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Clipped by shiltonlsu

DARRIEUX-NEW-2B - of camera. She's getting $4,000 a week, and she...
of camera. She's getting $4,000 a week, and she was getting it al the weeks sht waited while they prepared a story for haste which might make waste. Must Be A Smash But from the movie point view this Darrieux is a mighty important property. They couldn't rush into production with just any story, even to save time. Darrieux is with Universal for five years and to realize the maximum return in five years the first picture has to be a smash. So they had no' one, but two stories, ready to shoo before "The Rage of Paris" was selected as best for an introduc tory vehicle. And now, even though they're writing as they go along, Manning and Jackson are writing from t finished script A scene at a time —just a ju?np ahead of the camera and sometimes only a 10-minute jump at that—they polish, revise point up scenes, twist dialogue From 7:30 a. m. to 11:30 p. m. they're with Koster who is a brilliant young director as his work attests. Each night they plan ou' with him-the next day's shooting. Not Temperamental By all the la»7s this "Rage . Paris" set should be a madhouse and it would be interesting to report that it is. The dull truth is that it's a pleasant place; that Mis~ Darrieux, who as a foreigner coulc

Clipped from
  1. Big Spring Daily Herald,
  2. 28 Apr 1938, Thu,
  3. Page 4

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