The Age from Melbourne, Victoria, Australia • Page 14

14 AC.I THURSDAY 2 JULY 1992 at 3ht seer "Edited by MICHAEL SHMITH Arts Entertainment REVIEWS A sorry tale of man's inhumanity to children TELEVISION BARBARA HOOKS rhetoric in a fine drama If ffiBfflw I is Hi 'I rfS 7' lMMMaIMMIIMMMIMMMIWIIIII II Fun in tote basement: Mike Myers (Wayne), left, and Dana Carvey (Garth) in 'Wayne's World', which should appeal to young and old. huntln' and shoo tin' members of a Conservative Party sub-branch) to dethrone Edward is as much an expression of their hatred of the king's homosexuality as a criticism of his failure to run the country. By setting the film In the present, Jarman makes Edward the latest victim of centuries of homophobic persecution. This weakens the story's power. A 16th Century drama about 14th Century individuals is blurred by having 20th Century judgments applied to it It becomes a generalised appeal on behalf of a persecuted minority.

As If demonstrating the Irrationality of homophobia, Isabella, who at first Is a woman fighting for her rights, becomes increasingly paranoid and vicious. And, dominated by his loony mother, Prince Edward turns very weird (whereas he did, in fact, mature into one of the more sensible of England's medieval kings). But, while Jarman has not managed completely to reshape Marlowe's words to his own political purpose, he has given new life to an old work. And even in those parts where his adaptation goes astray, he fails with the sort of vigor and flair that few other film-makers bring to their successes. JOHN Sayles's latest film, 'City of Hope', is hardly prophetic, since it examines an American tragedy urban decay, anger and violence that has been obvious for years, even if politicians pretend otherwise.

But the recent Los Angeles riots, in the wake of the police bashing of Rodney King, do give 'City of Hope' great topicality. It is the sort of film that American cinema rarely tackles. As well as writing, directing and editing the film, Sayles appears in the key role of Carl, the owner of an auto-repair company, a middle-rank fixer who helps to grease and turn the wheels of corruption in Hudson City. One of Carl's friends is Nick (Vincent Spano), a restless, neurotic young Italian-American whose father Joe (Tony Lo Blanco) runs one of the city's biggest building companies. Joe has already done a few favors for, and run up a few debts with, the Mafia-style politicians, led by Mayor Bacl (Louis Sorich), who control the city.

After a few clumsy opening minutes the film fascinatingly exposes the extent of corruption in the fictional Hudson City and the way acts deliberately (a spot of arson, for example), or inadvertently (some teenage violence) ensure its continuation. The main victims of corruption are the black and Hispanic occupants of a tenement that the city council wants to raze and replace with an up-market housing estate. Opponents of the council's scheme i are divided in their attempts to defeat it Even among the blacks there are disagreements so bitter that it seems a common purpose will never be found. Wynn (Joe Morton) is the scheme's most vigorous and thoughtful opponent, but bis middle-class Idealism puts him out of favor with more militant blacks who challenge the seriousness of his ethnic credentials. Much of the film's tension comes from speculation about how far Wynn is prepared to compromise and his motives for doing so.

He is a far more Interesting character than FILMS Edward II (Kino); City of Hop (Valhalla. Northcote); Wayne's World (Russell). NEIL JILLETT DEREK Jarman's powerfully original adaptation of Christopher Marlowe's 'Edward II' tries to put a classic play of the first Elizabethan age to work In the service of a cause in the second Elizabethan age, 400 years later. Jarman is a homosexual. Marlowe Is widely assumed to have been one (though the evidence Is not clear), and the royal "hero" of his play was probably bisexual.

But the strength of this adaptation is not that it gives, the play "contemporary relevance" indeed, some of Jarman's attempts to do that are among the film's weaknesses. What makes this a spasmodically fine film Is the dramatic economy of Jarman's style as a director and re-arranger of the text. It has produced a splendid, yet stark entertainment, similar in style to Jarman's 'Caravagglo' (1986), but many times better. Jarman's reduction of Marlowe's text to 90 minutes running time results in some blzarrely decorated dramatic clarity. But at times Jarman's style Is too economical.

For Instance, it is easy to miss the point that the film Is mainly a series of flashbacks, as Edward (Steven Waddlngton), Imprisoned In what seems to be a stripped, rusty hulk, relives his fateful affair with Gaveston (Andrew Tlernan). While retaining much of Marlowe's Elizabethan verse, Jarman and his two co-rewriters have pushed history forward, from the early 14th Century to 1991. Most of the action takes place in an unadorned space that could be a sound stage or an old bam. This film is not a spectacle, but the strong, close-up acting, supported by Ian Wilson's bold camerawork, gives it spectacular force. Edward, having recently succeeded -his father to the throne, has little time for affairs of state.

