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The Salt Lake Tribune from Salt Lake City, Utah • 58

Location:
Salt Lake City, Utah
Issue Date:
Page:
58
Extracted Article Text (OCR)

2 Sunday Morning I 2 Sunday omen War Workers War -NVorl(ers Zbr Znit Cl1w sTribunt Win -Nt1711t 13 1913 Film Star's ighest Praise What's in a Name Anyhow? Ask This Hollywood Star! 4 i Wilki4614liit04016114011b4000 Nkie06IS- I 1 AM -rcilrVIISI 1 1913 411)r 5-z111 -galir sTribunt Praise Star Ighest What's In a Name Anyhow? 1 4--- Ask This Hollywood Star! 11 i 4 4 s- I 1 A I 3 1 l'' 7 i Olivia Finds Something Big in Real Government Girls Big in Girls Loin Olivi Real Once a shy frightened youngster Olivia de Hay-Mond has become a woman of poise and taste a genuine sophisticate as you'll note when you see her as the wartime Washington secretary of "Government Girl" 0 a shy frightened youngster Olivia de Hay- Mond has become a wo- man of poise and taste a genuine sophisticate as you'll note when you see her as the wartime Washington secretary of a "Government Girl" are considerable They're all volunteer such as making entertainment tours appearing on army programs etc She also was a healthy contributor to the fund raised by Uncle Sam's paid government girls which bought a warplane this spring Olivia however would rather talk in discussing women in war about Captain Martha Eskridge the A recruiting officer in Los Angeles a personal friend Or about the secretaries and typists and file clerks she saw in Washington by their efforts releasing men for more exacting tasks in armed forces and factories Or about her sister Joan Fontaine a volunteer nurse's aid putting in many hours at it "Just watching those girls in Washington" said Olivia "gave roe something I hope to be able to bring to this role They live In congested quarters travel in mobs have no personal privacy Girls who gave up homes and beaux to go there Girls who had been infantile paralysis victims walking with dragging legs I3ut they know it's wornen's war as well as mer115" considerable They're all lunteer such as making en- lainment tours appearing on my programs etc She also Ls a healthy contributor to the raised Uncle Sam paid ay vernment girls which bought a kNho played a leading part in 11N 0 Iliadios "The Sky' the Limit" When Davies came to Hollywood he proudly told his questioners: "At the age Neven I IMPerS()I ritioll3 or screen figures in a movie house at Provo Utah "It went into my biography at the studio" Davies recalls "So now if I do a bad Job in a picture some reVieWer wants to know if am still doing impersonations "Please forget about It I'd like to and so would the people of Provo I WaS born They suff(rol enough from tht impersonations when I was doing them" Bug Hiten The fact remains that Davies was bitten by the acting bug when he was seven bitten so badly that he walked right out on the stage of the Provo showhouae and impersonated Charlie Chaplin In high school he still wanted to be an actor In Flrigham Young university the desire remained and he appeared in college shows whenever he got the chance Later he naturally beaded to Hollywood -I thought breaking into pictures would be a cinch" he says "It wasnt The nearest I got tel a studio was a service station two blocks away from one" who played a leading part in 11 0 IZaclios "The Sky the unlit" When Davies came to Hollyw ood tie proudly told his questioner "A he age ilf filV C11 I did impers(mations cr set-ern flizliress log ra ph 1 recalls job in a wants to le people (IS born from tht vt-as (11- DavieR Ling bug litten right out vo show1 Charlie I wanted nrigharn l'sire re- in col got the naturally Into pic- he says I got to statio