currently provided, as well as full program details of both ABC and SBS TV, and stories and photographs, many in color, about both broadcasters. FILM Victoria will send a delegation overseas to drum up some co-production business. While the film industry grapples with the implications of the Federal Government's new assistance scheme, it seems the only way to go.

One co-production already on the books involves Film Vic, JC WilliamsonKing-croft, the Welsh broadcaster S4C and an Australian broadcaster. It is the first time such a venture has been set up between Australia and Wales. Called 'Realms of Gold', it is an original story about a member of the Rebeccas, mili-. tant Welshmen who, dressed up as peasant women, went on against turnpikes and tollhouses. When events conspire to transport the man to Australia in leg irons, his wife and brother follow.

As it is also the story of a love triangle between the three, one is prompted to ask: Who wears the pants? 9.00 Romper Room. Social issues cry out for sense of balance By BARBARA Paulsen. (PGR) (R) Eleven AM. irk Yesj'Prime Minister (2, 8.30pm) The Great Bookie (9, 8.30pm). FILM.

Raintree County. drama stars Elizabeth and Montgomery Clift. 3.30 Tom and Jerry. Wombat (C) 4.30 (R) 5.00 Wheel of HOOKS L. Four Corners: The of Cocaine (2, 9pm) country singer performing before an oblivious mob of talkers in a crowded pub, the disenchantment of the crippled First World War digger, of the inhumanity of the death of a lonely Sydney-woman whose body lay for months in a flat whose hallway gradually filled with junk mail while her son and daughter lived on, unknowing, in another part of Sydney.

There were gay songs, including a comic ditty about how the use and meaning of words has changed, sad songs, stirring songs and protest songs, all interspersed with talk of philosophy and fun. Not every song was about Australia, but all seemed to proclaim the virtues that Australians like to think they hold highest: fair play, support for the underdog, dry humor, quiet courage and undemonstrative love. Eric Bogle might sound like a haggis but he is probably the nearest thing we have to a dinkum Aussie poet laureate oi me people Voyage around John Mortimer Review MICHAEL SHMITH "I LOST 20 electricians on the way to Liverpool." said John Mortimer, as casually as if he had left his umbrella on the Bakerloo line. He was talking about his early career with the Crown Film Unit during the war. Such absent-mindedness paid off: the management made Mortimer a scriptwriter.

"I had a uniform with 'Scriptwriter written on it," he said. The sides to John Mortimer are varied, as this outstanding documentaryinterview from London Weekend Television's 'South Bank Show' (screened during 'Sunday Afternoon with Peter Ross', ABC, 1.45 pm) showed. Tony Knox's expert, atmospheric direction and Melvyn Bragg's gently insistent questioning took us into Mortimer's Old Bailey, Haymarket Theatre of a mind. What did we find? A confessed cross between the styles of P. G.

Wodehouse, Charles Dickens and Arthur Co nan Doyle. Rumpole, Mortimer implied, came out of his life, but with a dash of Wooster for good measure. The stuff of popular fiction, but with real influence. "You go into El Vinos and you see about 15 fat barristers, cigar ash down their watch-chains, drinking indifferent claret all pretending to be Rumpole." What was more involving was hearing Mortimer talking about his late blind father, also a barrister, and how he immortalised him in the play 'A Voyage Round My Father'. The television version was filmed in Mortimer's family home.

"I saw Laurence Olivier 'dying' in the bed my father actually died in." A lot was covered in 55 minutes: British politics, life, the theatre, the law, and the peculiar British habit of never discussing adversity. "Nobody should ever say what they mean because hardly anybody ever does that's my whole attitude to life," said Mortimer, perhaps saying what he meant or meaning what he said. Who knows? THERE can be few musical experiences as exhilarating as listening to Johnny Griffin in full flight. Griffin is almost in the elder statesman category these days, in contrast to the "fastest gun" image of his younger days. But this performance left no doubt that he can still ignite a rhythm section and excite an audience with the sort of swashbuckling energy that has always been his trademark.

The tenor saxophonist began the night in overdrive, tearing through 'Just Friends' at an improbably fast tempo, daring the rhythm section to keep up with him as he sprinted, darted and hollered his way through a series of climaxes. The rhythm section did manage to keep up with him, and pianist Paul Gra-bowsky rose to the challenge from his first solo, a busy display of quick thinking that was remarkable even by Gra-bowsky's usual standards. He excelled throughout the night (as did bassist Gary Costello and drummer Allan Browne), and his witty exchanges with the saxophonist provided plenty of highlights. Griffin was in superb form, obviously spurred on by his colleagues and the audience. It was difficult to choose 6.30 Learning Network.

7.00 Children's Programs. (S) 9.20 Parental Guidance Recommended. (R) 9.30 Play School. (S) 10.00 Words And Pictures. (R) 10.15 School's Programs.

Afternoon 1100 EastEnders. (R) 1.00 Parental Guidance Recommended. 1.10 Staying In Touch. 1.40 Hunter. 2.00 A New World For Sure.

