El Paso Herald from El Paso, Texas • Page 29

Week-End Edition, March 14-1 THREE STUNNING PARIS GOWNS DESCRIBED BY OLIVETTE SO THAT YOU CAN UNDERSTAND TEEM Rene Bache ASHINGTON, March is the world of the forgotten past of the human Such is the remarkable and wholly novel theory advanced by an eminent German psychologist, Prof. Moritz Pfister, who avers that our dreams, while sometimes relating- to current events, are mainly memories of happenings in previous states of existence. You see, it is like this. Each one of us (according to Prof. theory) has lived through a long series of lives, and in them has had a great variety of experiences, pleasant and otherwise.

In our dreams we go back to them, and reenact scenes which may have been actual occurrences thousands or even tens of thousands of years ago. VlflitH Made in Dreams. In dreams we often visit places which in this life we have never seen. We meet people whom in this life we have never met, and yet they do not seem to us strangers. This is because both persons and places, in such instances, belong to a past that is not of this life, but of a a long thereto.

For the very reason that it is not of this life, we have no conscious recollections in our w'aking moments of places and people belonging to that period. While awake we are living in the present, even in respect to our mejnories; but in sleep our dream thoughts go so far back that the dreams themselves are mysterious, puzzling and obscure. It is Pre-Lenten Balls Show Forecast Bright Colored Waists Are Worn With White Taffeta of Late Accessories. EW YORK, March 14. are not large enough for the last and smartest of the affairs, and hotel ballrooms are hired for the occasion.

Here are seen many of the gowns whose style is a harbinger of the spring and summer models. Net and tulle are used in ball gowns a great deal more than chiffon. Taffeta is used as the medium of development for gowns of all colors and for all ages. The first illustration shows a chaining dancing frock worn by a debutante. Its simplicity caused it to be remarked in these days of much drapery.

The bodice and simple all around pannier are of pink and white wide- striped taffeta. A deep frill of maline fell from the low neck line and from the sleeves. The pannier ends with a ruffle of itself and the undraped lower skirt is of plain pink taffeta. The stores are showing attractive spring suits and coats of taffeta, and moire silk. This last fabric is very brim just under the line of the taffeta tarn.

The tailored afternoon frock is of navy bhie gnbortBniL The bodice is fashioned in a sort of bolero, held up the shoulders by horn buttons, and at the waist by crossed straps and similar buttons. This is arranged over a waistcoat of flaring into a Normandy collar and fastened in front by a single vest button of blue enamel. The sleeve and the underarm are of taffeta of the same color. A deep cuff, fastened by three horn gathers ftp the sleeve. Hie skirt is lifted up with a broad box plait in front and is held in place under the buttoned straps of the waist.

This very daring tailor made suit, on the right, is worn by Mile. very charming French its ddS'ign originated in one of the most famous of all the dashing French houses. The coat is an oriental blonse cut on very loose kimono lines. The collar of black fox is continued in a straight line down the front. Narrow white braid sketches a very broad armhole and trims the coats in two separate bands extending horizontally about the coat.

The lower one is finished by a broad band of braid. The sleeve is finished in the same way. Two ornamnts of the same braid fasten the coat over jet buttons. The extremely short skirt is slightly draped on the right side. OLIVETTE.

smart little tailor made of geranium eponge, on I the left, is an advance model for southern wear, but milady will do well to keep it in mind for her spring wardrobe. The coat is a straight model turned back to form collar and revers. These revers broaden out at the bottom of the coat and are caught back by three white pearl buttons. A tab fastening with two buttons of white pearl holds the coat together in front. The plain coat sleeve is finished similarly by a buttoned tab.

The small waistcoat is of white eponge with a turned-up collar rolling over the coat. This waistcoat fastens down the front with olives of ruby and pearl. The skirt, slightly gathered at the waist, is a plain round model fitted with patch pockets on either side of front. Here is a charming afternoon costume, in the center, for the girl who wished to prepare early for the coming of Easter. Every detail is carefully thought out, from the smart pagoda parasol of vanilla brown, with its single row of hemstitching and tasseled handle, to the pumps of vanilla brown suede buckled in brilliants.

The hat is of vanilla hemp with upstanding brim that forms a halo for the face. Brown taffeta is set tam shan'ter wise over this, and at the front there is a perky little bow of taffeta caught by a little nosegay of bachelor buttons and Scotch heather. These flowers enwreatli the able to explain them. A kind of dream familiar to every one of us is that of findfng oneself naked, or insufficiently clad, on the street or in some other public place. Is a Mysterious Land.

Dreamland is a mysterious territory, peopled with the dead whom we have known in life, and also with a great many persons whom in our waking moments we have never met. Its topography is unfamiliar to our consciousness. Seemingly it is made up, together its inhabitants, of memories that run back into a more or less ancient past. WTien we go out of this life (says professor Pfister), it is possible that we shall pass back into this dream be recalled thence, later on, for another period of existence, and carrying with us in our nocturnal visions the added recollections of experiences, pleasant or otherwise, which we are now undeiv going? Other people may read about such things; seen them and observed them at leisure. Are we to suppose that they represent actual experiences of his own in a past state of existence? It is impossible so to assert but not unreasonable to imagine" that such may be the For dreams of certain kinds we are at a loss to instance, those of flying, or of levitation, the dreamer imagining himself to be floating in the air, in defiance of gravity.