one" I :1 i I By Jerry Breitigam HOLLYWOOD de Harilland the screen's Government Girl- said that women who do any kind of war work volunteer or paid are pretty sw ell and "have something big about them" She knOwa a number of salaried WOMPT1 war workers out here In Washington she met a lot more "Their jobs aren't easy" she said "The conditions under which they work and live In Washington especially often are hard But it's amazirg the way those girls buckle into the job are cheerful under the most trying conditions Jealousies Out for Duration "And I'll tell you" she added 'the feminine pettiness and jealousy so often noticeable among women in civilian life is x-ery rare It was a matter up for discussion often in Washington and everybody was agreed on that They're out for the duration" As the screen's Olivia is starring in 0 Radio's "Government Girl" She was 5 doing the talking though in her studio dressing rootn Shadrach the young Airedale with the stiff leg resulting from a fall out of her auto was nosing arcund where Olivia sat on a ccuch awaiting a call to the camera She ruffed his ears said: 'He's jealous That's why I bring him to the studio He's jealous of Geraldine Fitzgerald who is staying with rne just now wonder Maybe it's just an Act to win him the privilege of coming to the studio" Shadrach grinned through hairy brows solemnly raised that stiff -hind leg to scratch back of his ears "See" said Olivia "Ile understands" But about Government Girls In general and what she knows of them and of herself in particular? Olivia looking like the secrefary any Washington bureau ehief would love to have dodged the last She doesn't talk but good guess is that her own c'-ontributions to the war effort By Jerry HOLLY IIarillancL ment Girl- do any kin teer or pai "have so them" She kno tried won here In 1 lot more easy" she under whio in Washin are hard way those job are eh trying con it Jealous "And II "th fern jealousy among wo very rare for discuss to and on that duration" As the is starrin "Governmo 5 doing the I studio dres the young leg resulti her auto where Oli awaiting She ruffed 4 He's bring him 1 jealous Of who i I wonder sta2 Act to wir -coming to 6 Shadrac hairy bro that stiff back of II Olivia "I But abo in general of them I fary any ri good gi Cnntributic Mary Wicks Signs 4 'i- :0 -----4- 4 4 i i '4 Ik i -4: 2 7) i 2 7 16 4 4 7 By Ernest Foster HOLLYWOOD (UP) After a quarter of a century Wallace Ford can legally answer to the name of 'Wallace Ford The real monicker of the veteran actor until a month ago was Samuel Jones Ford explained the circumstances that le to his acquiring his present name between scenes of the all-male Metro-Goldwyn-Mayer war picture "A Thousand Shall Fall" Until 1936 Ford believed himself an orphan He-was raised almost from infancy in an English orphanage His name at the time was Samuel Jones When the actor came to Canada many years later he struck up a lifelong friendship with a man named Wallace Ford Ford was killed under the wheels of a train and Sam Jones thereafter took for himself his comrade's name "It was half sentiment" Ford recalls "and half dislike of that undistinguished handle a Jones" In 1036 as the result of a chance conversation Ford received news that his mother might still be alive With the help of Scotland Yard the actor found her living In London Her name is Catherine Jones She has been forced by wartime conditions to move to Northwich After three attempts interrupted by theatrical engagements that took him out of the city Ford acquired his final citizenship papers last month He also had his name legalized Blond Latin Having been surc essful in their appeal for a swaybacked rag to play