(S) 2.30 How We Used To Live: 1874-1887. (R) 2.50 The Australian Eye. 3.00 Sesame Street 3.55 Thomas The Tank Engine And Friends. 4.00 Play School. (S) 4.30 Mr Squiggle And Friends.

5.00 Barriers. (R) 5.30 You Can't Do That On Television. (R) Evening 6.00 Ghostbusters. (R) 6.30 EastEnders. (S) 7.00 News, Sport, Weather.

7.30 The 7.30 Report 8.00 Never The Twain. British comedy series about two feuding antique dealers. (R) 8.30 Yes, Prime Minister. New episodes of the BBC comedy series. Sir Humphrey finds the formidable Agnes Mcorhouse, leader of a borough council, a tougher opponent than his adversaries in Whitehall.

With Paul Eddington and Nigel Hawthorne. (S) 9.00 Four Comers. Presented by Andrew Olle. The Politics Of Cocaine: How the multi-billion-dollar cocaine trade has taken on a political life of its own. 9.45 Rubbery Figures.

Satirical puppet series. 9.50 The Tracy Ullman Show. US variety series. (PGR) 10.15 The World Tonight 10.45 The Horse In Sport Harness Racing. 11.40 Dream Stuffing.

British comedy series about life in the '80s in the East End of London. With Rachel Waver. (PGR) 12.05 Close. 6.00 TV Fortune. 6.00 12.00 90 Connection.

10.00 The 11.00 Afternoon 12.00 1957 Taylor (PGR) (R) (R) 4.00 Lassie. Your Luck. Evening Home drama drawn Samuel's 6.30 News, 7.00 Hinch 7.30 A Australian rural having school everybody. appear couple, deceptive. Mitchell, Smith 8.30 The series who people listens divorced discover of mental Edward 9.30 Hunter.

Devane's her woman, than one With Fred Kramer. 10.30 Clive 11.30 Ever BBC News news Today. Newsworld. Game show. 5.30 Press TV stars as follows: worth considering excellent not to be missed Game show.

Concert PATRICK HAYES Erie Bogle (Dallas Brooks Hall) "Love," he tells the audience in a cas-tigation of expatriate patriots, "Means never having to sing 'I still call Australia home'." And again, while introducing another of his serenades to Australia: "You don't have to be totally uncritical, even when you are desperately in love." And so on Saturday night Eric Bogle and friends sang to a packed hall about a warts-and-all Australia, a land of contradictions that, despite its shortcomings, was a good place to be. In a long program of songs that seemed to attract longer and longer ovations as the night went on, Bogle sang of the perils, both social and gastronomic, of the Aussie barbecue, the plight of a 6.00 Real Ghostbusters. 6.30 Daybreak. 7.00 Good Morning Australia. 9.00 Good Morning-Melbourne.

10.00 Mulligrubs. New pre-school series. 10.30 News. 11.00 Another World. US drama serial.

(PGR) Afternoon 12.00 Santa Barbara. US drama serial (PGR) 1.00 The Bold and The Beautiful. US drama serial (PGR) 1.30 FILM. Rough Night In Jericho. 1967 drama stars Dean Martin and Jean Simmons.

(PGR) (R) 3.30 Three's A Crowd. (PGR) 4.00 Ridgey Oidge. (C) 4.30 Ripper. (R) 5.00 MASH. (R) 5.30 Perfect Match.

Quiz show hosted by Cameron Daddo. Evening 6.00 News, Sport, Weather. 7.00 Neighbours. Australian drama serial. Jim makes a decision concerning his future.

Paul struggles to find a place in his daughter's life. With Alan Dale, Lisa Armytage and Kylie Minogue. (G) (S) 7 JO Tour Of Duty. US drama series set during the Vietnam War. With Terence Knox.

(PGR) 8.30 FILM. Fraternity Vacation. 1985 comedy about two college boys stuck with a "nerd" on a pleasure trip to Palm Springs. But somehow the nerd is a big hit with the girls. It stars Stephen Geoffrey, Sheree Wilson and Cameron Dye.

(AO) (R) 10.30 Late Night Oz. Don Lane hosts a national variety show. (PGR) 11.30 Eleanor, First Lady Of The World. When Eleanor Roosevelt faces the problem of building a new life after the death of her husband, she approaches her job as a UN delegate with dedication and determination. (R) 1.30 Nightshirt Rock clips, artist profiles.

With David White. (AO) 5.00 The Winners. (R) csanao 1 I and Away. Australian Afternoon 1.55 Bicentennial Dairy. 2.00 Motor Cycle Racing.

Highlights of round six of the 1988 World serial. Battielines are as Steve stands up to tyranny. (S) Sport, Weather. at Seven. Country Practice.

500cc Championships from West drama serial about a 6.00 Early News. 6.30 Business Today. 7.00 Today. 9.00 Here's Humphrey. 10.00 Young Doctors.

(R) 10.30 The Suffivans. R) 11.00 Loving. (PGR) 11 JO News. Afternoon 12.00 The Midday Show with Ray Martin. (PGR) 1.30 Days of Our Uvea.

(PGR) 30 The Young and The Restless. (PGR) 3.30 General Hospital. (PGR) 4.00 C'mon Kids. 5.00 Mork and Mindy. (R) 5.30 The Addams Family.