He has abandoned his queen, Isabella (Tilda Swlnton), and their young son, Edward (Jody Graber), to indulge in an increasingly obsessive affair with Gaveston. Isabella and the barons, led by Mortimer (Nigel Terry), a career soldier, persuade Edward to banish Gaveston; but the separation does not last, and Edward and his brother, Kent (Jerome Flynn), and Gaveston are murdered. Prince Edward becomes Edward III, under the unreliable protection of his mother and Mortimer, who have become lovers. Jarman compresses Marlowe's already telescoped version of history. This makes the film not so much about the struggle for possession of a kingdom as an account of a passion defying all reason and all opposition.

Edward and Gaveston are not presented as attractive characters except to each other. Edward is a man in the grip of an obsession to which he subordinates everything else. Gaveston Is a rough-trade opportunist, but there Is no reason to suspect that his enthusiastic response to Edward's love Is Insincere. The campaign by Isabella, Mortimer and the others (shown as a bunch of TV Worth Hollywood included, refuse to acknowledge, let alone do something about, the evil under their noses. ALTHOUGH it is directed mainly itl teenagers, the comedy 'Wayne's' World' should provide a bit of fun for; much older people too.

Its two main characters first appeared on the US TV show 'Saturday Night Live', where the film's pieasii light-handed director, Penelttpe Spheeri, and several of the cast bad crew have worked. Extrovert Wiyhe (Mike Myers, who co-wrote the script) and bis shy friend Garth (Danaj'Chr-vey), broadcast a late-night cable show from a basement in suburban Chi-'' cago. The show's main ingredient Is chat about gorgeous babes and heavy metal. Benjamin (Rob an unscrupulous TV producer, introduces the boys to the big time and makes a play for Wayne's new girlfriend' Cassandra (Tla Carrere), a Chinese! heavy metal guitarist. And that Is about all the plot there Is.

Myers and Carvey look as If they are 30 and behave as If they are IS. 1 found the effect of this discrepancy odious at first, but the genial goofinabs; of the pair's style soon won me ove It teeters 1 intriguingly between the Apparently spontaneous and the welt-rajiearsed. The Jokes are rarely pufhfed hard; sometimes they trail off. Hot characters who revel in the most aggressive-, music, heavy metal, Wayne; and Garth are surprisingly mUd-mannfefed. Some oi me humor has an off- but it is not sustained.

Thereare a cou- pie of delightfully inventive scenes, as when Wayne conducts a philosophical discussion in fluent Caatynese, and rocker Alice Cooper reveals esoteric information about Milwaukee. pints, and then go back home to watch a video. Needless to say, with that atti-tude they have never won a match. Nor -are they really interested in doing so at least until Arthur appears upon the scene. Arthur, a one-time rugby profession-.

al, is an old-fashioned slave driver. In a mere five weeks he knocks the Wheat-; sheafs rudely Into shape in preparation for their big match against the biers, the reigning seVen-a-eide champions in Yorkshire. rt The play is largely situation, with little In the way of character develop-' ment. It Is introduced in rhyming cou-) plets by Hazel, the one female in the Cast Of Six. who runs a evm and who has an extra role s4 as a last-mmute addl- Hon to the Wheatsbeaf side.

Three of the Wheatsheafs are from the working class, as is their trainer; the fourth Is a schoolteacher with a university background. But the class differences are muted and relatively unimportant What Is Important Is the Interplay of personality, r.v The play demands and in director Greg Carroll's hands gets a highly physlcalised and energised production. Carroll himself gives the lead in a forceful Impersonation as the tough rigorous Wheatsheafs captain- coach. But he is ablysupported by each of his four players) Chi'ls Doyle, Chris Saunders, David' James and Geoff Paine. The gym, scene, in which they wmvuiui eye ui nsjwi iriuim l.urK?, is in comic detail.

So even more is the final scene in which ell six football- iVIB fW(Vi IV awv VT1S.U UIV uvuv crunching enemy. This is not what anyone could call sophisticated or demanding theatre. entertaining. BayCoaat 0055 10111 Interatato 0055 332211 BUREAU OF METEOROLOGY Situation at noon yesterday LAST year, Viewers had write John Alaop and Sue Smith te thank tar the critically-acclaimed ratings-buster, 'Brides el Christ'. This year It seems we have writers' block and a fluke to thank for their next certain critical success, the ABC-BBC mini-series The Leaving of Liverpool', to air next week.