Rozinante in their production of "Don Quixote" comedians Laurel and Hardy now are searching for a blond Latin They want the blonde for the role of Dulcinea del Toboso and insist that she be a Castillian type with light tresses She must be robust but not fat: able to sing but not necessarily operatic: a horsewoman capable of handling a mule and must have blue eyes Laurel and Hardy expect to film the picture in Mexico When hopeful young actors hit Hollywood and tell all to studio biographers they live to regret it There's the young fellow who wrote in the questionnaire handed him when he signed his first contract: "I worked three years curing hams in the Cudahy plant" One can understand his desire when he becomes a director to have that item stricken from the record Once a Queen There's the girl who proudly announces in her first interview that she was once queen of a cheese carnival in a little Wisconsin town She becomes a great dramatic star and -every time a biographer writes about her that little bit of information sneaks in And there's Richard Davies By Ernest Foster HOLLYWOOD (UM After a quarter of a century Wallce a Ford can legally answer to the Fo name of 'Wallace rd The real monicker of the vet- 1 i i i i I I 1 i 1 -i 1 i 1 i -7 I 1 1 4 '1 1 1 11 i 7 I 1 7 I i 1 1 1 1 ssue 1 1 li i I I 'I I i' i 1 1 I i Mary Wicks hit of the recent stage success "Dancing in the Streets" has been signed by RK0 Radio for a major role in Producer-Director Tim Whelan's musical ''Higher and Higher" Michele Morgan Jack Haley Frank Sinatra and Marcy McGuire head the cast of the film in which Miss Wicks will play a secretary hired by bankrupt Leon Errol and his valet Jack Haley during a particularly festive moment Miss Wicks has scored hits as a comedienne in such pictures as "The Man Who Came to Dinner" and "Now Voyager" In ''Higher and Higher" she joins a cast which- includes Constance Moore The Hartmans Mel Torme Ivy Scott and Dooley Wilson Wells Holds Pictures Only Universal Language only Hedda Hopper's Hollywood Lowdown I13 DAY AND NIGHT SERVICE AIMS elN10111111111111 PETE SMITHS "SEEING HANDS" Paramount Air New 4- tilt It- ofteMAISOMPS at IL '4 's Di AND NIGHT SERVICE 1 Al--A $539 criltitztrt i 1 I EVA 1 i 47 nIG 1: el 2--------77 i 1 -3-: i c) 0 I Eli :1 an l'-44'-: 1 rei 1 1 I -r --4 4 1 1 Itt 11 I ti foomp "I 0 1 -7'' 44: -y 1 11 1 1 6 e1 1 I) 4 I ta iCA Parerliribta nil eFi Sii Ir 11104 BEINA13-1101F( OVERMAII- rot 11 4 I 4 PETE SMITH 30c 4 -SEEING HANDS" ro "0 Paramount Air Newo 1 17'0 10 7 1 to's In: 'IA a I I 0 iii 'It -'1'11' )1 fe 144 44 I I 1 i TunDrei I AUGUSTAIth 'f at g'23 rt 0111-1 I PrIELIIERE of M1111L7111 1 't 4 Ilfl ''''47-1 w4 i -4 4t4 Is i pj (--11 i )1- -z: 1 11 4 14 -ri 1 11 1 4 tali -I i i6 ri 1 r'''''''': 1 177-4' ir7 1i 1i b'" V- 4- I c' t) i ft 1 ji k'Ult ri i 11 His face is as round his tummy as portly and his ability to touch off laugh explosions with Abbott just as deadly But because he loves to laugh and entertain his many friends have been kept from his bedside so he can get back to work sooner Abbott's loyalty to Lou both personally and professionally is unparalleled in Hollywood Bud feels that having made the grade together hey're like Siamese twins When one is laid up other must likewise be incapacitated When one can't perform the other should go into retirement too By Robert Frey NEW YORK of world unity through creation of a universal language leads up a i "blind alley" in the opinion of Wells He foresees the next century possibly bringing an increase rather than a decrease in the number of spoken languages However universal communication may be achieved Wells sets forth in a copyrighted artele appearing in