(G) (R) 5.58 Keno. Evening 6.00 News, Sport, Weather. 6.30 A Current Affair. Presented by Jana Wendt. 7.00 Sale Of The Century.

(S) 7 JO The Cosby Show. US comedy series: The Drum Major. With Bill Cosby and Phylicia Rashad. (G) 8.00 A Different World. US comedy series.

8.27 Crimestoppers. 8.30 The Great Bookie Robbery. Return of the three-part Australian mini-series based on the daring robbery at the Victorian Club. When Australian criminal Mike Powers is released from an English prison for one week's leave, he flies to Melbourne. With John Bach, Catherine Wilkin, Gary Day, Andy Anderson, Scott Burgess, Dennis Miller, Candy Raymond, Gary Sweet and Rebecca Gibney.

(AO) (R) 10.30 Graham Kennedy's News Show. (PGR) 11.30 Motor Racing: 1988 Mexican Grand Prix. Direct telecast from Mexico. 1.30 FILM. Deadly Encounter.

1982 drama stars Larry Hagman. (PGR) (R) 3.25 FILM. Conspiracy Of hearts. 1960 suspense drama stars Lilli Palmer. (PGR) (R) 5.30 The Bill Cosby Show.

US comedy series. (R) THE social issue drama has long been a sweetener to the bitter pill of raising community awareness about distasteful subjects. But sometimes the caring, sharing telemovie leaves an aftertaste of saccharine. Film Australia has found a formula that enlightens viewers and engages their interest beyond a sense of duty, while still delivering the tough, true-to-life message. It involves the use of actors playing fictional characters and professional people playing themselves.

We saw it first in 'Custody', a galvanising drama about two loving and responsible parents slugging it out for the care of their children. It collected 18 peak points for the Nine Network, a respectable figure given that some viewers would have found the subject too painful even to contemplate. Film Australia is building on its success with 'Custody' in another docu-drama, 'Discrimination', which presents two cases of prejudice sexual and racial. Both the women complainants, a photographer and a nurse, take their grievances to the Anti-Discrimination Board. In the ensuing negotiations and hearings, officers of the board, union representatives, lawyers and judges play themselves.

Film Australia says 'Discrimination' will be completed in July for release later this year. WHAT'S in a name? Print journalists are puzzled by the deferential title of Ten's new current affairs program 'Page One. But, says executive producer Richard Carey, dreaming up a catchy name is one thing, registering it quite another. "If you go for a name like 'In Camera' or something like that you find it is the name of a camera store," he said. "It's one of the most frustrating things I've ever been through." Television and newspapers have long had a symbiotic relationship.

Indeed, the first edition of the program broke news reported next day by newspapers. community. Jo, who is trouble juggling her and work, argues with Jeff and Jill Ryan to be the most perfect but looks can be With Josephine Brian Wenzel, Di and Geoff Paine. (G) Equalizer. US drama about a retired FBI agent offers his services to in trouble.

McCall to the pleas of a recently woman only to that she has a history problems. With Woodward. (AO) US detective series. ex-wife believes that drunken driving has killed a but the next day more corpse is discovered. Dryer and Stefanie (PGR) Germany.

3.00 TV Ed. 4.00 Vox Populi. (R) 4.30 Kaleidoscope. 5.00 Oshin. Japanese drama series.

(R) 5.30 Brookside. British drama series. Evening 6.00 The Noise. 6.30 World News. Presented by Mary 7.00 Sport Report 7.30 Bom Again.

US documentary. An intimate portrait of a small community of born-again Christians. 8.30 Spring. Belgian drama series set in Belgium at the turn of the century. As Aunt Zeunia lies dying, she asks to see her young niece, Leontientje, who moved to Paris.

(R) 1 9.30 Tonight with Paul Murphy. Current affairs program. 10.00 Architecture at The Crossroads. British series on contemporary architecture. Tonight Japan: Building the Zen Way.

10.45 My Uncles Told Me. Final. Yugoslav drama series. (R) 12.05 Bicentennial Diary. 12.10 Close.

Newsworld. Presented by Robertson. Decreasing Circles. sitcom. Overnight All-night transmission, including 2.00 Daybreak.

4.00 (R) KABUKI eVEHUDI MENUHIN COMEDIE FRANCHISE KIRITE KANAWA MONTEREY JAZZ DAVID BYRNE PEKING OPERA MICHEL LEMIEUX ROYAL BALLET ROGER WOODWARD 3 essssa -ma The Biggest Arts Festival in History I E'R A COM PUT I I liA4 SOCIAL SECURITY HOTLINE FOR THE MAY ECONOMIC STATEMENT If you want information about any Social Security aspects of the Commonwealth Government's May Economic Statement, you can phone a special hotline between 9.00 am and 4.30 pm Monday to Friday until 3rd June. The hotline number for people living in the Melbourne metropolitan area is 6622875. Residents of country areas can phone this hotline on (008) 136 379 for the cost of a local call. ui CO LU Qz 18 fsl SI 1 AtWor1dExpo88. Now until October 30.

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