John Alsop takes up the story. "I was up In Queensland working on 'Brides' and Sue was in Sydney working on 'Brides'. And one time, when I should have been writing, I was sitting there reading a review of a book called The Lost Children of the Empire' accompanied by this fantastic photograph of four tiny little English children with great big suitcases standing on a dock about to be shipped off around the world. It was Just a fluke that I saw it" The book, which spawned a documentary and now a drama, is about the British children who, between IMS and 1M7, were shipped off to boost the populations of Canada, Australia and Rhodesia, often against their will, and without the consent or even knowledge of their parents. Abuse, exploitation and hard labor were common fates.

Some authorities were so devious they even changed the children's names and birth dates so that relatives could not trace them. 'The Leaving of Liverpool' Is about Lily and Bert, two such children who were shipped off to Australia to lives of hardship and deprivation; he to realise in bricks and stone the empire-building vision of a bullying rural priest, she to the outback as a domestic. The Catholic Church figures largely 1n the story, partly because Alsop and Smith are both Irish Catholic, partly because of the Irish Catholic influence here and In Liverpool, and partly because of the material the research brought to light. It is also particularly critical of the Church, which the writers had hoped to avoid but found they could not. Sue Smith said: "Of all the evils done by all these various migration Institutions, the Catholic Church was the worst offender across the board, not Just the brothers whom we chose to focus on but also the nuns In the Institutions they ran In the cities, put we tried to target not only the Catholic Church, which Is why we put Lily In a Protestant institution.

We didnt only want to sledge the Church." Early on John Alsop tried to find another way of telling the story of these children without telling the story of Boystown, a Catholic institution whose clerics were accused of child abuse and exploitation. At one stage, he decided not to write about the molestation of the children at all and Instead toyed with the Idea of an Impartial municipal setting. "But that isn't what happened," he said. The truth to Boystown and It's pretty horrifying and the story that we have written would have been utterly Implausible but for this real-life example. It Isnt a documentary re-creation of what happened there.

It Isnt strictly modelled on any one person. But there Is a lot of precedent for what's in our story. In fact, what is In our show Is pretty mild compared to what is In the documentary and what really happened to these kids." The documentary screens on the ABC at 8.30pm on Sunday 12 July. What's On 7.00 Lateline. R.

7.30 Open Learning: Statistics. S. 8.00 Children's Programs. 11.00 Concepts In Science. S.

Afternoon 12.00 World At Noon. 12.30 A Question Of Survival. R. 1.00 Couchman. R.

2.00 Building Dreams. R. 3.00 Sasamo Street R. S. 3.55 Chalk Drawings.

4.00 Play School. R. 4.30 Lift Off. R. 5.00 The Afternoon Show.

5.02 Vkfiot Q. 5.30 Degrassi Junior High. Q. R. S.

Evnlng 6.00 Danger Mouse. G. 6,25 Roger Ramjet G. R. 6.30 Here'a Lucy.

G. R. 7.00 News. Sport Weather. 7.30 The 7.30 Report With Mary Delahunty.

8.00 Murder Squad. The Murder Of Douglas Pipef. 1 Part-two. British reality series following detectives as they solve 8.28 Nowe. (also 9.28) 8.30 Embassy.

Australian series. Vlnce Cooper and his family, new to Ufa in Ragaan, become embroiled in a bitter dispute when a woman wants to escape the religious confines of her marriage. 1 With Catherine Wilkin, John Polsen. S. 9.20 Back Chat 9.30 The Big Picture: From Wknpa To Warriors.

British series focusing on a variety of men who discuss their i masculinity. Tonight why some men feel trapped by stable relationships. 10.30 News Update. 10 JO Lateline. Current affairs hosted by Ken O'Brien.

11.06 Money Matters. Tonight business matters In Taiwan. 11 J8 After The Wan In The Otatee. Michael tries to avoid Rachel. PQ.VR.

8. Evening realises 10.10 6.00 a. r. Connection. G.

Place. Family. Company. 12.00 1946 marries suspects Stars PGR. R.

2.30 3.30 Qet 4.00 AH. 4.30 Now 5.00 5.30 8.00 6 JO Real 7.00 ros 7.30 council tactics. 8.00 Greek strike. 8.30 comedy prepares Joseph Veitch, PGR. 9.00 has his 9.30 Captain Atkinson.