the current issue of the Saturday Review of Literature by the use of photography to reproduce symbois diagrams and pictures and by use of "pigeon" speech in which would be amassed the basic words from many tongues 'There is scarcely a fact spoken language can express which cannot be conveyed a thciusand times as rapidly and completely through the eye" writes Wells "When we hear talk of reeducating the whole world for unity the speaker must either have this new visual edu'cation in mind or he must be an impracticable wishful thinker Or altogether insincere" "Basic languages" consist of the minimum vocabularies required to talk understandably in any tongue and these Wells By Roberl NEW of world of a unive: a i "blind next cent an increa crease in languages 1-loweve cation ma sets forth ticle appe i of of Litera phptograp 'Dols diaj and by us( which wc basic wor 'There spoken I which ca thciusand com pi etel writes talk of wptld for must eitho edu'cation an imprac er Or alto "Basic the minir quired to any: tong woriu ror unity me speaker mut either have this new visual cation eduE in mind or he must be er Or altogether insincere an imnracticable Wishful think- "Basic languages" consist of the minimum ocabularies re- quired to talk understandably in any: tongue ad theseW ells mirtAL i il I1 geb-- rA 7 I itTRAMOUNT tiN77' VV (Conttnued from Page ono coats to their next theater in Milwaukee Another legend is a pip This Is their marriage legend Up until last year it was generally assumed that Bud and Lou met their future wives when they separated a couplei of hair-pulling chorines backstage at a burlesque show After they had separated them they took them out for hamburgers and a few months later married them This was supposed to be in which time the boys hadn't even met The truth is young Abbott met 16-year-old Betty Pratt on a chartered yacht sailing down the Potomac 25 years ago She was a soubrette in a burlesoue show playing Washington Bud had seen her backstage at the theater but they hadn't met until the yachting party Along about midnight one of the chorus girls decided to take a swim in the Potomac The towel which she had wrapped around her head slipped and almost choked her and she was going down for the second time when Bud heard her screams jumped in with his clothes on and rescued her Mr Abbott suddenly found himself a hero The girl was Betty Pratt's best friend and when Betty thanked Bud for saving her girl friend Bud all puffed up over being a hero for the first time said "Let's you and me get married" The boat pulled in at Alexandria Va the two of them sat on the courthouse steps Bud AIUSI LIIIIC Z11U 14eL Ott a ILI me get married" The boat pulled in at Alex- andria Va the two of them sat Bud on the courthouse steps mionignt one or me cnorus girls decided to take a swim in the Potomac The towel which she pped and al had wrapped around her head slimost hoked her and she Was going down for the hen Bud heard her second time -reams jumped in with his s' clothes on and rescued her Mr Abbott suddenly found himself a hero The girl was Betty Pratt's best friend and Wh011 Betty thanked Bud for saving her girl friend Bud all puffed over be up ing a hero for the first time said "Let' you and me get married" The oat pull ed in at Alex- andria Va the two of them at on the courthouse steps Bud shivering in his wet clothes and Betty shivering with cold feet until the county clerk arrived Six hours after he became a hero Bud Abbott became a bridegroom The Abbotts celebrate their 25th wedding anniversary this month Betty still doesn't believe in long engagements Lou and Anne Costello have been married nine years Lou was a comic at Minsky's in