We also have dreams of falling from great heights. Nobody has ever tire population of Europe should have perished from plague in the outbreak which occurred in the fourteenth century. And he readily perceives how easily a single of cholera or typhoid could have infected every person who dipped his hand into the trencher with him. In addition, there was the filthiness of personal habits. In those good old days there was no such thing as a weekly wash day, clothes being worn until they were too dirty for further use.

friend calls this remarkable dream a professional object lesson. The Policeman of Your Town By Walter A Williams, OU may boast of your heroes in battle, Of your soldier boy the brave behind the gnn. No doubt true grit, and willing to admit, entitled to their glory, every one; But one kind of man for whom they seldom raise a pen To do honor either in poetry or rhyme, But when in danger or doubt, for him apt to shout, And rush to your assistance every time. the jolly and the joke of every old soak, To hear them think him a clown; Perhaps like to know of whom talking, so speaking of the policeman in your town. For every one must know that this man of the lav Is the gallant knight who guards the peace, For the crook a mark with his helmet in the dark, bound to know that a police.

Of the many things to do, it would be a surprise to you, If you only knew of half the things he did, With so many little thieves and so many petty griefs, But worst of all the noisy pesky kids. one thing he do or the crowd will raise a hullabaloo, If he tries to punish them a galoot. With frowns and faces grim, they all pitch onto him, And tell the city boss policeman is a But the guy who hollers most is the very worst to roast And complain that the noise will have to stop. go to the city bosses and complain of his losses, And say many uncomplimentary things about the cop. tell how the boys behave, then holler and And say the cop was nowhere to be found.

When the boys begin to shout and ball the people out, He hopes that pesky cop will surely drown. No matter how cold or dark the night, The poor old cop must travel up and down the street, For some drunk may raise a shout and the people find it out, And swear the cop was never on his beat. Then besides, on such a night, there will be many a drunken fight, And the sneak thief is ready to turn a crooked trick. If he look pretty sharp sneak up in the dark, And hit him on the head with a brick. Of all the work I know, the cop really has no show, For the thief can see he is the city cop.

With his helmet in the dark, make a pretty mark. When they see him approaching they will hop, Orif got a job to do, with a bullet they'll bore him through, Or with a knife make him take a shuffle off this mortal coil, And the first thing the people know, be marching in a row, To plant the poor old cop beneath the fertile soil. Then of course they shout and rave and tell how very brave, And boast of the good things he did and said; But of course he care, for really he hear, And besides do no good when he is The world is apt to say a snap to draw his pay, And all he has to do is stroll But of all the men I know, who sure earn their dough, That man is the policeman of your town. My Favorite Recipes By BkncKeRing Amber Marmalade and Prune Whip should the mch VERY good housekeeper have, in addition to one many standard cook books, a more valuable one of her own. It may be an old copy book or a handsome leather covered affair, according to the taste or means of the owner.

My own personally edited and privately printed cook book much to look at, but money buy it. Its pages are filled with all kinds of recipes obtained from all kinds of sources and in all kinds of ways, from appealing to the sympathy of the chef of some famous hotel to jotting down the ingredients on the back of an envelope as dictated through an open kitchen win- AwnluK Striped and Plain Taffeta, Combined with Frills of Maline, Develop This Charmingly Simple Cos- tnmo. popular, and is used to especial advantage in my second illustration. Fine French serge is used for the jacket, and moire for the skirt, whose double tunics are of the serge. Moire collar and cuffs complete the jacket.

The buttons on the jacket and tunic are moire covered. It is not surprising, when the separate blouse and skirt idea is applied to elaborate evening gowns, that separate waists and skirts should be widely shown among the shops. One of the smart Parisian ideas is to haye a white taffeta skirt with a blouse of brilliant yellow or green moire or brocaded silk. Charming waists, which are an American adaptation of Parisian models, are seen. The most interesting of these are the blouses with peplums.

Their shapes vary, as well as the adjustment to the waistline. They are rounded, or square, some are like and others are accordion pleated or gathered in under the girdle. Among the brilliant colored waists is a distinctive one of yellow golfine. A deep yoke is U-shaped of the same color of crepe, and is outlined with a standing frill of creamy lace, having a picot edge of burnt orange. The collar is a continuation of this frill, and is wired and bent to fall far away ar the sides.

Raglan sleeves of crepe, finished with cuffs of golfine, have frills of lace run into a U-shaped cut out below the elbow. Yellow buttons and silk cord loops form the fastening at the front. Another charming waist has body and sleeves in. one, and is made of pea pod green golfine. adow lace over flesh colored chiffon makes the fronts, which are decorated with green tas- sfls.

A green cord with tasseled ends shirrs the lace at the neck. The short tuffs of lace peep below the kimono one-half cup of sugar, whites of three eggs. Stir all together. Put in ovon five or ten minutes, or until a delicate brown. Serve with a custard..