Brmsn 10.M 11.60 12.20 With 2J0 1.18 4JN Weather considering Excellent Not to be Comedy alive arid kicking THEATRE Up 'n' Under by John Godber; directed by Greg Carroll; with Fiona Corke, Greg Carroll, Chris Doyle, Chris Saunders, David James and Geoff Paine (Universal 2, until 18 July). i.v' Vj'v LEONARD RADIO I HAVE never, been to a rugby match and I don't pretend to understand the rules. There are probably many Melbourne theatregoers in the same boot But none of them need be deterred by the fact that 'Up 'n' Under' Is a play about life on and off the rugby field in the north of England. While there are occasional references to tries, conversions and penalty kicks, Godber's play is as easy to follow, for those brought up on Australian Rules, as Alan Hop-good's 'And the Big Men Fly' would be to football followers In England. Godber remembered here for his hard-hitting play 'Bouncers' won an award for this play In 1984.

It is a piece of provincial English comedy, rich in comic invention and totally Improba- ble. It begins with a bet between two rivals of the rugby field, and ends on a brilliantly choreographed note as two 1 teams in the North England division of the Amateur Rugby League battle It out on the playing field. In between Godber introduces his audience to the Wheatsheafs, a grossly undermotlvated and numerically depleted team whose Idea of training is to meet at the pub, sink, hall; a dozen Melbourne 0055 19800 Victoria 0055 19321 The world 'Tmpratur and conditions Min Max Cnrxri 20 30 Cknr tnevi Hong Kong llUfTtatMd Jakarta Jtrutalem Kuala tumour London Los Angeles Manila Mecca A New pelhi New York Paris Rome Singapore Tokvo Vancouver wa The tides TODAY WiHiamstbwn high pm. low, wattr: 9.48. am, 10.43 pm.

Port PhlHlp Heads water: 12.02 am, 1.2f pm. tow wattn I 5.S6 am; 6.41. pm. Tooradin high water: 1.25. 2.44 pm.

low water: 7.19 am, 8.04 TOMOHHOW Wniiimitown high water: 3.35 am, 5.33 pm. tow water: 105 -am. It.sS orn. i lIQiawa Port PhlUba Heads high watert Snow report ,10 3 19 1 12 ,11 festereert MT tUUIRi Ur mm en loft on (he Summit area. TnUHG: Go tktfnfc on a co rssul f.

1 1 Highs and lows fmrUta Mkritul hit lllf Record high 17.7 IMS Lowest high 7.5 jn iB75 looayi normal nw Btohtit low 12,0 In 194 cord low i 0.0 in 1879 Ms (l 1, per 1936 tent cent cent Solar energy Total toiar energv (or Metjourng area renerdav was 9.9 nwgaioyan per Murf metre. On average durs tone, a sor-efftcient home ceutd Ansttrdim Athms Auckland Sahraln angkok I 14 17 rain 10 cloudy MELBOURNE areif. Fair ertewhere. Mr HOTYwbM; Good to fair skiing Iw beirrftfi. Fair for tntermediatts HI tW 8AW: Good tightttwing.

MT lUFPALO: Good liehtMelng. now LAKI tsKMJMTAM: Good iWilue. I JULY mornino T.oun! 1 aluwhara, tamoaraturaa albourna. atlar an XSiST'l Ji2. will ranni the hysterical Nick, who occupies the centre of the film.

Sayles's plot has a blatantly artificial elegance. Hudson City, though clearly meant to represent any metropolis with standard American problems, Is depicted almost as a suburb. It seems to con- slst of a few hectares In which everybody knows everybody else. The paths of various characters keep crossing as they knit together the threads of several subplots Into one huge web of corrup-tion, double-cross and violence. is even a highly symbolic madman' Asteroid (David Strathalrn) who roams the city, screaming out advertis-' Ing slogans and the names of psychiat-' ric disorders.

He represents a general Inability to see beyond consumerism. The plot's artificiality is made acceptable by the sharpness of the script, the vigor of the acting, and passion with which Sayles and his colleagues have made the film. Although 'City of Hope' teeters towards a few Capraesque moments of spurious opti- mlsm, It manages to be tough without being wholly pessimistic or cynical. Sayles (who made an impressive debut with the low-budget 'Return of the Secausus Seven' In 1980) seems willing to offend anyone, though never gratuitously. Italian-Americans, for example, get a few belts for their selfish tribalism; blacks are warned that their addiction to the same sin is disas- trous; and Sayles ridicules a homosexual lobbyist who is ready to exploit a situation dishonestly in furtherance of his group's political strate- gy.