New York and Anne Battler was one of the prettiest chorines who ever graced a Minsky line Lou had seen her backstage and was going around saying "Give me a knockdown to that babe" Anne didn't care to meet him even when a friend said There's a cute little comic in the show who's terrific" Anne only looked bored and said "All burlesque comics are alike They're a dime a dozen" But her friend finally persuaded her this one was "different" and so one night she stood in the wings to watch his act As a finish to the act a stage hand was supposed to knock over a heavy halltree so that it would narrowly miss Lou It missed Lou all eight but it conked Miss Battler right on the bean and knocked her out cold When she revived Lou introduced himself and invited her out to dinner They were married four months later Throughout Lou's illness the boys' motto has been "Nothing can break up the act of Abbott and Costello" To look at Lou sunning himself in bed beside his swimming pool you'd never think he'd been sick a day in his life which he wasn't until this illness struck k41 01 tiL 0 LAJ 1-1 and Costello" To look at Lou sunning him- self in bed beside his swimming pool y'v' ou neer think he been sick a day in his life which he wasn't until this illness stru Ck "a wiLIULL111 illiU 0 one nigzu she stood in the wings to watc hak ins so tcaakcgt e0 1 hand As ada uht pao pn ot the supposed de act st oo that it would narrowly miss Lou It missed Lou all right but it conked Miss Battler right on the bean and knocked her out cold When she revived Lou in- troduced himself and invited her Otit to dinner They were mar- ried four months later Throughout Lou's illness the boys motto has been Nothing can break up the act of Abbott and Costello" To look at Lou sunning him- self in bed beside his swimming s7caoksir13ito duua' ndtni lienNthehri isst hilliiineke sh: eh'sditcrhbuechekne CUOIsS UWEN AT 11:30 A LAST SHOW STARTS AT 10 BUD LOU LAbi bP1UVV biAillb Al iu BUD LO thinks would be far more Suitable for pre a ding ideas than a newly created universal language "The various 'basics according to Wells "may expand and pick up words from one another and they seem likely to converge upon a sort of universal uninfleeted world 'pigeon' speech with a vaster vocabulary of worth in common than any languages have ever had hitherto Pigeon' will enable a traveler to get about order accomodations take a ticket and so forth and remain as flat and unsuitable for poetic intimate and delicate expression as pigeon English is in China today ''No one will ever want to make love or describe a sonnet In a pigeon language The first thing two lovers set about is the invention of new names for one another and a little language of their own Every set and clique of friendshhip and conspiracy in the world devises its own slang and dialect its nicknames and specialized interpretations Nothing in the great times ahead is likely to abolish that" Obstacles to a universal language in Wells' view are ''the obdurate inadaptability of articulate speech to changes in sound or accent" and the "perpetual shifting In the meaning of words" Furthermore he says "Manifestly articulate speech was never adopted by man for the unrestrained broadcasting of what he had in his mind Spoken speech is a very cohvenient way of coming to an understanding with one's intimates while leaving the stranger present unaware of what was brewing The demand for a universal overriding speech is an innovation upon linguistic practice Speech is used to conceal our thoughts much more frequently than it is used to express them We go on using words at times just as friendly savages hold up their hands to show there is nothing in them" the