But Sayles's willingness to go on the attack should not give the impression that 'City of Hope' Is a film fuelled by cynicism and a desire to tack shots at easy targets. It is a film with a message, an anger that American Institutions, missed 6.00 News. 6.30 Good Morning Australia. G. 8.30 The Morning Show With Bert Newton.

G. 10.00 Mulligrubs. P. R. 10.30 Aerobics Ox Style.

G. 11.00 Sal)y Jeese Raphael. US chat show, sally a guests: where are they now? PGR. PORT north Afternoon 12.00 Santa Barbara. PGR.

1.00 The Bold And The Beautiful. PGR. 1.30 Donahue. US chat show. Rush Umgaugh, most dangerous man In the USA or newest talk show rage? PGR.

2.30 Oprah Winfrey Show. US chat show. Plastic surgeons create their perfect wives. PGR. 3.90 General Hospital.

PGR. 4.00 Batman. G. R. 4.30 The Wonder Years.

C. 6.00 News. Sport Weather. era. gale Ing winos Evening 6J0MASH.G.R, saw 6 JO Neighbours.

Lou finds Maogs in a compromising situation. With Anne Haddy, Alan Dale. G. -s. In 7J0Hlnch.

7 JO Street CJ may be blind tot hts. jimmy is kliwo. JOJO -and Valentine's scam fails. With Tonv Martin. PGR.

S. 8.30 Cops. The working Hves I or various American ponce 9.30 Herd Copy. AO. io.av newa.

11.00 The Sporte Show. With Hosted by Eddie McGuire end Miks Gibson. Live t2.00 Equeliser. Detective series, with Edward Woodward. AO.

R. HJO FILM. The Baron And The KM. 1984 drama. Stars Johnny Cash, Greg Webb.

2JS Abortglnel Australia. 100 uieaa Tanner, ran. h. 4.00 Ftleener. AO.

R. 6.00 Coming ui Age. u. ao Amen; a. n.

gusty VICTORIA: cloudy gale metres. ALPINE to reach ters between IN THE. Fine, Bendtgo: BeHarat fine, wrndy, Adelaide Cenbetra Sydney ClotlcW If l-V. 1 Good Morning Miss Bliss. TODAY'S FORECASTS MELBOURNE: A fine day with iJnny periods.

Fresh north tonorth-westerly winds. Max 16v isolated showers Is louthern and mountain districts: Fine elsewhere. A dool to mild and partly day with a north to northwest wind, strong to force about the west and central coasts. e.30 Agra's cartoon G. R.

9.00 Mr Ed. R. 9.30 The Book P. 10.00 Mama's Q. R.

10.30 Carol And Q. 11.00 11am. 6.00 Sanford And Son. G. 6.30 ITN World News.

6.55 Business Today. 7.00 Today. G. 9.00 Here's Humphrey. P.

9.30 In Melbourne Today. 10.30 News. 11.00 Whafs Cooking. G. 11.30 Dear John.

US comedy series. PGR. R. Afternoon i vf I I A ft' QhJ PHILLIP and WESTERN PORT BAYS: North to westerly wind of 20 to 30tknots. Waves of 1 to 2 Afternoon A strong wtno warning is current.

itres). Isolated show- iw.tne AREAS: (Above 121 Strong to gale force warning is current. nortn-west wind. norm to Rowan Atkinson goes forth in 9.30pm). .1 WARNINGS: North to noi i-wost winds are expected, tr FILM.

Undercurrent suspense. A country girl a wealthy man then he is a murderer. Katherine Hepburn. Hunter. PGR.

R. Smart Q.R. Q. You See It C. Family Feud.

G. R. Wheel Of Fortune. G. m.

-riL ir victonan coastal 'oye gale force today, west of Cape Otway. fZ' uZtZt'T ong winds are expected and Cape Otwav indud- 12.00 The Midday Show. Hosted by Ray Martini 1.30 Daya Of Our Lives. PGR. 2.30 The Young And The Restless.

PGR. 3.30 Supermarket 8 weep. Australian game show. R. 4.00 1 Dream Of Jeannie.

G. 4.30 Guess I What? C. 5.00 Bewitched. G. R.

6 JO Melbourne Extra. Hosted by John Jost. Evening Wilsons Promontoi force tnowart nCrilrrMt nv.r mrlhdi.l mrjt Port Phillip Bay and 'estern Port. Gale are aiso sxpecteo the Alpine areas. Afternoon UV Wwhr altir local oa.

Rainfall tola a for lh 6 houra to 3 nm war Gala Jorca-northtr nda war. raporltd ovar 4.00 NovoetL Russian News. 4.30 TV Ed. 6.00 English At Work. 6.30 Den Of Wolves.

6.00 World Sports. COUNTRY: MHdufa: Rne, max 18; 8wm Hllfc max 17, Horsham: max 16; Albury: Fine, max 17; Fine, max 16; Wiepparton: Fine, max 16; Mainly fine, windy, max 13; Qeetong: Mainly windy, max 16; Warmamboot: Mainly Fine, max 16; La TroM VaHey: Mainly fine, max 18; News. Sport. Weather. Ufa.

Current affairs. Home And Away. Damlan TC. wa? motfarat. to fraih north-wastarly but wal locally Itrotio about tha coait.

Mjilmum wart ganarally to 3 daortai abova avaVaoa bVit tha tarnsaratura raachad 15.9 daoraaa at 2. SO pm onmloht low of lal dagrats atS.OO am. A hSh Taaman laa. i wtdfront fthf-i Vfcwrla and. anothar Iront was aouth A vlooroua northarly airflow win ptrslil ovar oariod.

Tha coldTronli wlS to tha ioulh-it as thay condltlonj associatad with tha fronts In laolatad showara in southarn and mountain districts. Evening the consequences of oenaviour. a. s. 6 J0 World News.

Matters. A student 7 JO DateHne. International Max 10, oroosc pax 20. a. ether stati Today and national current 7 JO Just One Of far 9 om fro Yesterday Max Min Fine, uk documentary profiling the wealthy Lindsay family on their memorial race day.

Q. 8.00 News. Sport Weather. 6.30 A Current Affair. Hosted 1 byJanaWendt 7.00 8ale Of The Century.

Hosted by Glenn Ridge. G. 7.28 Keno. 7.30 Getaway. Holiday destinations and weekenders.

8.30 SEX. Sophie Lee hosts a series about the nature of sexuality. v. 9 JO Cheers. Rebecca reveals her true feelings about Sam, prompting him to try and postpone the wedding.

With George Wsndt, Rhea Penman. PGR. 8.00 Next Stop Hollywood: 18 21 14 31, 14 16. 20 '17 21 a 14, .30 11 :.20 Fine .1. V.

Fine Ftns i I MainlVflns Shower Fine Weather. Those Days. 1985 comedy. An death allows 10.30 The World Tonight CHve Robertson. Tonight 10J6 Tannics Wimbledon.

electron cans tor oirty Q. Acropolis Now. The waiters union calls a Q. New Australian series. BUgh for the visit of Sir Banks.

With Michael Magda Sxubanskl. Herman's Heed. A man personalities Inside PGR. Btaefcaddor Qoee Forth. Cook.

With Rowan PGR. R.w Ray'a Male Heterosexual Dance He. US satirical drama about the way men make business contacts. PGR. 1M0CJoee.rf 11 Family BUgh.

four heed. The The Travel 446 8.30 FILM. BHaa. Australian black executive's brief him to see those around him ki their true colors. 10.40 Eat Caipet Young Ones.

Flood. carpet awnamepnasus sculpture; Photo Romano black and white stills; Darkness, Light, Darkness a ctaymatlon; and Rendexveee ki Mock a thriller. rromtne as England Lawn Tennis Oub. With John Newoombe, Fred 8toHe. 4J0 Naked ChV.

Pbloce eerlee.AO.BAW..-. 'VV V. 6.00Carsone Comedy Iv30 The SuSsvane. Austrslan drama serlea.a. R.

comeoy. ran. Tonight live. AO. Mama's Family.

Q. R. NSC Today Show. Bryant Gumbel. ftaffcrty'e Rules.

PGR. Tips. G.R. 9WSfS. Aft Cf4dwHy TsMtotelM 0 pm 11.40 The Noise.

Musks video, 120 FILM. The Wounded mm beSMsA 80wtaW8Mt of IrVOfrtoffl AflNfroRo 8mmI Jj1 eSyjJrgjVilLfti aSSaam MalaSAalsaLBSftSkkast ahaaeSiaW aalabBBl aasaSkaBSaSaal 821, AtironoWcai iocwtr of vx- Man. 1983 French AO.iJOCIoee. drama. fteve saveats ear ceftiormaavtn fieansngewt..