unrestrained broadcasting of what he had in his mind Spoken speech is a very conveni- ent way of coming to an under- standing with one's intimates While leaving the stranger pres- ent unaware of hat va brew- ing The demand for a univer- sal overriding speech is an inno- Nation upon linguistic practice Speech is used to conceal our thoughts much more frequently than it is used to express them We go on using words at times just as friendly savages hold up their hands to show there is nothing in them" conspiracy in the world devises and dialect its own lan its sg- nicknames and specialized great times ahead is likely to terpretations Nothing i in the abolish that a uniersa bstacles to vl lan- guage in ells view are "the obdurate inadaptability of ar- ticulate speech to changes in psoeutunadi osrhiafctcent" and the "per- mg in the meaning of words" Furthermore he says "Manifestly articulate speech was never adopted by man for the unrestrained broadcasting of what he had in his mind Spoken speech is a very conAeni- ent way of coming to an under- standing with one's intimates while leaving the stranger pres- ent unaware of what WaS brew- 'Tina rinin-la rIti ftny a linix-or- 1142E( a-i tia iSIEHO I 4: fa i 14 't7 ti 1 Gilltrit -714 'It' --4 in-to ely I '1 I 1111Ptrinilla441--Ci5 Ellig 1 '610i '11 4 I l' I A 4 'it 4 k4--''' 249 A- I L1Q1-11-r--1 A I Ulf -k ''g -Of! '''i i il 1 11 1 1 v-1-71 it 04 1 44'4''7 't Gilltlir cirrrIc I 1) 7 's'14 --I 0 1 4 47) Ir 6-4k -IN ii 2 TO MIDNIGHT Filmed in Gorgeous Technicolor in th Scenic Wonderlands of Southern 'Utah 17 rel 11 I 491114 if rfchvicoloR 00'1 'IWO ON 014 Southern 'Utah 'riv re1st rite 1 "7-7N-1077 i---'7i ITC toViCOIOR rI va "0 I ti101101)V01- t044-q- 1 TW-kvo------i----!" go 2 TO MIDNIGHT in Filmed in Gorgeous Technicolor Scenic Wonderlands of Utah i i Southern i pi- le a- 17 nit 0 0" ITCNIVICOICAP tri 11a WAlla fir 1- la en -((-- 1 i i Won 0Z)1s-s -10- 1 I 1 I 1 1 1 1 1 I I I 1 I i 1 with Anne Murphy 101oe Nor 44N 1 I 4 TT LAST SUNSET CONCERT 1943 SEASON- Armed Forces Night ---z 4 Tuesday August 24 8:15 -e Univorsity of Utah Stadium Sergeant Hans Heniot Guest Conductor Sergeant Lawrence Whisonant 4 Dramatic Baritone and the Utah State symphony Orchestra (70 Musicians) POPULtli William Tell Overture Ravel's CONCERT: Bolero Gershwin Songs 01' Man River Negro Spirituato Oppng Today 3 pm 611RLIIIIID Witl 11EFLIII 1 t4 i LI! with 41 TOMMY DORSEY and ORCHESTRA BOB CROSBY and ORCHESTRA rUI ITI 1 'PLAcin UNIVERSAL NEWSREEL Cecil 8 DePtillle BARBARItIANWYCK 'Maar 0d JOEL McCREA JliIU 1011110(1 1101111 Mut Hi "NAN MAI 1011LiNv lincaDE TDMOon Ttis 4th So ett Sth Opens Today 1 pm as BIG V4 WEEICIT 40c1 Tit LORETTA AtAN' YOUNG' ADD writ WILIIA4 atonal "HIGH 64 EXPLOSIVE" Th viols r7TILthI flOW I t3' idt with COLORS FLYING IN TECIIIIICOLOR StarriPt THE MEN OF THE ARMED FORCES GEONE IMIRPHY LESLIE tt RONALD REACXI CEO TOMAS ALAI KALE CHARM CUTTIIMNIII KATE UM! Prolcad at WARNFR SkOS Sbtatca Lucille's 'Buster' Is Paradoxical Porker HOLLYWOOD Lucille Ball proved herself a more successful farrnerette than she realized when she raised "Buster" a Poland China pig on her San Fernando Valley ranch She bought the animal tiny piglet fed him on corn and other produce and a couple of months ago sold him for $20 Now her face is red She learned that the pig has won several prizes at livespek shows and in consequence is worth about $300 as a show hog 0Isr FG I aret47 "PRAIRIE CHICKENS" with Jimmy Rogers Noah Beery Jr "SLAY IT WITH FLOWERS" Technicolor Cartoon Flashes A 1 1 Segt 11 7 0 1 Oa mt 0 -r ALLAH JONES tANE FRAZEE GLORIA JEAN Ovsold O'CONNOR SPITALNY HIS HOUR OF CHARM Pr iii Atte qcse' ORCHESTRA 1 "THE WIFE TAKES A FLYER" with Joan Bennett Franchot Tone te 06! INION FE ill -4 YOUR GOVERNMENT'S OFFICE OF 4 i A WAR INFORMATION i i 1 i "Report From the Aleutians" tr i-'( i )4- 4- 4F 01A --ve 1- -A' i 1 YOUR GOVERNMENT'S OFFICE OF 4 N- 4 11 i 1 A 7 WAR INFORMATION Aono i4 -PRESENTS- re 6 i 4 "Report From the Aleutians" As -IN 4-' 1 10 01 V-oie) ALL Lucille 'Bu ster Is -ZA4AA- ALi: 1 1 -it 11 I ALSO ryr-DC4 1 Paradoxical Porker 1 it '1 -1 rlyilfi 10Va HOLLYWOOD Lucille Ball I ml 1111-14 IC I (Et IE i I Ill fib4 if 1 i4 A 0 I l'C with YING FL ---ar-m--- low Lly2 ALLI tiOVI! COLOR A' 1 TECIIIIICOLOR I Tr proved herself a more successful LA' I farrnerette than she realized )44-fra 1161Vr'' 0-45r'll I ndlttl 13eal 1 ti 1 fxPPIN volt- 10 1-1- t-g-''- r4--f4- c) A 1 TINE OF HE it" jol o- when she raised "Buster" a Po- Lqatt i 1 4 II 1 0 1 A 1 restirg land pig on her San Fer- ld Chi sto titt with Anne Shirley-George Murphy nando Valle ranch It ty '''''ii She bought the animal a a kl 11411 swill5 vet -1- c' i i sit a lc I 01 ARMED FORCES lyx- 7 1 4- it 4- 1i BIG 1 -IT and GEOtiGE 1itillPHY 'ql NIO' A 7I 7 -fahY elcomeY0' tali' 9' i o'rsil' 1 111111111h tiny piglet fed him on corn and Kt 1110 lot 11 ii 1 'c 1 I 7 other produce and a couple of 4 ---44- 7- NNs months ago sold -Nwo01040ce4P um for S20 -The tiol Tc ----T'40-----' I i--- 1 41- it 1 46--- --r Now her face is red She 7 41 '--j ff- rli 1 Now that the pig has won 0d JOEL McCREA rIllrAill31118 kit A 1: 8 0 IT A vil 8 olo A IA to I 11 A ii: WEB( 'It- co) 2 tetr Deltillles "SLAY IT WITH FLOWERS" 4 s'k 'r lOAILLtESLIt di 1 I 1 31 li 7 severai prizes at livespek shows Technicolor Cartoon 's Fdatavshes 40c T-- ''''t RONALD REAGAN I twl and in consequence is worth 1 111 ok I cl abo 4 ut $300 as a shm hog 1 1 I (C I i 0 17 amer e' 3 Opprig nouNTIFEL 7 31) UNIVERSAL NEWSREEL Ill 5 '---T II 1 WAR TIME" I 11 0 VI tg CFO TOMAS At fil HUE 4 CHARLES LAST EtMlirCRIN KATAESIgill I 1 1 )-------- ''''-1 ognitrat pM iroso TODAY Monan pi Reiluc Tues tiele AtliAPARNSIti i 1 4 I 4th So At Sth Opens TodaV 1 PM wag rree3 1 1 PrTodcaTi at WA3 Sunsica 6 T'' SUNSET CONCERT i '-b--- it 0 LORETTA ALAN irewit 4 RilfrilID tilrl -174 OPENS '1943 SEASON- rer'r ri iell 7' 1 '411111" Er 1711EFLIII It4 12:30 i A som rket 71:: "44410 I 4-- "--r 4 yz--- I PP Armed Forces Night 1'--z G- se 0 4 1as yoti16 ADD i 1 iv Si tia IA we 1 rat dn? 01 0 1 3 i Tuesday August 24 8:15 rn 41 30c I 10 1 tss ALLAN TONES SANE FRAZEE University of Utah Stadium Mail oder GLORIA JEAN Ocsold O'CONNOTt TA 1 P'41 r' i sird 0 SPITALNY HIS HOUR OF CHARM I Pi i Ci i I I) itirugl 3 3 bergeant Hans Heniot Guest Conductor No ers Sergeant Lawrence Whisonant Ct pN rs' with 4r'''' TOMMY DORSEY and ORCHESTRA a Ave 7qtst ORCHESTRA 1-1K4-i0 'itEt 4 Dramatic Baritone Aft 'tFt0 1 I 1 ki ''''3' 4' 1 74 So BOB CROSBY and ORCHESTRA "THE TAKES 'ki t11 I 06 and the Utah State Symphony Orchestra a i (70 Musicians) tal I POPI'1411 William Tell Overture Ravel's areta A FLYERU 0 "PRAIRIE CHICKENS" kw os "HIGH co EXPLOSIVE" 44 HI 1 CONCERT: Bolero Gershwin Songs Or Man with Joan Bennett Franchot Tone LLLastmornimemumelimaitaiiimersh '1 1 Ci I tririffi ro- ii 31 Rtmuut 1 River Negro Spirituars with Jimmy Rogers Noah Beery Jr I I I 1 i oi a 1 i I A 4 04- 4- --Nk ATTLANL4- 4 0 000 r- it 1 our: 46 ----c EATURE MPANION i -'3-- YOUR GOVERNMENT'S OFFICE OF A Alotb i 1 i 4 1 i i 1k I 9 I A 41 l' WAR INFORMATION I TEC 'Report From the Aleutians sij V-efo) 4- 7 41 A 1 9 'Buster' Lucille Buster Is 1 1.

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Pages Available:
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Years Available:
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